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Aurora che Sorgereai with Brilliant Variations for the PIano Forte
This is a digital copy of the ca. 1830 edition of Henri Herz's Brilliant variations for the piano forte on the cavatina "Aurora che sorcerai" from Rossini's two-act melodrama "La donna del lago," (i.e., The lady of the lake). The library's copy is part of a bound collection of piano music by variopus nineteenth-century composers. The pianist, and Herz's friend, Franz Hünten adapted several passages of the music to suit the range of the contemporaneous piano fortes. A note on the t.p. indicates that "Mrs. [Lucy] Anderson had the distinguished honor of performing this piece before their Majesties at Brighton." Plate no. 476.
Grand quatuor pour deux violons, alto e violoncelle: œuvre posthume - cello
Cello part for Franz Schubert's String Quarter in D minor, D. 810. This is the first edition of the "Death and the Maiden" quartet.
Grand quatuor pour deux violons, alto e violoncelle: œuvre posthume - viola
Viola part for Franz Schubert's String Quarter in D minor, D. 810. This is the first edition of the "Death and the Maiden" quartet.
Grand quatuor pour deux violons, alto e violoncelle: œuvre posthume - violin 1
First violin part for Franz Schubert's String Quarter in D minor, D. 810. This is the first edition of the "Death and the Maiden" quartet.
Grand quatuor pour deux violons, alto e violoncelle: œuvre posthume - violin 2
Second violin part for Franz Schubert's String Quarter in D minor, D. 810. This is the first edition of the "Death and the Maiden" quartet.
Grande fantaisie et variations sur les motifs de La muette de Portici, de D.F.E. Auber: composées pour le violon avec accomp d'orchestre ou piano
No Description Available.
Richard Cœur de Lion : opéra comique en trois actes
Richard Cœur-de-lion is probably Grétry’s most famous opéra-comique. However, it was banned during the French Revolution and subsequent rebellions in 1830 and 1848 due to its favorable depiction of royalty. Other than those exceptions, the work has remained popular due to its well-developed and compelling plot, its idealized representation of the Medieval community, as well as its musicodramatic structure in which a recurring romance melody is treated as a unifying plot point.
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