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  Partner: UNT Music Library
 Language: English
 Collection: Virtual Music Rare Book Room
Lucrezia Borgia, introduction and brilliant variations, for the piano forte

Lucrezia Borgia, introduction and brilliant variations, for the piano forte

Date: [184?]
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the "Lucrezia Borgia, introduction and brilliant variations, for the piano forte" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Lucrezia Borgia, introduction and brilliant variations" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. This piece was inspired on the opera "Lucrezia Borgia" (1833) by Gaetano Donizetti to whom von Meyer dedicated the work. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, ...
Contributing Partner: UNT Music Library
Grande étude de bataille, for the piano forte, op. 35

Grande étude de bataille, for the piano forte, op. 35

Date: [184?]
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the "Grande étude de bataille for the piano forte, op. 35" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the Bohemian pianist and composer Ignaz Moscheles (1794-1870). "Grande étude de bataille for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien ...
Contributing Partner: UNT Music Library
Hortense

Hortense

Date: [184?]
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the nocturne "Hortense" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to Loise Dulcken (1811-1850), a German pianist famous for her pianistic prowess, the musical soirées she sponsored, which gathered prominent musicians, painters and literary figures, and for having taught piano to Queen Victoria. The nocturne Hortense is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande ...
Contributing Partner: UNT Music Library
Variations brillantes sur la cavatine favorite Aurora sorgerai

Variations brillantes sur la cavatine favorite Aurora sorgerai

Date: [1830?]
Creator: Herz, Henri, 1803-1888.
Description: This is a digital copy of the ca. 1830 edition of Henri Herz's Brilliant variations for the piano forte on the cavatina "Aurora che sorcerai" from Rossini's two-act melodrama "La donna del lago," (i.e., The lady of the lake). The library's copy is part of a bound collection of piano music by variopus nineteenth-century composers. The pianist, and Herz's friend, Franz Hünten adapted several passages of the music to suit the range of the contemporaneous piano fortes. A note on the t.p. indicates that "Mrs. [Lucy] Anderson had the distinguished honor of performing this piece before their Majesties at Brighton." Plate no. 476.
Contributing Partner: UNT Music Library
The musical library, vocal

The musical library, vocal

Date: 1849
Creator: Ayrton, William, 1777-1858.
Description: This is a digital copy of volumes 1 and 2 of "The musical library," a bound collection of part songs and songs with piano accompaniment edited by William Ayrton. It includes arrangements of famous nineteenth-century tunes, madrigals, ballads, canzones, elegies, and opera arias by various composers. The contents of each volume are given below: Vol. 1 Madrigal, “Awake, sweet love!” by John Dowland, pp. 1-3; Song, “Forgive me,” composed to German words by [Joseph] Haydn, pp. 4-5; Song, “Beneath the ocean’s swelling wave” from [Giovanni] Pacini’s opera “Niobe,” pp. 6-7; Duet, “Come opprima” from the opera “Enea nel Lazio” by [Vicenzo] Righini, pp. [8]-10; Song, “The kiss, dear maid! thy lip has left” by Felix Mendelssohn, p. 11; Glee, “Forgive, blest shade!” by Dr. [William Hutchins] Callcott, pp. 12-13; Song, “Toll, toll the knell” from the opera “Mahmoud” by Stephen Storace, pp. 14-[16]; Duet, “Two daughters of this aged stream are we” from the masque “King Arthur” by [Henry] Purcell, pp. 17-19; Song, “How deep the slumber of the floods!” by Carl Löwe, p. 20; Serenade, “Good morning” by [Wolfgang Amadeus] Mozart, p. 21; Song, “Jephtha’s daughter” by Carl Löwe, pp. 22-24; Canzonet, “Recollection” by [Joseph] Haydn, pp. 25-27; Madrigal, ...
Contributing Partner: UNT Music Library
Andante for the piano forte, op.42

