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  Partner: UNT Music Library
 Language: English
 Collection: Virtual Music Rare Book Room
Rosamond

Rosamond

Date: 1707
Creator: Clayton, Thomas, 1673-1725
Description: This three-act opera is to a libretto by Joseph Addison. Content is printed only on the recto side of each leaf. The score features two title pages: the first, with an engraving and small print describing the contents; the second, with large font. The work opens with a three-part "symphony or overture" for an ensemble of unspecified instrumentation: two treble instruments and one bass instrument. The indication "with Violins" on some the songs suggests the nature of the high instruments. No figures are included on the bass line. All the songs are followed, on the same page, by a version of the vocal line for flute.
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Three Cantatas

Three Cantatas

Date: 1717
Creator: Hayden, George, d. 1722?
Description: It is upon this set of three Italianate cantatas - "Martillo," "Thyrsis and Neptune" and "Amymone" that Hayden's reputation mainly rests. The second and third works include unspecified obbligato instruments. Content is printed only on the recto of each leaf. The bass line contains no figuration.
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The Theater of music

The Theater of music

Date: 1685
Creator: Playford, Henry, 1657-1710
Description: A note at the bottom of the final page reads, "In the Title Page of this Book, instead of Theorbo-Bass, read Thorow-Bass." Although this seems to suggest that chordal accompaniment should be used, bass lines are unfigured and meant for either a plucked or bowed string instrument per the suggestions on the title page. Three-part ritornelli are interspersed throughout this volume. All vocal lines (the top one of each system) use the treble clef. Only the text of the first stanza is underlaid; any subsequent stanzas are printed under the music.
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Vocal Melody Book IV

Vocal Melody Book IV

Date: 1752
Creator: Arne, Thomas Augustine, 1710-1778
Description: This collection of songs from the pantomime "Harlequin Sorcerer" and the play "The Oracle" are scored for various voice types with obbligato instruments and basso continuo (with figured bass). A "Mrs. Cibber" is credited prominently on the title page. Some songs also have alternate parts for the solo line (conflating obbligato and vocal parts) for German flute (sometimes simply designated as "Flute").
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XII solos for a violin

XII solos for a violin

Date: 1740~
Creator: Corelli, Arcangelo, 1653-1713
Description: This English edition of Corelli's Op. 5 sonata for violin and continuo is, aside from an engraving of the composer and the title page, printed on both the recto and verso sides of the leaves. The bass line contains figures. A note by the publisher states: "These Solos are Printed from a curious Edition Publish'd at Rome by the Author."
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Harmonia Sacra

Harmonia Sacra

Date: 1730~
Creator: Purcell, Henry, 1659-1695
Description: This collection of six anthems for various combinations of voices employs a figured continuo accompaniment. Instrumental interludes labeled "symphonies" can also be found interspersed among the choral selections. Though the music cites no particular scriptural passages, the text seems inspired by - if not directly derived from - the Bible.
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Elements of Musical Composition; comprehending the Rules of Thorough Bass, and the Theory of Tuning.

Elements of Musical Composition; comprehending the Rules of Thorough Bass, and the Theory of Tuning.

Date: 1812
Creator: Crotch, William, 1775-1847.
Description: Manual describing musical composition for beginners. The manual is divided in 9 chapters and includes 479 musical examples engraved in 59 pages at the end of the book, as well as four plates with figures (plate no. II appears at the beginning of the book. The musical examples cover the following subjects: scales, intervals (diatonic and chromatic) and their inversion, counterpoint rules, harmonic progressions, use of non-harmonic tones (suspensions, passing notes, appoggiaturas, and upper-lower neighbor. It also includes several examples taken from Handel's "Dettingen Te Deum," "Messiah," and from Haydn's oratorio "Creation," among others.
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Hortense

Hortense

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the nocturne "Hortense" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to Loise Dulcken (1811-1850), a German pianist famous for her pianistic prowess, the musical soirées she sponsored, which gathered prominent musicians, painters and literary figures, and for having taught piano to Queen Victoria. The nocturne Hortense is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande ...
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Lucrezia Borgia, introduction and brilliant variations, for the piano forte

Lucrezia Borgia, introduction and brilliant variations, for the piano forte

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the "Lucrezia Borgia, introduction and brilliant variations, for the piano forte" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Lucrezia Borgia, introduction and brilliant variations" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. This piece was inspired on the opera "Lucrezia Borgia" (1833) by Gaetano Donizetti to whom von Meyer dedicated the work. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, ...
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Variations brillantes sur la cavatine favorite Aurora sorgerai

Variations brillantes sur la cavatine favorite Aurora sorgerai

Date: 1830?
Creator: Herz, Henri, 1803-1888.
Description: This is a digital copy of the ca. 1830 edition of Henri Herz's Brilliant variations for the piano forte on the cavatina "Aurora che sorcerai" from Rossini's two-act melodrama "La donna del lago," (i.e., The lady of the lake). The library's copy is part of a bound collection of piano music by variopus nineteenth-century composers. The pianist, and Herz's friend, Franz Hünten adapted several passages of the music to suit the range of the contemporaneous piano fortes. A note on the t.p. indicates that "Mrs. [Lucy] Anderson had the distinguished honor of performing this piece before their Majesties at Brighton." Plate no. 476.
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