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Amerikanuak eta Asmoak: New World Basques and Immigration Theories
The focus of this thesis is the relationship between immigration historiography and the history of Basque migration to the United States. The depictions of immigration presented by historians Oscar Handlin, Marcus Lee Hansen, and John Higham have been influential in immigration historiography and are presented in the first chapter. The second chapter contains a description of Old World Basque culture and the third chapter presents a brief history of Basque migration to the United States. The fourth chapter discusses to what extent the immigration theories presented in chapter one match the Basque experience in the New World. The concluding chapter contains some observations on the nature of immigration historiography, on the Basques, and on new directions for research.
An Analysis of Jaques Ibert’s Concertino Da Camera for Alto Saxophone and Eleven Instruments
This paper provides historical background for the creation of Jacques Ibert's Concertino da camera for alto saxophone and eleven instruments and analyzes its three movements. As one of the first works written for the saxophone, James Garland Riggs explains the importance of the piece.
The Anglo-French Military and Naval Conversations, 1906-1912: a Study in Pre-War Diplomacy
The French nation has been prolific of consummate diplomatists all through history, but her annals record no more brilliant achievement than that of Theophile Delcassé and Paul Cambon when they brought Great Britain into a French alliance. Even those who disapprove the consequences of their act must admit the skill and the pertinacity with which the two statesmen pursued their purpose. Their difficulties were stupendous; British governments had for years stood aloof from Continental agreements, but precedent was forced to give way before the perspicacity and perseverance of these two French statesmen. Delcassé had contributed the Entente Cordiale to the French cause in 1904. This understanding pledged British diplomatic support to France in her imperialistic venture in Morocco-nothing more; but it also provided a foundation upon which Cambon could exercise his talents in leading Great Britain into a trap. The result of these activities was the equivalent of an Anglo-French alliance. The French, to accomplish their purpose, led the British into a series of military and naval conversations as a means of working out plans of joint operations whereby the latter could assist the former in case of a Franco-German war. The conversations had their official beginning in 1906 and continued until the outbreak of war in 1914, by which time Britain was so completely obligated to France as to make her entry into the war a foregone conclusion.
Capital Ships, Commerce, and Coalition: British Strategy in the Mediterranean Theater, 1793
In 1793, Great Britain embarked on a war against Revolutionary France to reestablish a balance of power in Europe. Traditional assessments among historians consider British war planning at the ministerial level during the First Coalition to be incompetent and haphazard. This work reassesses decision making of the leading strategists in the British Cabinet in the development of a theater in the Mediterranean by examining political, diplomatic, and military influences. William Pitt the Younger and his controlling ministers pursued a conservative strategy in the Mediterranean, reliant on Allies in the region to contain French armies and ideas inside the Alps and the Pyrenees. Dependent on British naval power, the Cabinet sought to weaken the French war effort by targeting trade in the region. Throughout the first half of 1793, the British government remained fixed on this conservative, traditional approach to France. However, with the fall of Toulon in August of 1793, decisions made by Admiral Samuel Hood in command of forces in the Mediterranean radicalized British policy towards the Revolution while undermining the construct of the Coalition. The inconsistencies in strategic thought political decisions created stagnation, wasting the opportunities gained by the Counter-revolutionary movements in southern France. As a result, reinvigorated French forces defeated Allied forces in detail in the fall of 1793.
The Catholic Henri IV and the Papacy, 1593-1610
This study explores Franco-Papal relations, and their effect on the French Church and State, from Henri IV's conversion to Roman Catholicism in 1593 until his death in 1610. Because Henri IV's primary concern, even in matters involving the Papacy or the Gallican Church, was to protect his kingdom from Habsburg encroachment, he was willing either to abandon his Protestant allies abroad, or to adopt reform measures, such as the decrees of the Council of Trent, that might weaken his own authority or disturb the peace of his kingdom. This caused repeated conflicts with the Counter-Reformation Popes Clement VIII and Paul V, to whom the primary enemy was always the infidel and the heretic. Nevertheless both sides realized that they needed each other to maintain their independence of Spain.