Andante for the piano forte, op.42

Date: [184?]
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of "Andante for the piano forte, op.42" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to George Alexander Osborne (1806-1893), an Irish pianist and composer whose concerts in Paris attracted the most fashionable audiences and eminent musicians of the period, among them Chopin and Berlioz. "Andante for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, ...
Contributing Partner: UNT Music Library
Airs russes: fantaisie for the piano forte, op.43

Airs russes: fantaisie for the piano forte, op.43

Date: [184?]
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of Airs russes: fantaisie for the piano forte, op.43 by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. Airs russes is included among a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande ...
Contributing Partner: UNT Music Library
The musical library, vocal

The musical library, vocal

Date: 1849
Creator: Ayrton, William, 1777-1858.
Description: This is a digital copy of volumes 3 and 4 of "The musical library," a bound collection of part songs and songs with piano accompaniment edited by William Ayrton. It includes arrangements of famous nineteenth-century tunes, madrigals, ballads, canzones, elegies, and opera arias by various composers. The contents of each volume are given below: Vol. 3: Glee, "Desolate is the dwelling of Morna" by Dr. [William Hutchins] Callcott, pp. 1-5; Cavatina, "Col sorriso d'innocenzo," from the opera "Il pirata" by [Vicenzo] Bellini, pp. 6-7; A Brazilian Air, "And are these the mountains," U.A., pp. 8-9; Quartet, "Pieta di noi," from the comic opera "L'arbore di Diana" by Vicenzo Martini, pp. 10-13; Cantata, "From rosy Bow'rs" by [Henry] Purcell, pp. 14-19; Air (de trios notes), "Que le jour me dire!" by [Jean-Jacques] Rousseau, p. 20; Aria, "Infelice in tanti affani" by Carl Friedrich Zelter, pp. 21-23; Elegy, "Ye woods and ye mountains" by [William] Jackson (of Exeter), pp. 24-27; Romance, "Oh! forbear to bid me slight her" by [Johann Nepomuk] Hummel, p. [28]-29; Song, "No flower that blows," from the opera "Selima and Azor" by [Thomas] Linley (Senior), p. 29-31; Duetto, "Caro! Bella!," from the opera "Giulio Cesare" by [George Frideric] ...
Contributing Partner: UNT Music Library
Elements of Musical Composition; comprehending the Rules of Thorough Bass, and the Theory of Tuning.

Elements of Musical Composition; comprehending the Rules of Thorough Bass, and the Theory of Tuning.

Date: 1812
Creator: Crotch, William, 1775-1847.
Description: Manual describing musical composition for beginners. The manual is divided in 9 chapters and includes 479 musical examples engraved in 59 pages at the end of the book, as well as four plates with figures (plate no. II appears at the beginning of the book. The musical examples cover the following subjects: scales, intervals (diatonic and chromatic) and their inversion, counterpoint rules, harmonic progressions, use of non-harmonic tones (suspensions, passing notes, appoggiaturas, and upper-lower neighbor. It also includes several examples taken from Handel's "Dettingen Te Deum," "Messiah," and from Haydn's oratorio "Creation," among others.
Contributing Partner: UNT Music Library
The Padlock

The Padlock

Date: [1768]
Creator: Bickerstaff, Isaac, 1735-1812.
Description: This is a copy of a ca. 1768 edition of Isaac Bickerstaff libretto for the two-act English comic opera "The Paddlock" by Charles Dibdin. The plot is an adaptation of Miguel de Cervantes's "El celoso extremeño" (translated as, The Jealous Estremaduran). The t.p. features a vignette signed by IJ Taylor [possibly by the London engraver Isaac Taylor (1730-1807)] with four infants. The one at the center is holding several keys and is playing horse riding with a walking stick that has a padlock attached to it. In the story, Don Diego, a rich old man, hopes to marry the young Leonora and locks her inside his house using a large padlock on the front door. After bribing the servants, the younger suitor, Leander, climbs over the garden wall to court Leonora. Don Diego returns unexpectedly and catches the lovers, but allows the young couple to wed acknowledging that he is too old for Leonora.
Contributing Partner: UNT Music Library
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