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  Access Rights: Public
  Partner: UNT Libraries
 Degree Discipline: English - Creative Writing
Alchemies
This thesis consists of a collection of poems and a critical preface. The preface is a discussion of Elizabeth Bishop's descriptive mode, as demonstrated by three of her poems: "Sandpiper," "The Monument," and "Santarém." I argue for Bishop's descriptions as creative acts, and examine the gestures that help her make the reader aware of the shaping power she exercises. digital.library.unt.edu/ark:/67531/metadc283793/
Backflow: A Collection
This collection consists of a critical preface and nine essays. The preface analyzes, first, how the imagination influences the personal journey of a writer, and second, the techniques authors use, mainly form, time, and space, to enact the imagination and propel the reader into an imagined narrative. The essays explore themes of loss, mental illness, the rift between the “real” and the “imagined” life, and the intangibility of memory itself. Collection includes the essays “Into the Snow,” “No Longer a Part,” “Borderland,” “Still Wounds,” “What Stays in Las Vegas,” “Remnants,” “The Root,” “Your Father,” and “The Land Lord.” digital.library.unt.edu/ark:/67531/metadc103346/
Bad Poetry and Other Short Stories
Bad Poetry and Other Short Stories is a collection of social, political, and religious commentary. The last three stories are also commentary from a non-fiction perspective. digital.library.unt.edu/ark:/67531/metadc4835/
Cities Beyond
Cities Beyond is a collection of poems about the liminal space between the suburbs and the pasture as metaphor for the created space of memory, self, and location. digital.library.unt.edu/ark:/67531/metadc3614/
Distances
I provide in my preface a brief account of my development as a creative writer. Through this development I draw an analogy to the evolution of modern science by stating that my need for personal clarity is analogous to the charge for empirical clarity of modern science. Furthermore, I contrast the objectivism of modern science to the subjectivism of creative writing. The four short stories in my thesis range from a semi-autobiographical story, to two short stories that stem out further and further from the subjective origin of the first story. The story of greatest distance is “Fireflies,” which is not semi-autobiographical, but pure fiction. The final short story returns to the subjective origin of the first. The drive of Distances is thereby to create a sort parabola: a subjective, semi-autobiographical origin, to an objective, purely fictional crest, then a return to that subjective, semi-autobiographical origin. The entire collection is a holistic, ultimately subjective, and therefore personal experience; yet, through the use certain tropes,metaphors others can relate to, the stories are paradoxically sharable. digital.library.unt.edu/ark:/67531/metadc3675/
Exploring Fear and Freud's The Uncanny
Fear is one of the oldest and most basic of human emotions. In this thesis, I will explore the topic of fear in relation to literature, both a staple of the horror genre as well as a device in literary works, as well as in my own writings. In addition, I will use Sigmund Freud's theory of the “uncanny” as a possible device to examine the complexities of fear and its effects both on the mind and body through the medium of literature, and, more specifically, where and how these notions are used within my own short stories. By exploring how and why certain fears are generated, we may be able to better examine our own reactions in this regard. digital.library.unt.edu/ark:/67531/metadc3666/
Forsythia
Forsythia is a collection of poetry that examines the transformative power of observation. digital.library.unt.edu/ark:/67531/metadc4943/
Hungry Ghost
Hungry Ghost is a collection of poetry that examines the relationships between fathers and daughters, sisters, and one's selves. digital.library.unt.edu/ark:/67531/metadc4779/
Into the Valley: Voices I Heard Along the Way
Into the Valley: Voices I Heard Along the Way contains a preface and a collection of five short stories. The preface discusses the use of voice as a technique to develop characters and create authenticity through elements such as sentence structure, diction, dialogue, and regional, cultural, and/or gender-specific affectations to make the words on the page become audible language in the mind of the reader. Each story is written with a unique voice that presents characters who struggle to come to terms with the truth and its various shades of reality. digital.library.unt.edu/ark:/67531/metadc4006/
Lining Up
A creative, multi-genre collection that includes three personal essays (non-fiction) and two short stories (fiction). The pieces in this collection primarily focus on the themes of loneliness and waiting. It includes pieces dealing with homosexual relationships, friendships and heterosexual relationships. Collection includes the essays "The Line," "Why We Don't Talk about Christmas," and "Boys Who Kiss Back," and includes the short stories "I Am Allowed to Say Faggot" and "Dear Boy." digital.library.unt.edu/ark:/67531/metadc3683/
The List
The List is a collection of short stories focusing on the inability to adapt, or learn from self-destructive patterns, and the bizarre ways people reach out for one another when they don't know what else to do. digital.library.unt.edu/ark:/67531/metadc12171/
"Mad Mary Sane" and Other Stories
The following is a multi-genre collection, including short shorts, short fiction, non-fiction, and drama. Each piece utilizes Gothic motifs and dark comedy in an effort to explore life and loss. digital.library.unt.edu/ark:/67531/metadc5254/
Meniscus
Meniscus is a collection of poems with a critical preface that examines the nature of "silence" and oblique language. digital.library.unt.edu/ark:/67531/metadc3685/
The Mind's Eye and Other Stories
This collection contains a preface entitled "Of Other Worlds" and the following short stories: "The Mind's Eye," "Waking," "The Conquest of the World," "Persephone," and "Extradition." This creative thesis includes a blend of science fiction and literary realism short stories, which are collectively concerned with questions of time, narration, and the use of language. As well, the preface discusses science fiction theory, narrative strategies such as the use of the first person perspective, and the author's theory of composition. digital.library.unt.edu/ark:/67531/metadc67999/
"My Vagina" and other stories.
