Search Results

open access

Art Song by Turn-of-the-Century Female Composers

Description: Whereas conditions have existed for many centuries which served to exclude or marginalize female participation in music, many women have written compositions of musical worth sufficient to justify their contemporary performance. Although most women composers wrote works more fitting for the "salon" than for the concert hall at the turn of the century, Boulanger and Mahler are representative of the few women composers whose complex approach to art song fell within the mainstream of the genre. Ma… more
Date: December 1993
Creator: Click, Sarah, D.
open access

Artistic Expression in Music and Poetry

Description: This paper delineates meaningful relationships of passions, emotions, feelings, affections, nuances and aural perceptions of expressions and utterances, for understanding human artistic possibilities historically and contemporarily in the fraternal arts of music and poetry, with reference to sounds, silences, sequences, rhythms, rhymes, repetitions, retards, accelerations, tempos, harmonies, melodies, forms, etc., in four poetic and three musical compositions uniquely created by its author.
Date: May 2007
Creator: Wertz, Charles Bradley
open access

Arvo Pärt and Three Types of His Tintinnabuli Technique

Description: Arvo Pärt, an Estonian composer, was born in 1935. Most of the works at the beginning of his career were for piano in the neo-classical style. After that, he turned his interest to serial music and continued creating works with serial techniques throughout the 1960s. After his "self-imposed silence" period (during the years 1968-1976), Pärt emerged with a new musical style, which he called tintinnabuli. Although, this technique was influenced by music from the medieval period, the texture and f… more
Date: May 2013
Creator: Kongwattananon, Oranit
open access

Aspects of Performance in Three Works for Piano and Tape: Larry Austin's Sonata Concertante, Thomas Clark's Peninsula, and Phil Winsor's Passages

Description: This dissertation primarily concerns performance aspects in compositions for piano and tape, using three specific works as the basis for discussion: Larry Austin's Sonata Concertante, Thomas Clark's Peninsula, and Phil Winsor's Passages. These compositions are representative of the medium as a whole, yet each offers its own unique set of performance problems.
Date: May 1993
Creator: Brandenburg, Octavia

Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897)

Description: Engelbert Humperdinck (1854-1921), who was considered a Wagnerian due to to his past work in Bayreuth and the Wagnerian traits of his Hänsel und Gretel, seems to have believed that to define himself as a composer, he had to engage somehow with that designation, whether through orthodox Wagner imitation or an assertion of his independence from Wagner's musical legacy. The latter kind of engagement can be seen in Humperdinck's Königskinder (1897), in which he developed a new kind of declamatory … more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: August 2004
Creator: Kinnett, Forest Randolph
open access

An Assessment of the Role of James ”Jimmy” Blanton in the Development of Jazz Bass

Description: This paper evaluates the musical contributions of Jimmy Blanton to the history of jazz bass playing. Rex O. Bozarth investigates the development of the jazz bass throughout the twentieth century, the influences that impacted Blanton's style, and the musical innovations the performer introduced.
Date: December 1981
Creator: Bozarth, Rex O.
open access

Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2

Description: The purpose of this study is to examine Sonata No. 2 in detail from many analytical perspectives including melodies, rhythms, harmonic progressions, tonal plans, voice leading, and cadential patterns on macro- and micro-levels. It is believed that a more in-depth discussion of the composition from the perspective of harmony and voice leading may provide answer for the questions raised, and correct some misinterpretations in the works of certain writers. Furthermore, through analysis of Sonata N… more
Date: December 1994
Creator: Chou, Kwong-Yan Godwin
open access

The Assimilation of Baroque Elements in Ferruccio Busoni's Compositions as Exemplified by the Fantasia nach Bach and the Toccata

Description: Ferruccio Busoni (1866-1924) has a firmly established reputation as one of the giant pianists of his age, yet his compositions are largely neglected both in musicological circles and on the concert stage. A better understanding of his thought processes might lead to a greater appreciation of his art, and the acknowledgement of his reverence for the music of Bach is an important key to such an understanding. Busoni's Fantasia nach Bach and Toccata, although two decidedly dissimilar composition… more
Date: August 2009
Creator: Van Schalkwyk, Willem Andreas Stefanus
open access

Attitudes of International Music Students from East Asia toward U.S. Higher Education Institutions

Description: Nine universities in the United States with the greatest number of international students and having an accredited music program through the National Association of Schools of Music (NASM) were selected. Survey research methodologies were used to identify the status of the international music students from East Asia in U.S. higher education institutions and to determine their attitudes toward their schools. Among East Asian international music students at US higher education institutions, the… more
Date: May 2009
Creator: Choi, Jin Ho
open access

Augeries, for Flute, Clarinet, Percussion and Tape: Aesthetic Discussion and Theoretical Analysis

Description: Augeries is a multi-channel electro-acoustic composition for flute, clarinet, percussion, and tape. It is intended to be diffused through an 8-channnel playback system. Inspired by the first four lines of William Blake's Augeries of Innocence, Augeries captures the qualitative aspects of Blake's poetry by presenting the listener with an equally aperspectival aesthetic experience. The small-scale structure reflected on the large-scale form - the infusion of vastness and expansiveness into the fr… more
Date: May 2009
Creator: Gedosh, David
open access

Autographs 1928 : Four Songs for Soprano and Chamber Ensemble

Description: Autographs 1928: Four Songs for Soprano and Chamber Ensemble is a composition of approximately 16 minutes' duration and is scored for mezzo-soprano, flute, oboe, clarinet, horn in F, viola, violoncello, one keyboardist (piano and celesta), and two percussionists (marimba, xylophone, chimes, timpani, bass drum, temple blocks, triangle, and slapstick). The work consists of four songs and four readings with texts from Walls's maternal grandmother's autograph book. The composition opens with a read… more
Date: August 1995
Creator: Walls, Jay Alan
open access

