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Variations à quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waldstein

Variations à quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waldstein

Date: 180u
Creator: Beethoven, Ludwig van, 1770-1827
Description: None
Contributing Partner: UNT Music Library
Oeuvres de Haydn, Cahier II contenant XI Pièces pour le Pianoforte

Oeuvres de Haydn, Cahier II contenant XI Pièces pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes six piano sonatas, three sets of theme and variations, one fantasia, and one capricio [sic] with incipits for all pieces.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier IV contenant VIII Pièces pour le Pianoforte

Oeuvres de J. Haydn, Cahier IV contenant VIII Pièces pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes the piano parts for six piano sonatas and one arietta (for solo piano) and the piano parts to a trio for piano, flute, and 'cello. Incipits are included for all pieces.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier XII contenant 9 Pièces pour le Pianoforte

Oeuvres de J. Haydn, Cahier XII contenant 9 Pièces pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume contains the piano parts for eight piano sonatas (some accompanied either by violin or violin and 'cello) and one adagio. Incipits are present for all pieces.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier I contenant VIII Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier I contenant VIII Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes eight piano sonatas, preceded by pages featuring a portrait of the composer, a letter of dedication from the composers to the consumers of this item, and incipits of all eight sonatas.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier VI contenant V Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier VI contenant V Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes the piano parts for five piano trios (called "sonatas" on the title page) with incipits.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier VIII

Oeuvres de J. Haydn, Cahier VIII

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume contains fifteen sacred and secular songs for one to four voices with piano accompaniment. Contrary to the title page, the titles of each song are given either in German or German and Italian. When both languages are present in the text underlay, the Italian text sits directly below the staves with German below the Italian. Most songs either give "Singstimme" or a voice part for the vocal staves; some give names of characters, possibly indicating a theatrical or semi-dramatic performance context. Songs for one voice tend to be strophic while part songs are through-composed. Authors such as Gellert, Metastasio, and Shakespeare figure among the authors (most anonymous) of the texts. As with the other binlingual pieces in this volume, the scene "Arianna a Naxos" is set in Italian and German. The interaction of the soprano voice and piano accompaniment as well as the structural alternation between arioso/aria and recitative reveals this piece to be a solo cantata. The volume concludes with a four-page catalog of all of Breitkopf und Härtel's publications in Leipzig complete with price in thalers for each piece and a table of contents. The positioning of the Inhalt at the end of the volume reflects ...
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier VII contenant VI Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier VII contenant VI Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes the piano parts for six piano trios (called "sonatas" on the title page) with incipits.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier V contenant V Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier V contenant V Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes the piano parts for five piano trios (called "sonatas" on the title page) with incipits.
Contributing Partner: UNT Music Library
Oeuvres de Haydn, Cahier III contenant VI Sonates pour le Pianoforte

Oeuvres de Haydn, Cahier III contenant VI Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume includes the piano parts for six piano trios (called "sonatas" on the title page) with incipits.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier XI contenant XII Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier XI contenant XII Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume contains twelves piano sonatas with incipits for each piece.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier X contenant VIII Sonates pour le Pianoforte

Oeuvres de J. Haydn, Cahier X contenant VIII Sonates pour le Pianoforte

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: This volume contains the piano parts to eight piano sonatas - five accompanied by violin and 'cello, three accompanied by violin - all with incipits.
Contributing Partner: UNT Music Library
Oeuvres de J. Haydn, Cahier IX contenant XXXIII Airs et Chansons

Oeuvres de J. Haydn, Cahier IX contenant XXXIII Airs et Chansons

Date: 1799
Creator: Haydn, Joseph (1732-1809)
Description: Though the cover of this volume is in French, the title page gives the same information in German. This latter language also receives pride of place in the text underlay: Most songs are solely in German but, when lyrics are given in two languages, German is immediately below the musical staves with either Italian or French in italics below the German. Songs use one to three voices with the voice part sometimes integrated into the top staff of the piano part with text underlay indicating when to sing. Several songs are set for three-part Männerchor or four-part chorus with piano accompaniment. In strophic settings, only the first stanza of poetry appears in the score; the rest are included as addenda at the end of the piece. The volume concludes with a table of contents given the name and first line of each song in all languages used for each entry.
Contributing Partner: UNT Music Library
Oden und Lieder mit ihren eigenen Melodien

Oden und Lieder mit ihren eigenen Melodien

Date: 1757
Creator: Leyding, Johann Dietrich, 1721-1781.
Description: This collection opens with a brief letter of dedication from Leyding to his friend Johann Jakob Dusch followed by a preface. The table of contents lists the songs in the order in which they appear in this volume. All of the songs are written in two staves - the top with soprano clef; the bottom, with bass clef. The first stanza of each poem is manually underlaid below the top staff. The full text of the poem is printed either below the music or on the following page. The vocal line use either single or double voices.
Contributing Partner: UNT Music Library
The Theater of music

