You limited your search to:

 Language: Italian
 Collection: Virtual Music Rare Book Room
Le istitutioni harmoniche

Le istitutioni harmoniche

Date: 1562
Creator: Zarlino, Gioseffo, 1517-1590.
Description: This is a 1562 copy of "Le istitutioni harmoniche," one of the most influential music theory treatises written by Gioseffo Zarlino. The first edition appeared in Venice in 1558. The treatise, divided in four parts, includes theoretical and practical elements of music. The first two parts discuss philosophical, cosmological and mathematical aspects of music, Greek tonal system and tuning. The third and fourth parts cover the rules of counterpoint and modes, respectively. This copy bears a dedication to Vicenzo Diedo. It contains a table of contents per chapter and list of corrections. Several handwritten annotations appear on the t.p. ink: "coll: cochi nuoi soc: Jesù;" "exdono Joannis Jerary;" and "Inscriptet catalog."
Contributing Partner: UNT Music Library
Prattica di musica, utile et necessaria si al compositore per comporre i canti suoi regolatamente, si anco al cantore per assicurarsi in tutte le cose cantabili

Prattica di musica, utile et necessaria si al compositore per comporre i canti suoi regolatamente, si anco al cantore per assicurarsi in tutte le cose cantabili

Date: 1596
Creator: Zacconi, Lodovico, 1555-1627.
Description: This book is the first part of Lodovico Zacconi's "Prattica di musica," published in 1596. The contents of this book are divided in four parts covering: the history of music, definition of musical terms, introduction to musical notation, modes, time and prolation, rules of counterpoint, musica ficta, classification of musical instruments, and proper manner of singing polyphonic works and musical ornaments. A second part, "Prattica di musica seconda parte," was published in Venice in 1622. The library's copy contains the following pagination errors: leaves 30, 67, 124, 130, 134, 188 were numbered incorrectly as 29, 140, 130, 122, 130, 194, respectively. There are two leaves numbered 50, each containing the parts for the alto, bass and tenor with underlaid text "Beatus author seculi" and "Residuo." Each leaf is preceded by another leaf that contains the singing parts for the cantus, quintus and tenor. These are two versions of a polyphonic setting, in duple time and triple mensuration, respectively. In the second example, the words Gloria tibi domine" appear under the cantus and quintus.
Contributing Partner: UNT Music Library
Finta pazza, drama.

Finta pazza, drama.

Date: 1644
Creator: Strozzi, Giulio, 1583-1652
Description: Although Sacrati’s La finta pazza (1641) was immensely popular and influential, the opera has received little discussion in modern scholarship, due in large part to the absence of the music (even the number of extant copies of librettos is very small). Since Lorenzo Bianconi discovery of a score that was used for traveling productions, the opera has received increasing attention.
Contributing Partner: UNT Music Library
La Geneviefa

La Geneviefa

Date: 1685
Creator: Gigli, Girolamo, 1660-1722.
Description: This is a ca. 1685 copy of the three-act libretto of "La Geneviefa" by Girolamo Gigli. The work was dedicated to Prince Francesco Maria of Toscana. The Sienese composer Giuseppe Fabbrini set the libretto to music for an opera staged at the theater of the Collegio Tolomei in Siena. Although the music of the opera is lost, the remark, "Il Sign. Giuseppe Fabrini, che ha data l'anima al verso con l'armonia della musica ..." in the preface of the libretto confirms Fabbrini's setting it to music. Concerning Fabbrini's operas, the Grove Music states that, "His operas to librettos by Gigli were all written for the college theatre which opened in 1685." The opera "La Genefieva" premiered that same year in February.
Contributing Partner: UNT Music Library
Forza del sangue, e della pietà; drama per musica

Forza del sangue, e della pietà; drama per musica

Date: 1686
Creator: Fabrini, Giuseppe & Gigli, Girolamo, 1660-1722
Description: 1686 libretto for Giuseppe Fabrini's opera La forza del sangue, e della pietà. The music for all of Giuseppe Fabrini’s operas, including La forza del sangue e della pietà, is lost. However, the libretti by Gerolamo Gigli, have been preserved for these dramas that were performed at the Collegio Tolomei in Siena. La forza del sangue e della pietà translates as “The Force of Blood and Pity.”
Contributing Partner: UNT Music Library
La fede ne' tradimenti

La fede ne' tradimenti

Date: 1689
Creator: Gigli, Girolamo, 1660-1722.
Description: This is a 1689 copy of Girolamo Gigli's three-act libretto for the opera "La Fede ne' tradimenti," set to music by Giuseppe Fabbrini for the 1689 Carnival season at the Collegio Tolomei in Siena, Italy.
Contributing Partner: UNT Music Library
Amore fra' gl'impossibili

Amore fra' gl'impossibili

Date: 1693
Creator: Gigli, Girolamo, 1660-1722. & Campelli, Carlo
Description: According to Grove Music, Gigli's 'Amore fra gli impossibili' is an eccentric work where "the pastoral setting is disturbed by mythological references and the addition of the characters Don Chisciotte and Coriandolo, in an ironic and grotesque atmosphere."
Contributing Partner: UNT Music Library
Recueil d'airs serieux et a boire de differents auteurs : pour l'année 1701.

Recueil d'airs serieux et a boire de differents auteurs : pour l'année 1701.

Date: 1701
Creator: Lully, Jean Baptiste, 1632-1687
Description: Contains songs by various composers with figured bass. French or Italian words. Issued in 12 monthly installments.
Contributing Partner: UNT Music Library
Rutzvanscad, il giovine

Rutzvanscad, il giovine

Date: 1724
Creator: Valaresso, Zaccaria, 1686-1769.
Description: This is a copy of Cattuffio Panchianio's "Rutzvanscad, il Giovine," a parody of Greek tragedy. The library's copy is bound with the libretto of Giovanni Battista Casti's "Prima la musica e poi le parole." Clarification notes relating to terms and characters of the tragedy appear on the back of p.79 together with a list of printing errors.
Contributing Partner: UNT Music Library
Nouvelles Poesies Morales sur Les Plus Beaux Airs de la Musique Francoise et Italienne avec la Basse.: Fables Choisies Dans le gout de M. De La Fontaine, Sur des Vaudevilles & petits Airs aisés à chanter, avec leur Basse & une Basse en Musette.  Recueil I.  6 liv. broché.

Nouvelles Poesies Morales sur Les Plus Beaux Airs de la Musique Francoise et Italienne avec la Basse.: Fables Choisies Dans le gout de M. De La Fontaine, Sur des Vaudevilles & petits Airs aisés à chanter, avec leur Basse & une Basse en Musette. Recueil I. 6 liv. broché.

Date: 1737
Creator: La Fontaine, Jean de, 1621-1695
Description: This score is a collection of poetry and set to music including moral fables (marked on the table of contents with an asterisk). Each piece has words written with musical lines in treble, bass, or a combination of both. Includes a preface ('Avis.') and table of contents for the movements prior to page 1 for each of the seven collections ('recueil'). The pagination restarts for each collection and for the fables which fall at the end of each section.
Contributing Partner: UNT Music Library
FIRST PREV 1 2 3 NEXT LAST