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Primary view of An Analysis of Arnold Schoenberg's Suite for Piano, Op. 25
Mayhew, Thomas E. (Thomas Elmo)
August 1962
Primary view of An analysis of Brahms' Quintet in B minor, op. 115, for clarinet and strings
Graham, Jack E. (Jack Eldon)
January 1968
Primary view of Analysis of the Song Cycle “On Wenlock Edge” by Ralph Vaughan Williams
Pummill, John Douglas
January 1965
Primary view of An Analytical Critique of the Use of Twelve Equal Tones as Utilized in "Sonata-Fantasia" by George Rochberg
Tiroff, Philip Knight
July 1968
Primary view of An Analytical Study of Solos for Beginning College Voice Students
Bryant, Karen Sue
August 1968
Primary view of Ariettes Oubilées and Fêtes Galantes, Series I and II by Claude Debussy
Pannell, Frankie Franks
January 1960
Primary view of Aspects of Idiomatic Harmony in the Harpsichord Sonatas of Domenico Scarlatti
Williams, Wiley John
June 1961
Primary view of Audio-Visual Materials for the Primary Music Classroom
Mathesen, Nancy A. (Nancy Ann)
January 1967
Primary view of The Bass Trombone and Its Use in Selected Works of Smetana, Borodin, Tchaikovsky, and Dvorak
Kesting, Gary Walther
August 1969
Primary view of The Basset Horn: Its Development and Literature
Shanley, Richard A.
August 1968
Primary view of Blend in Choral Sound
Wyatt, Larry Douglas, 1943-
January 1967
Primary view of The Brass Instruments as Used by Brahms in His Four Symphonies
Ritter, David G.
August 1964
Primary view of The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary
McMurtry, William M.
August 1967
Primary view of The Chaconne and Passacaglia in Twentieth Century Organ Music
Tiller, Barney
January 1966
Primary view of Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski
Drath, Jan
August 1969
Primary view of Choral Problems in Handel's Messiah
Williams, John J. (John Joseph)
May 1968
Primary view of Choral Problems in the Unaccompanied Music of Francis Poulenc
Barnard, Jack Richard, 1932
January 1966
Primary view of Clavecin Pieces of Louis Couperin
Hudgens, Cecilia K. Knox
January 1968
Primary view of A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III
Hart, Euclid August
August 1968
Primary view of A Comparison of the Variation Technique Employed by Beethoven and Copland
Parrish, Mary Kay, 1940-
May 1964
Primary view of Contemporary Plans for Training the Boy's Changing Voice
Cox, Rolla Kenneth
January 1964
Primary view of The Development and Utilization of the Valved Brasses in the Orchestra of the First Half of the Nineteenth Century
Olson, Michael A. (Michael Augustus)
January 1969
Primary view of The Development of the Clarinet as a Solo Instrument During the Eighteenth Century
Mahoney, James Mack
June 1966
Primary view of Elements of Verismo in Selected Operas of Giuseppe Verdi
Morgan, Ann Shands
August 1968
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