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Primary view of José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance
Carrasco Curíntzita, Laura A.
August 2012
Primary view of Joseph Holbrooke:  A Study of the Published and Unpublished Solo and Chamber Works for Clarinet with an Annotated Bibliography
Webb, Joseph Dee
May 2009
Primary view of Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
Chae, Eunhee
December 2000
Primary view of Kaikhosru Sorabji's Rapsodie Espagnole de Maurice Ravel, Transcription de Concert pour piano: A Comparison of the Two Versions from 1923 and 1945
Chu, Fang-Yi
December 2018
Primary view of The Keyboard Music of Peter Philips
Bennight, Brad
August 2010
Primary view of The Keyboard Percussion Trios of Toru Takemitsu and Toshi Ichiyanagi, a Lecture Recital, together with Three Recitals of Selected Works of Cahn, Maslanka, Miki, Miyoshi, Ptaszynska, Schultz, Wesley-Smith, and Others
Finnie, Jimmy W. (Jimmy Wayne)
August 1995
Primary view of The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists
Van Rooyen, Hentus
December 2019
Primary view of The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice
Roberts, John Francis
May 2010
Primary view of The Klezmer Influence in Paul Schoenfield’s Klezmer Rondos
Trimble, Mark
December 2011
Primary view of Korean Cultural and Musical Influences in Younghi Pagh-Paan's Man-Nam I
Jung, Hyejin
August 2016
Primary view of Korean Diction for Non-Korean-Speaking Singers: A Study for Singing Korean Art Songs
Nho, Ji Yoon
August 2021
Primary view of Korean Traditional Elements and Contemporary Compositional Techniques in Hyowon Woo’s Choral Music As Reflected in Gloria
Chang, Yoonchung
August 2012
Primary view of Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide
Sturman, Esra
May 2014
Primary view of Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others
Wyatt, Susan Beth Masters
August 1993
Primary view of Language Learning and the Trumpet: Correlations and Advantages of Utilizing Language Learning Techniques in Trumpet Practice and Instruction
Lankford, Jacquelyn, 1992-
May 2019
Primary view of "The Last Leaf" for Sopranino Saxophone: A Performance Guide and Interview with Chaya Czernowin
Richards, Alexander
December 2019
Primary view of Latin American Fusion: An Analysis of U.S. and Latin American Musical Styles and their Synthesis Exhibited in "The Cape Cod Files" by Paquito D'Rivera
Willsie, Lucas
May 2019
Primary view of Lawrence Weiner's Concerto for Guitar and Orchestra: Analysis and Performance Considerations
Tan, Wann-Dar
August 2005
Primary view of Learning From the Autograph: a New Critical Approach to Performing Liszt’s Sonata in B Minor
Arjona, Alfredo
August 2015
Primary view of The Legacy of Theodore Leschetizky as Seen through His Pedagogical Repertoire and Teaching Style
Serrin, Bret
May 2010
Primary view of Let Music Speak Day and Night: A Performance Guide for George Enescu's "Impressions D'enfance for Violin and Piano"
Huang, Chenshayang
December 2020
Primary view of Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison Denisov's Quatre Pièces pour flûte et piano, With Three Recitals of Selected Works by Bach, Beaser, Carter, Fauré, Martin, Ibert, Liebermann, and Others
Luce, Brian
August 2000
Primary view of Lind, James Meyer the Trumpet Concertos of Anthony Plog: a Performer’s Guide
Lind, James Meyer
August 2012
Primary view of A Linear Analysis of Piano Sonata (1926) Sz.80 by Béla Bartók: The Genesis and Development of the Composition
Lee, Jihye
July 2023
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