The Countess of Counter-revolution: Madame du Barry and the 1791 Theft of Her Jewelry
Jeanne Bécu, an illegitimate child from the Vaucouleurs area in France, ascended the ranks of the Ancien régime to become the Countess du Barry and take her place as Royal Mistress of Louis XV. During her tenure as Royal Mistress, Jeanne amassed a jewel collection that rivaled all private collections. During the course of the French Revolution, more specifically the Reign of Terror, Jeanne was forced to hatch a plot to secure the remainder of her wealth as she lost a significant portion of her revenue on the night of 4 August 1789. To protect her wealth, Jeanne enlisted Nathaniel Parker Forth, a British spy, to help her plan a fake jewel theft at Louveciennes so that she could remove her economic capital from France while also reducing her total wealth and capital with the intent of reducing her tax payments. As a result of the theft, her jewelry was transported to London, where she would travel four times during the French Revolution on the pretext of recovering her jewelry. This thesis examines her actions while abroad during the Revolution and her culpability in the plot. While traveling to and from London, Jeanne was able to move information, money, and people out of France. Jeanne was arrested and charged with aiding the counter-revolution, for which the Revolutionary Tribunal sentenced her to death. Madame du Barry represented the extravagance and waste of Versailles and of Bourbon absolutism, and this symbolic representation of waste was what eventually inhibited Jeanne’s success.
The Diplomacy of an Army: the American Expeditionary Force in France, 1917-1918
The entry of the United States into the Great War was enthusiastically endorsed by Congress on April 3, 1917. Even after the declaration of war, however, the exact nature of American participation was unclear. This thesis examines the role of American involvement in the war, as it responded to requests for support from Great Britain and France.
Eclectic Style, the Essence of Originality in the Music of Francis Poulenc Discussed Through the Concerto for Piano and Orchestra, 1949
This paper analyzes Francis Poulenc's Concerto for Piano and Orchestra written in 1949. Deborah Lee Erftenbeck explores his eclectic style and the manner of its development, determining the originality of its nature and his works.
The Flute Professors of the Paris Conservatoire from Devienne to Taffanel, 1795-1908
Since its establishment (1795), the Paris Conservatoire has attracted top-ranking flutists who, through their playing, teaching, writings, and attitudes, (toward the Boehm flute, for example), have influenced flutists and composers throughout Europe. Through Paul Taffanel, who founded the Societe d'Instruments a Vent in 1876, standards of woodwind playing reached new heights. When Taffanel's students, Georges Laurent and Georges Barrere, emigrated to the United States, they influenced the style and development of flute-playing in this country. Through Barrere's famous student, William Kincaid, there arose what might be termed the American school. The intent of this paper is to place these flutists in perspective. The professors are discussed chronologically; information on the style, works, students, and influence of each man is included.
France and the Little Entente, 1936-1937: the Work of Yvon Delbos
This thesis studies France"s relations with the Little Entente during the term of Foreign Minister Delbos. It relies primarily on published diplomatic papers and memoirs. It discusses Delbos's background, the histories of Czechoslovakia, Yugoslavia, and Rumania from 1919-1936, and the formation of the Little Entente. The thesis focuses on France's efforts after the Rhineland crisis to strengthen her Eastern European alliances. Delbos chose the Little Entente over the Soviet Union as France's primary Eastern European alliance. Delbos's proposed Mutual Assistance Pact between France and the Little Entente and his Eastern European trip in December, 1937, failed owing to Yugoslavian and Rumanian opposition. German economic domination and intimidation of, and British disinterest in, Eastern Europe contributed to Yugoslavian and Rumanian rejection of France's overtures.
Franco-American Diplomatic Relations 1776-1898
This thesis presents a diplomatic history of the United States and France for the period 1776-1898. This study, due to the enormous amount of foreign diplomacy, is by no means exhaustive. The author has tried to limit the diplomacy of the United States with the other nations to a minimum and omitted all relations except in instances which are closely related to the diplomacy of France and the United States.
Franco-German Diplomatic Relations 1871-1939
My purpose is to sketch briefly the diplomatic background of the existing relations between France and Germany from 1871 to 1939. I have told the story chronologically, because I believe that we must follow events as they unfold themselves if we are to understand why statesmen made their decisions. I have attempted to mass all the important facts that I could find on Franco-German Diplomatic Relations from 1871 to 1939 without self-interests or prejudices to either of the two nations. My intentions were to seek a general knowledge of the drift of Franco-German Diplomatic affairs during this period of seventy years.