The Theater of music

Date: 1685
Creator: Playford, Henry, 1657-1710
Description: A note at the bottom of the final page reads, "In the Title Page of this Book, instead of Theorbo-Bass, read Thorow-Bass." Although this seems to suggest that chordal accompaniment should be used, bass lines are unfigured and meant for either a plucked or bowed string instrument per the suggestions on the title page. Three-part ritornelli are interspersed throughout this volume. All vocal lines (the top one of each system) use the treble clef. Only the text of the first stanza is underlaid; any subsequent stanzas are printed under the music.
Contributing Partner: UNT Music Library
Le voyage de Cythere

Le voyage de Cythere

Date: 1727
Creator: Villeneuve, Alexandre de, 1677-1756
Description: This secular cantata for soprano and basso continuo features obbligato flute and violin. The introductory letter addresses not a royal patron but a commercial one - the women that would sing this cantata.
Contributing Partner: UNT Music Library
Vocal Melody Book IV

Vocal Melody Book IV

Date: 1752
Creator: Arne, Thomas Augustine, 1710-1778
Description: This collection of songs from the pantomime "Harlequin Sorcerer" and the play "The Oracle" are scored for various voice types with obbligato instruments and basso continuo (with figured bass). A "Mrs. Cibber" is credited prominently on the title page. Some songs also have alternate parts for the solo line (conflating obbligato and vocal parts) for German flute (sometimes simply designated as "Flute").
Contributing Partner: UNT Music Library
Extrait des airs françois de tous les operas nouveaux, qui ont eté representés: Appropriés pour le chant ou la flute avec la basse continue., Partie I.

Extrait des airs françois de tous les operas nouveaux, qui ont eté representés: Appropriés pour le chant ou la flute avec la basse continue., Partie I.

Date: 1770~
Creator: Hummel, Johann Julius, 1728-1798
Description: This collection of opera arias is scored for either one or two voices with continuo (with figures) and, for some songs, obbligato flute.
Contributing Partner: UNT Music Library
Extrait des airs françois

Extrait des airs françois

Date: 1775~
Creator: unknown
Description: This collection of opera arias is scored for either one, two, or three voices with continuo (with figures). Some songs call for an obbligato violin. An alphabetical table of contents is located at the end of the volume.
Contributing Partner: UNT Music Library
Titon Et L'Aurore

Titon Et L'Aurore

Date: 1753
Creator: Mondonville, Jean Joseph Cassanea de, 1711-1772
Description: This three-act opera (Monsigny's Op. 8) is dedicated to Monseigneur le Prince de Soubise and was premiered at L'Academie Royalle de Musique on 9 January 1753. This full score opens with a letter of dedication from the composer to his patron and closes with a document describing royal publishing privilege.
Contributing Partner: UNT Music Library
Le roy et le fermier

Le roy et le fermier

Date: 1762
Creator: Monsigny, Pierre-Alexandre
Description: This three-act opera was premiered at the Comédie Italien on 22 November 1762.
Contributing Partner: UNT Music Library
Le déserteur; drame en trois actes representé par les Comediens italiens ordinaires du roi le 6 mars 1769, Gravé par Mlle, Vendôme et le Sr. Moria

Le déserteur; drame en trois actes representé par les Comediens italiens ordinaires du roi le 6 mars 1769, Gravé par Mlle, Vendôme et le Sr. Moria

Date: 1769
Creator: Monsigny, Pierre-Alexandre, 1729-1817
Description: This three-act opera is dedicated to His Most Serene Highness Monseigneur Duke of Orleans and premiered on 6 March 1769 at les Comediens italiens ordinaires du roi. This full score opens with a letter of dedication from the composer to his patron.
Contributing Partner: UNT Music Library
Le cadi dupé, opéra bouffon en un acte, representé sur le Théatre de l'opera comique

Le cadi dupé, opéra bouffon en un acte, representé sur le Théatre de l'opera comique

Date: 1761
Creator: Monsigny, Pierre-Alexandre, 1729-1817
Description: The figured bass is unrealized in the full score of this one-act comic opera. Sung French text is underlaid; spoken text is printed before and after each song.
Contributing Partner: UNT Music Library
Le triomphe des sens

Le triomphe des sens

Date: 1732
Creator: Mouret, Jean-Joseph, 1682-1738
Description: This opera (ballet héroique) is comprised of five acts with a prologue. It was premiered on 29 May 1732 at L'accademie Royale de Musique in Paris. This score opens with a letter of dedication from the composer "A Son Altesse Serenissime Monseigneur Le Prince de Dombes." Next, Mouret includes two tables of contents: one of the dances (Airs de Simphonie) and the other, of the arias (Airs à Chanter). The following pages lists other publications by Mouret including prices and where these items may be purchased. Vocal lines are set apart from instrumental ones by text underlay and, in the case of high voices, the use of the standard treble clef. (The violin parts use the French clef.
Contributing Partner: UNT Music Library
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