This thesis includes seven short stories and a critical afterword. The afterword places the stories in their literary historical context in regards to creative nonfiction. It goes on to discuss the craft of fictionalizing autobiographical stories. Each of the stories should stand alone, though they follow the narrator's life for a number of years. Harlin Anderson is the narrator of all the stories. digital.library.unt.edu/ark:/67531/metadc4821/
Opening Day
Although I've read and written poetry for my own pleasure for about twenty years now, I've only seriously studied and written poetry on a consistent basis for the past two years. In this sense, I still consider myself a beginning poet. When attempting to pursue an art form as refined and historically informed as poetry, only after spending a number of years reading and writing intensively would I no longer consider myself a beginner, but a practitioner of the art. I've grounded my early development as a poet in concision, voice, and imagination, and hope to build upon these ideas with other poetic techniques, theories, and forms as I go forward. I am particularly interested in mastering the sonnet form, a concise and imaginative form that will allow me to further develop my skills. Hopefully, the works in this thesis reflect that effort. digital.library.unt.edu/ark:/67531/metadc9018/
Pulling Tangled Strings: "The Puppeteer" and Other Stories
Pulling Tangled Strings: "The Puppeteer" and Other Stories is a collection of stories with strong thematic and emotional connections that includes an opening preface describing the process used when writing the stories. Each of the stories is united by a main character that desperately wants to gain control of his environment. From a character acting out a classic revenge tale on his friend to a comatose teenager victimized by an ambiguous tragedy, these are characters who have been put into difficult life situations and need to feel like they are pulling the strings in their lives again. In all cases, however, the characters come to find that control does not come easily and that the motivations for their behavior are never clear cut, even to themselves. digital.library.unt.edu/ark:/67531/metadc5388/
Short Stories
This collection of seven representative original short stories will include four short stories relating to a fictional location in Dallas, the Starry Skies gay country-and-western dance hall. Three short stories set in fabulous, sometimes absurd settings, will follow. A preface dealing with the nature of fictional place and non-fictional place in fiction will precede the collection of short stories. digital.library.unt.edu/ark:/67531/metadc6144/
The Sky in Our Mouths
I believe that poetry has survived for thousands of years because it provides people with a transpersonal connection that they can't find elsewhere. I look for poetry that is more than an emotional expression, more than witty word play, and more than an interesting observation. I want poetry to give me that inspirational spark, that glimpse into a world beyond my own. Poems that succeed in doing this force me into a perspective that I haven't previously imagined by yoking together two or more seemingly disparate elements. This tension between the old elements and the new link between them creates energy for the poem. This poetic nexus contributes to the transpersonal experience that I seek. digital.library.unt.edu/ark:/67531/metadc5337/
Some String or Another: Fiction and Nonfiction Stories of Connection
Some String or Another: Fiction and Nonfiction Stories of Connection, a creative thesis, explores patterns of change in stories from the perspective of connection and disconnection. The preface examines the effects of temporal disconnection, the relationship of conflict and connection to narrative rhythm, and the webs of connection formed during the process of creation. Included in the body of the work are six fiction stories, one metafiction story, and two nonfiction essays. digital.library.unt.edu/ark:/67531/metadc4486/
Stories: Strange Men and Thinking Girls
What is the boundary between fiction and nonfiction? What happens if the line between the two is crossed? Can we possibly recall events in our lives exactly as they happened? In creative nonfiction, such as memoir, the audience expects the writer to recall things exactly as they happened, with no embellishments, re-ordering, additions, or subtractions. It seems as if authors of creative nonfiction are bound to be questioned about events, nitpicked on details, challenged on memories, and accused of portraying real-life people the "wrong" way. Yet when the writer creates fiction, it seems to go the other way: readers like to think there are parallels between an author and her stories. Readers congratulate themselves for finding the similarities between the two, and instead of focusing on the crafted story at hand, try to search out which parts are "true" and which are embellished. Does any of this matter, though; don't all stories tell a kind of truth? We have an insatiable urge to classify, to "know" the truth, but truth isn't merely a recollection of cold facts; likewise, a story isn't any less true if it's fiction. digital.library.unt.edu/ark:/67531/metadc4833/
Stranger Than Fact
As a dyslexic child, I always had trouble finding my voice. It's hard to express yourself in words, when you struggle with them. For me words always come later when I write. But most people don't understand how I feel. If your synapses fire off at the right time how can you image what it would be like it they didn't? That's where fiction comes in. If you can override someone's lack of experience with the use of a metaphor, then by distancing the reader from reality with an allegory, you can get to truth that's hard to capture any other way. You can also simply tell the truth in your writing with plain nonfiction. For me, fiction and nonfiction are a way for me to claim my voice and convey truth. Only a reader can decided what that truth looks like. digital.library.unt.edu/ark:/67531/metadc5436/
Taken In
Taken In is a collection of poems about coming to terms with death, love, and the social responsibilities people owe to each other. digital.library.unt.edu/ark:/67531/metadc4767/
We're Out Here: Poetic Transcendence and Charles Wright's "Homage to Paul Cezanne"
The introduction of this thesis is an essay examining the poem Homage to Paul Cezanne by Charles Wright. Claiming that the capacity to serve as intersection of the singular and universal is poetry's means to transcendence, the essay uses the Charles Wright's poem to demonstration this capacity, identifying poetry's ability to access the primitive: its connection to the base of what humanity is and can be, as the means by which that transcendence is possible. Placing the discussion within the context of the Romantic Movement and furthering the literary ideals of the paralleling interior human Nature, to external nature. Following this introduction is a four section collection of poetry, unified by the philosophy of the essay which precedes it. digital.library.unt.edu/ark:/67531/metadc3979/