The French Ballet De Cour and Its Predecessors, 1400-1650
A study of the historical development of the origins of ballet in Italy and France during the fifteenth and sixteenth centuries. Specifically focuses on the ballet-comique de la reine and the ballet de cour.
The French Cantata: A Survey and Thematic Catalog
The musical compositions known collectively as the French cantata have remained relatively unknown since their popularity waned in the middle of the 18th century. In order to establish a foundation for their systematic study and to bring them to the attention of a wider audience, this survey and catalog have been prepared. The cultural mileu in which the cantatas were written, their formal structure, and principles related to their performance have been presented along with pertinent biographical and bibliographical information.
French Mélodie: The Solo Songs of Henri Duparc
This paper explores the French mélodies written by Henri Duparc and includes a historical background of both Duparc and the mélodie as a type of song. Carol Tagg explores the roots of the mélodie and how influences of the Romantic movement are reflected in Duparc's work.
French Theories of Beauty and the Aesthetics of Music 1700 to 1750
Studies of eighteenth-century French musical aesthetics have traditionally focused on questions of taste treated in the critical literature of the day. During the first half of the century, however, certain French writers were dealing with aesthetics in the stricter sense of the word, proposing theories of beauty that suited existing philosophical values. The treatises in which these ideas were set forth--Jean-Pierre de Crousaz' Traité du beau, Jean-Baptiste DuBos' Réflexions critiques sur la poësie et sur la peinture, Yves-Marie André's Essai sur le beau, and Charles Batteux' Les Beaux arts réduits à un même principe--are among the first learned writings to present the musical experience in something other than a mathematical or pedagogical light. This study investigates not only the role music played in these theories of beauty, but also the methodological problems inherent in translating this data into historical information.
The German Submarine Cables and United States Diplomacy, 1914-1927
Immediately after the outbreak of the World War, Great Britain, France and Japan cut the German submarine cables which were situated in the different oceans of the world. The study of the submarine cables during the World War and its aftermath is a complex problem. To understand the post-war negotiations, previous international agreements, treaties and the ownership, operation and financing of the cables must be understood.
The Great Rivalry: The Planning Legacies of London and Paris in the Modern Era
This thesis seeks to examine the respective histories of London and Paris, two of the most influential and iconic cities in the world, in order to better understand how each respectively developed and their impact upon modern urban planning. Comparisons are made between, not only the history, but also the noble classes and gentry, religions, and cultural values which influenced the development of each capital city. Additionally, this thesis also seeks to explore how the development of Paris can still greatly assist modern developers in the twenty-first century.
The Horn at the Paris Conservatoire and its Morceaux de Concours to 1996
A work concerning the history of the Paris Conservatoire and music education in France. Follows the development of the horn and its correlation with the French school of horn playing. Includes biographic information on the horn professors of the Conservatoire through 1997, as well as a comprehensive list of the morceaux de concours for horn, 1795-1996.
Louis XI and the Feudality of France 1461-1483
This thesis examines the struggle between King Louis XI and the great feudal houses of the fifteenth century such as Burgundy, Brittany, Anjou, Armagnac, Bourbon, and Foix. It attempts to provide a detailed narrative based on the primary sources and the excellent studies on individual feudal princes produced by a number of French historians, supplemented by a critical analysis of the traditional view of Louis XI as the "vainquer de la grande féodalité."
Mobile Technologies for Language Learning: A Case Study of Beginning Learners of French
Over the past 25 years, research on the effectiveness of new technologies in teaching has been constantly evolving as teachers try to keep up with educational trends. With the current evolution of technology, it is important to find out how students feel about the use of technologies in both the classroom setting and the non-traditional learning environment. The objective of this project is to determine which applications the students of French 1010 (first semester of college-level French) at the University of North Texas use for language learning to supplement and reinforce the concepts learned in class. Two questions guided this project: (1) what are the new technologies that students in French 1010 use? and (2) if UNT were to implement hybrid classes, would students be interested in taking them? In order to answer these questions, a survey was distributed to 184 students of French 1010 at UNT during the fall 2019 semester. From these surveys, 100 were selected for analysis in the present study, and three students were interviewed as a way to collect additional data. The results of the survey showed that Duolingo was the most used application for language learning purposes, while the interviews showed that the students would be open to the possibility of taking hybrid classes. From these results arise questions related to ways in which mobile applications can be effectively incorporated in language classrooms.
