UNT Libraries - 192 Matching Results

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Primary view of Paul Wittgenstein's Transcriptions for Left Hand: Pianistic Techniques and Performance Problems : A Lecture Recital, Together with Three Recitals of Selected Works of R. Schumann, S. Prokofiev, F. Liszt, M. Ravel, and F. Chopin
Kong, Won-Young
August 1999
Primary view of A performance analysis of Joseph Turrin's works for solo trumpet, a lecture recital, together with three recitals of selected works by J.S. Bach, E. Bloch, H. Tomasi and others
Korak, John
May 1999
Primary view of A Performer's Analysis of Benjamin Britten's Phaedra, Dramatic Cantata for Mezzo Soprano and Small Orchestra, op. 93: a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and Others
Beard-Stradley, Cloyce (Cloyce May)
May 1999
Primary view of Persistence: for Wind Ensemble
Rickwood, Christopher M.
August 1997
Primary view of A Phenomenology of Music Analysis
Anderson, Andrew E. (Andrew Edwin)
December 1995
Primary view of Piano Quintet
Tan, Chee-Tick
May 1997
Primary view of The Pitch Content of Selected Piano Works of Toru Takemitsu
Fukuchi, Hidetoshi
May 1998
Primary view of Practical Aspects of Playing Domenico Scarlatti's Keyboard Sonatas on the Guitar, a Lecture Recital, together with Three Recitals of Selected Works by W.A. Mozart, M. Ponce, A. Vivaldi, J.S. Bach, J. Turina and Others
Quantz, Michael O.
May 1994
Primary view of Practices of English Diction for Singers 1900-1971
Barber, Carol H. (Carol Hansell)
August 1991
Primary view of Preferential Strategies in Elliott Carter's String Quartet No. 2
Crafton, Elizabeth B.
May 1999
Primary view of The Preferred Oboe Vibrato: An Analysis of Pitch Modulation and Intensity Level Modulation
Remley, Jon Stephen
December 1996
Primary view of The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters
Miller, Robin A. (Robin Annette)
August 1998
Primary view of Ralph Vaughan Williams: An Interpretive Analysis of Concerto for Bass Tuba
Fischer, Michael A. (Michael Alan)
December 1998
Primary view of A Recommended Curriculum for Teaching Score Study in the Undergraduate Instrumental Conducting Class
Hamilton, Craig V.
December 1994
Primary view of Reconstructions: Nine Movements for Solo Soprano, Chorus, and Wind Ensemble
Makela, Steven L.
December 1999
Primary view of References to Trumpet Music in the Battle Chansons of Clement Janequin
South, James, 1957-
May 1990
Primary view of The Reflection
Wu, Yuk Yee
December 1992
Primary view of Requiem for Netted Fish: An Intermedia Composition for Choir, Harp, and Dance
Hill, Jeanne E. (Jeanne Elizabeth)
December 1990
Primary view of The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing
Gill, Sarah M.
December 1999
Primary view of Richmond Matteson: Euphonium Innovator, Teacher and Performer, With Three Recitals of Selected Works by Frescobaldi, Bach, Saint-Saëns, Hutchinson, White, and Others.
Dickman, Marc
August 1997
Primary view of Riders to the Sea
Carson, Michael, 1959-
December 1993
Primary view of Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others
Beckman, Bradley
August 1994
Primary view of Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950
Finnegan, Sean Justin
August 1995
Primary view of The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others
Mulvey, Margaret N.
August 1994
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