The Avatar by Steve Rouse: A Performance Practice Guide

Description: The Avatar for trumpet and piano by Dr. Steve Rouse is one of the most challenging compositions in the trumpet repertoire. Due to The Avatar's challenges and increasing popularity, a study is necessary to aid its performance. Each movement is performed on a different instrument: Bb piccolo (with an optional A piccolo part) for Nativity, Bb Flugelhorn for Enigma-Release and Bb trumpet for Rebirth. In addition, the performer must convey one of the work's possible programmatic meanings: (1) Th… more
Date: August 2010
Creator: Lynn, Mark J.
open access

Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay

Description: Babel is a work for rock ‘n’ roll band (two electric guitars, electric bass, drum set), four soprano singers, and a twenty-one instrument mixed chamber ensemble. The 50-minute composition is based on the Tower of Babel story in Genesis 11:1-9, and the four-movement structure is derived from the form of this narrative. The first movement, “building rebellion,” establishes man’s intent to build a grand city and tower in a rebellion against God, while the second movement, “seeing/coming down,” des… more
Date: August 2014
Creator: Peringer, Patrick Edward
open access

Bach's Mass in B minor: An Analytical Study of Parody Movements and their Function in the Large-Scale Architectural Design of the Mass

Description: Most studies of the Mass in B Minor deal with the history of the work, its reception history, primary sources, performance practice issues, rhetoric, and even theological and numerical symbolism. However, little research focuses on an in-depth analysis of the music itself. Of the few analytical studies undertaken, to date only a limited number attempt to explain Bach's use of parody technique or unity in the whole composition. This thesis focuses on understanding three primary concerns in regar… more
Date: December 2005
Creator: Pérez Torres, René
open access

Band Directors and Hearing: Measuring School Bands for Potentially Hazardous Sound Levels

Description: This investigation sought to identify sound levels potentially harmful to directors' hearing, and examine the effects of band size, instrumentation, bandroom and playing ability on sound levels. The subjects were 2 elementary, 2 middle, and 4 high school bands, in 7 rooms, 10 to 66 members, and 26 students, beginning and advanced. A sound level meter was used. Sounds were measured in flat and A-weighted decibels. Sounds measured were steady state (>.5 sec.) and impulse (<.5 sec.). Results were … more
Date: August 1993
Creator: Samford, Brent R.
open access

Bandanna, An Opera by Daron Aric Hagen with Libretto by Paul Muldoon, Commissioned by the College Band Directors National Association: The Origins of an Artwork with a Glimpse at its Musical Character Development

Description: All information for this study was obtained by original source documents, interviews with the principal participants and the personal observations of the writer. A complete transcript of interviews with Daron Aric Hagen Michael Haithcockand Robert De Simone are included as appendices. In1961 the College Band Directors National Association (CBDNA) created its commissioning project for the purpose of contracting prominent composers to contribute works of high quality to the growing wind repertoir… more
Date: December 2002
Creator: Powell, Edwin C.
open access

The Baritone Title Roles in the Operas of Verdi

Description: This paper discusses the nature and significance of the baritone title roles in the operas of Giuseppe Verdi. These operas include Nabucco, Macbeth, Rigoletto, Simon Boccanegra, and Falstaff. Jewel William Hobbins explore the evolution of vocal roles and asserts that Verdi highly prized dramatic skill in his performers.
Date: December 1977
Creator: Hobbins, Jewel William
open access

Baroque Elements In The Piano Sonata, Opus 9 By Paul Creston

Description: Paul Creston (1906-1985) was one of the most significant American composers from the middle of the twentieth century. Though Creston maintained elements of the nineteenth-century Romantic tradition and was categorized as a “Neo-Romantic” or “20th-century traditionalist,” many of Creston’s compositions contain elements of Baroque music. His Piano Sonata, Opus 9 provides significant examples of Baroque elements, while already foreshadowing his mature style. The purpose of this study is to explore… more
Date: December 2011
Creator: Watanabe, Chie
open access

The "Beethoven Folksong Project" in the Reception of Beethoven and His Music

Description: Beethoven's folksong arrangements and variations have been coldly received in recent scholarship. Their melodic and harmonic simplicity, fusion of highbrow and lowbrow styles, seemingly diminished emphasis on originality, and the assorted nationalities of the tunes have caused them to be viewed as musical rubble within the heritage of Western art music. The canonic composer's relationship with the Scottish amateur folksong collector and publisher George Thomson, as well as with his audience, am… more
Date: December 2006
Creator: Lee, Hee Seung
open access

Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition

Description: Heinrich Koch completed his treatise in 1793, a pioneering work regarding the musical phrase as well as a sonata form description (lacking that term). Composition of Opus 18 began in 1798, a momentous project for several reasons in Beethoven's early career. Here, the theories expressed in Koch's Versuch are taken as an analytic springboard into a thorough analysis of the first movement of the quartet published no. 3, which was the first composed; additionally, nos. 1 and 6 are explored to a les… more
Date: December 2006
Creator: Tompkins, Robert
open access

“Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers

Description: Candy Chang developed a public art installation where people are given the opportunity to write their answers to "Before I Die I want to ________." in a public space. I created one of these walls in Denton, TX and set it to music in a 12 minutes and 42 second piece titled Before I Die..., which combines elements of South Indian carnatic music, gospel, R&B, jazz fusion, and minimalism. The composition was influenced by the music of several crossover artists Becca Stevens, Michael League (Snarky … more
Date: August 2014
Creator: Trusko, Robert
Back to Top of Screen