The Physical Development of the Bassoon
This paper explores the history of the bassoon and its construction. Bob A. Sparks analyzes its evolution over time, from the versions created in France and Germany to the bassoon of the twentieth century.
A Pre-professional Institution: Napoleon’s Marshalate and the Defeat of 1813
Napoleon’s defeat in 1813 generates a number of explanations from historians regarding why he lost this epic campaign which ultimately resulted in France losing control over the German states. Scholars discussing the French marshalate of the Napoleonic era frequently assert that these generals could not win battles without the emperor present. Accustomed to assuming a subordinate role under Bonaparte’s direct supervision, these commanders faltered when deprived of the strong hand of the master. This thesis contributes to this historiographical argument by positing that the pre-professional nature of Napoleon’s marshalate precluded them from adapting to the evolving nature of warfare during the First French Empire. Emerging from non-military backgrounds and deriving their capabilities solely from practical experience, the marshals failed to succeed at endeavors outside of their capacity. An examination of the military administration of the Old Regime, the effects of the French Revolution on the French generalate, and the circumstances under which Bonaparte labored when creating the imperial marshalate demonstrates that issues systemic to the French high command contributed to French defeat in 1813. This thesis also provides evidence that Napoleon understood this problem and attempted to better prepare his marshals for independent command by instructing them in his way of war during the 1813 campaign.
Remarks and Reflections on French Recitative: Ban Inquiry into Performance Practice Based on the Observations of Bénigne de Bacilly, Jean-Léonor de Grimarest, and Jean-Baptiste Dubos
This study concerns the declaimed performance of recitative in early French opera. Because the dramatic use of the voice was crucial to the opera genre, this investigation begins with a survey of historical definitions of declamation. Once the topic has been described, the thesis proceeds to thoroughly study three treatises dealing with sung recitation: Bacilly's Remarques curieuses, Grimarest's Traité de recitatif, and Dubos' Reflexions critiques. Principles from these sources are then applied to representative scenes from the literature. The paper closes with a commentary on the relationship between spoken and sung delivery and on the development of different declamatory styles.
Same-Sex Parent Families in France: Past, Present, and Future
This thesis contains four chapters. The first chapter gives an overview of the current situation concerning same-sex parent families in France. This involves discussions of the PACS (Pacte civil de solidarité), adoption, and marriage, as well as the societal influences that caused the massive negative response to the Taubira law. The second chapter goes into more detail concerning portrayals of homosexuality in French media throughout the years. There is a focus, however, on one of the earliest portrayals of lesbianism in French literature: The Nun by Diderot. Lastly, the third chapter involves further explanation of the history of homosexuality and same-sex parent families. This chapter explores these ideas specifically in the context of French history, as well as how conditions for same-sex parent families have changed in recent years. The fourth and final chapter presents conclusions of the research.
Some Acoustical Considerations in the Design of the Contemporary Organ Case
This paper discusses the historical roots, placement, shape, and materials and methods in the construction of the contemporary organ case. James W. Kibbie explores the acoustical considerations of its design and how these are reflected in the finished product.
A Study of the Influence of Certain Rulers of France and England on the Design of Furniture from 1300-1830
This study will attempt to show the influence of certain rulers on the construction and design of furniture during the years 1300 to 1830.
A Study of the Secular Music of the Major Composers at the Court of Burgundy in the Fifteenth Century
The present work is intended to ascertain the most important stylistic developments of one major composer, Binchois, and several lesser composers: Grenon, Fontaine, Vide, Joye, Constans, Morton and Hayne. All of these musicians were employed by Philip the Good, Duke of Burgundy (1420-1467), when he was one of the richest, most powerful and most respected of all the sovereigns of Europe.
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