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  Partner: UNT Libraries
 Department: School of Visual Arts
 Decade: 2000-2009
 Year: 2001
 Collection: UNT Theses and Dissertations
Activating Space within the Object and the Site

Activating Space within the Object and the Site

Date: May 2001
Creator: Provence, Dana Noel
Description: I look at the world as a sculptor, examining physical constructs and implied meanings. My current research developed from my earlier studies of “containment” or, more specifically, “encapsulation,” creating visual, often physical, boundaries around selected content. Encapsulation confers a more active role than “containment”, a process rather than a result. This idea speaks to the issues of form, and asks the viewer to question the outside “shape of the form” in relation to the inside shape and content. My work focuses on exposed interior spaces and forms, allowing the viewer to enter the space physically as well as mentally and psychologically. Built in a large enough scale, the viewer could actually become the content. The sculpture’s interpretation revolves around the seen as well as the unseen. I built this duality into my work by using transparent and opaque materials. I also implemented small diameter stainless steel rod along with the transparent and opaque vinyl to reduce forms to their respective shapes and volumes. This approach allowed me to clean the “slate” of an object’s collective meaning and context, adapting it to the intent of my work.
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Ceramics Without Clay: An Exploration into Potential

Ceramics Without Clay: An Exploration into Potential

Date: May 2001
Creator: Hart, Christopher David
Description: Investigating the behavior, function and appearance of ceramic materials has proven an enduring point of interest throughout my education. In learning about the vast range of the earth-yielded materials and their physical manifestations in states ranging from wet to dry to fired, I have found myself excited and challenged to seek out ways to expand their presentation. My attention has been repeatedly drawn to the class of ceramic materials that frequently get classified as “glaze ingredients.” Understanding the structural and visual qualities of these minerals and compounds was an interest whether I was making tableware, tiles, or sculpture. For the purposes of this paper, I propose to deal expressly with the physical art-making considerations of material and process as they relate to my work in ceramics. By directing my focus as such, I hope to center my work on a concern that became evident to the art world upon the display of Marcel Duchamp’s Fountain: material equals content.
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Exploration through Materials and the Transformation of the Commonplace

Exploration through Materials and the Transformation of the Commonplace

Date: May 2001
Creator: Sides, Luke
Description: The challenge of this project was to present subject matter in a way that did not seem common to the viewer. With this goal in mind, I aimed to switch the traditional roles of material and form in order to aesthetically elevate the commonplace. For my proposed project I combined traditional sculptural materials and processes with commonplace subject matter. I took a chance at the beginning of this project by making something that I had been joking about until I realized that this might be an interesting piece. From this point on I made a conscious effort to make whatever popped in my head. Although I am not a literary person, it seems that with this body of work I backed into what I might call "ironical metaphor."
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Formal Concerns in Conceptual Sculpture

Formal Concerns in Conceptual Sculpture

Date: May 2001
Creator: Stromberg, Matthew Gray
Description: The problem I choose dealt with a new material to use in conceptual art. Since the nature of my work deals with ribbed sculptural forms that explore conceptual abstractions of recorded observations, I investigated a new material called composites. A composite is defined as two or more materials that are combined to share the best qualities of both. Laminated foam core, nylon fabric weave, vinyl, and resin composites may introduce an aesthetic and structural advantage to traditional material such as wood and metal. Innovations in laminated composites and methods of joining unfamiliar materials could offer an advantage for these new sculptures. A series of six ribbed sculptural forms were constructed, which consist of laminated composite material relating to personal observations expressed in my journal in the last quarter of the year 2000. The material was introduced in the desire for a cohesive formal relationship between the concepts and the forms. Patron, 2001 Mixed Media, 19"x 8"x 4"; PDQ, 2001 Mixed Media, 10"x 8"x 2"; PDQ2, 2001 Mixed Media, 21"x27"x3"; Bishop, 2001 Mixed Media, 23"x11"x5"; Coaster, 2001 Mixed Media, 14"x12"x9" and Putsch, 2001 Mixed Media, 69"x48"x24".
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From Inside the Home: A Portrait of Mexican Immigrant Women

