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 Collection: Virtual Music Rare Book Room
Oeuvres de J. Haydn, Cahier X contenant VIII Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier X contenant VIII Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume contains the piano parts to eight piano sonatas - five accompanied by violin and 'cello, three accompanied by violin - all with incipits.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier IX contenant XXXIII Airs et Chansons

Oeuvres de J. Haydn, Cahier IX contenant XXXIII Airs et Chansons

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: Though the cover of this volume is in French, the title page gives the same information in German. This latter language also receives pride of place in the text underlay: Most songs are solely in German but, when lyrics are given in two languages, German is immediately below the musical staves with either Italian or French in italics below the German. Songs use one to three voices with the voice part sometimes integrated into the top staff of the piano part with text underlay indicating when to sing. Several songs are set for three-part Männerchor or four-part chorus with piano accompaniment. In strophic settings, only the first stanza of poetry appears in the score; the rest are included as addenda at the end of the piece. The volume concludes with a table of contents given the name and first line of each song in all languages used for each entry.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier IV contenant VIII Pièces pour le Pianoforte

Oeuvres de J. Haydn, Cahier IV contenant VIII Pièces pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes the piano parts for six piano sonatas and one arietta (for solo piano) and the piano parts to a trio for piano, flute, and 'cello. Incipits are included for all pieces.
Contributing Partner: UNT Music Library
Oden und Lieder mit ihren eigenen Melodien

Oden und Lieder mit ihren eigenen Melodien

Date: 1757
Creator: Leyding, Johann Dietrich, 1721-1781.
Description: This collection opens with a brief letter of dedication from Leyding to his friend Johann Jakob Dusch followed by a preface. The table of contents lists the songs in the order in which they appear in this volume. All of the songs are written in two staves - the top with soprano clef; the bottom, with bass clef. The first stanza of each poem is manually underlaid below the top staff. The full text of the poem is printed either below the music or on the following page. The vocal line use either single or double voices.
Contributing Partner: UNT Music Library
The Theater of music

The Theater of music

Date: 1685
Creator: Playford, Henry, 1657-1710
Description: A note at the bottom of the final page reads, "In the Title Page of this Book, instead of Theorbo-Bass, read Thorow-Bass." Although this seems to suggest that chordal accompaniment should be used, bass lines are unfigured and meant for either a plucked or bowed string instrument per the suggestions on the title page. Three-part ritornelli are interspersed throughout this volume. All vocal lines (the top one of each system) use the treble clef. Only the text of the first stanza is underlaid; any subsequent stanzas are printed under the music.
Contributing Partner: UNT Music Library
Le voyage de Cythere

Le voyage de Cythere

Date: 1727
Creator: Villeneuve, Alexandre de, 1677-1756
Description: This secular cantata for soprano and basso continuo features obbligato flute and violin. The introductory letter addresses not a royal patron but a commercial one - the women that would sing this cantata.
Contributing Partner: UNT Music Library
Vocal Melody Book IV

Vocal Melody Book IV

Date: 1752
Creator: Arne, Thomas Augustine, 1710-1778
Description: This collection of songs from the pantomime "Harlequin Sorcerer" and the play "The Oracle" are scored for various voice types with obbligato instruments and basso continuo (with figured bass). A "Mrs. Cibber" is credited prominently on the title page. Some songs also have alternate parts for the solo line (conflating obbligato and vocal parts) for German flute (sometimes simply designated as "Flute").
Contributing Partner: UNT Music Library
Extrait des airs françois de tous les operas nouveaux, qui ont eté representés: Appropriés pour le chant ou la flute avec la basse continue., Partie I.

Extrait des airs françois de tous les operas nouveaux, qui ont eté representés: Appropriés pour le chant ou la flute avec la basse continue., Partie I.

Date: 1770~
Creator: Hummel, Johann Julius, 1728-1798
Description: This collection of opera arias is scored for either one or two voices with continuo (with figures) and, for some songs, obbligato flute.
Contributing Partner: UNT Music Library
Extrait des airs françois

Extrait des airs françois

Date: 1775~
Creator: unknown
Description: This collection of opera arias is scored for either one, two, or three voices with continuo (with figures). Some songs call for an obbligato violin. An alphabetical table of contents is located at the end of the volume.
Contributing Partner: UNT Music Library
Rosamond

Rosamond

Date: 1707
Creator: Clayton, Thomas, 1673-1725
Description: This three-act opera is to a libretto by Joseph Addison. Content is printed only on the recto side of each leaf. The score features two title pages: the first, with an engraving and small print describing the contents; the second, with large font. The work opens with a three-part "symphony or overture" for an ensemble of unspecified instrumentation: two treble instruments and one bass instrument. The indication "with Violins" on some the songs suggests the nature of the high instruments. No figures are included on the bass line. All the songs are followed, on the same page, by a version of the vocal line for flute.
Contributing Partner: UNT Music Library