UNT Libraries - 767 Matching Results

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Primary view of An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra
Hart, Shawn Michael
December 2008
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of An Analysis of Pitch Organization in Villa-lobos's Rudepoêma
Kruger, Esthea
May 2013
Primary view of Analysis of Roger-ducasse’s Pastorale Pour Orgue
Kim, Jung-Won
May 2012
Primary view of An Analysis of Selected Choral Works by Kirke Mechem: Music-Textual Relationships in Settings of Poetry of Sara Teasdale
Bierschenk, Jerome Michael
August 2003
Primary view of An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation.
Samayoa, Raquel Rodriquez
August 2008
Primary view of An Analysis of the Attempted Amalgamation of Western and Chinese Musical Elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, a Lecture Recital, Together with Three Recitals of Selected Works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann
Pei, Yushu
August 1997
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók.
Ujj-Hilliard, Emöke
May 2004
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of Analysis of the Re-Orchestrations of Robert Schumann's Four Symphonies Employed by Felix Weingartner: With Four Recitals of Selected Works by Schumann, Beethoven, Tchaikovsky, Poulenc, Bizet, Rossini, and Chabrier
Cummings, Ronn (Ronn Thomas)
August 1997
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44
Kim, Sun Hee
December 2009
Primary view of An Analytical Study of Karamanov's Piano Concerto No.3 "Ave Maria"
Yang, Christine
May 2008
Primary view of An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.
Kim, Miyang
May 2007
Primary view of An Analytical Study of Robert Muczynski's Second Piano Trio
Oh, Eun Jun
May 2006
Primary view of An Analytical Study of the Variations on the Theme of Paganini's Twenty-Fourth Caprice, Op. 1 by Busoni, Friedman, and Muczynski
Ahn, Kwang Sun
May 2000
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of And Drops of Rain Fall Like Tears: A Composition for Electroacoustic Music and Video
Thompson, Michael Allen
May 2002
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works
Švalbe, Erika Lynn
December 1997
Primary view of Animations: A Composition for Percussion and Computer Music on Tape
Criswell, Madeleine L.
August 1993
Primary view of An Annotated Bibliography of Selected Chamber Music For Saxophone, Winds and Percussion with Analyses Of Danses Exotiques by Jean Françaix, and Nonet by Fisher Tull
Fryer, Cheryl A.
December 2003
Primary view of An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Bradfield, Ann
May 2010
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