From Inside the Home: A Portrait of Mexican Immigrant Women

Date: May 2001
Creator: Murillo, Guadalupe
Description: For the past two years my artwork has focused on the cultural issues of a Mexican immigrant community in Fort Worth, Texas. The primary focus has been women and the way in which their homes reflect their blending of two cultures. The occupants of the homes are people that I know personally, including my immediate and extended family as well as friends of my family. Undocumented women usually have the most difficulty in adjusting. Although some do work outside of the home, many of these women spend countless hours inside due to their inability to speak English or drive. These women have little hope of returning to their homeland because their children are being raised in the United States. In order to feel more at home, the women make every effort to re-create the Mexican culture in their new houses. Thus, acculturation takes place with very little cultural loss. Instead of previous strategies of total assimilation, these women blend the two cultures, making it easier to adjust to their new lives.
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Gestural Expressions in Clay

Gestural Expressions in Clay

Access: Use of this item is restricted to the UNT Community.
Date: August 2001
Creator: Neergaard, Nancy Dart
Description: The nature of clay's physical attributes and the application of these characteristics to an expression of gestural movement in utilitarian ceramics.
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It's All in the Approach

It's All in the Approach

Date: May 2001
Creator: Reyes, Rodolfo
Description: I believe that the ability to change and freely rearrange a drawing or painting by erasing or painting over a mistake allowed me the freedom of spontaneity, whereas the perceived finality of printmaking hindered a freer approach. I began to start thinking of my prints as if they were my paintings or drawings. Fully freeing myself from planning any of my work has led to some unforeseen consequences. I have begun to realize that the work creates a life of its own. Some works have a greater influence over me and tend to live longer in my work. These pieces, whether they are drawings, paintings or prints, start a chain of ideas that push me to investigate new areas of conceptual and formal application related somehow to these first influential works.
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Man-Bull

Man-Bull

Date: August 2001
Creator: Staples, James M.
Description: This thesis presents a body of work that acknowledges Rural American landscape and the importance of its conservation. This conservation is not restricted to recognizing the rural landscape as strictly a natural resource, rather, a spiritual place that fosters a positive side of humanity.
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Mis Raices, Mi Hogar: My Roots, My Home

Mis Raices, Mi Hogar: My Roots, My Home

Access: Use of this item is restricted to the UNT Community.
Date: May 2001
Creator: Ramirez, Diana C.
Description: The lack of ancestral record instilled in me this desire to hold on to memories, and to leave my children with permanent records or memories of our family. My desire to work with metals was inspired by the need to encapsulate a record of memories through a more permanent means. The durability of steel, I feel, can be used as a diary, in the form of an artistic and lasting object, rather than written words. The need to leave behind a legacy inspired me to explore the use of lockets and containers that have some resemblance to a reliquary. My intent was not one of religious purpose, but rather to create a locket or container that would reflect or contain symbols of where one's roots begin, the home.
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Process, Form, and Function

Process, Form, and Function

Access: Use of this item is restricted to the UNT Community.
Date: August 2001
Creator: Platt, Allyson
Description: Process and form have always been important to my work. I emphasize the soft qualities of clay while working with traditional forms that are altered for visual interest. Usability is very important, the forms have to function well according to their intended use. The relationship between form and manipulation relied on usability of the form. Functionality was paramount within this body of work. I consciously searched for balance between form and manipulation, form and glaze, form and function, and overall character. Though altered, the forms were traditional and dependent on function. Manipulations of the forms, surface treatment, and deep colorful glazes contributed to creating harmony between function and expression. Personal stylistic elements became refined through working on this project. The body of work that was made allocated personal expression and new variations on functional forms. This project provided an opportunity for exploration and evaluation of form and my working process.
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