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  Partner: UNT Music Library
 Language: French
 Collection: Virtual Music Rare Book Room
Bajazeth

Bajazeth

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing the piano part for "Bajazeth: air national [sic] des turques pour le piano forte" by Leopold von Meyer.
Contributing Partner: UNT Music Library
Ballet du Temple de la paix

Ballet du Temple de la paix

Date: 1685
Creator: Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Description: The elements that make up the Jean-Baptiste Lully's Ballet du Temple de la Paix have some parallels to the plot of Roland, which premiered in the same year. Both celebrate the expanding influence of France and Louis XIV through the introduction of exotic characters. The flexibility of the ballet de cour format, which was more a progression of loosely related scenes and spectacles than an organized plot, allowed librettist Philippe Quinault more freedom in his elaboration of that theme.
Contributing Partner: UNT Music Library
Barbe bleue : comédie en prose et en trois actes

Barbe bleue : comédie en prose et en trois actes

Date: 1789
Creator: Grétry, André Ernest Modeste, 1741-1813 & Sedaine, 1719-1797
Description: Although the story of Bluebeard was familiar to French readers from Charles Perrault’s 1698 collection of children’s tales, transferring it to the operatic stage was problematic due in large part to the gruesome nature of the plot. Other violent works had appeared in Paris, but in this instance, the drama was to be performed at the Comédie-Italienne, which typically featured lighter plots than that of Raoul and Isaure. Nevertheless, the opera had a successful run, receiving over a hundred performances in the decade after its premiere. After its initial popularity, Raoul Bluebeard was staged less frequently, but it still made an impression on nineteenth-century composers, particularly Weber.
Contributing Partner: UNT Music Library
Barbier de Seville [Il barbiere di Siviglia] Opéra comique en quatre actes

Barbier de Seville [Il barbiere di Siviglia] Opéra comique en quatre actes

Date: 1789
Creator: Paisiello, Giovanni, 1740-1816; Beaumarchais, Pierre Augustin Caron de, 1732-1799 & Framery, Nicolas Etienne, 1745-1810
Description: None
Contributing Partner: UNT Music Library
Bellérophon; tragedie mise en musique

Bellérophon; tragedie mise en musique

Date: 1679
Creator: Lully, Jean Baptiste, 1632-1687; Corneille, Pierre, 1606-1684; Fontenelle, M. de (Bernard Le Bovier), 1657-1757 & Boileau Despréaux, Nicolas, 1636-1711
Description: Although not the first of the Jean-Baptiste Lully's tragédies lyriques, Bellérophon was the first of Lully's opera scores to appear in print. The Ballard first edition was printed in 1679 to accompany the premiere, on January 31 of that year, at the Palais Royale. Bellérophon was the second of two operas (the first was Psyché) created by Lully without librettist Philippe Quinault after the scandal associated with Isis that led to Quinault's temporary dismissal as royal librettist. After an extended illness during which he did not compose, Lully collaborated with Thomas Corneille and Bernard le Bovier de Fontenelle for the second time to create one of his most unqualified successes. Following the first performance in January 1679, Bellérophon played for nine months at the Palais Royale.
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Le cadi dupé

Le cadi dupé

Date: 1766
Creator: Lemonnier, Pierre René, 1731-1796.
Description: This is a 1766 copy of the libretto of the one-act comic opera "Le cadi dupé" (The duped judge), by Pierre René Lemonnier to music by Pierre-Alexandre Monsigny. The first performance of the opera took place at the Paris Foire St-Germain on 4 February 1761. Christoph Willibald Gluck's music replaced that of Monsigny's for the 8 December 1761 performance at the Burgtheater in Vienna.
Contributing Partner: UNT Music Library
Le cadi dupé, opéra bouffon en un acte, representé sur le Théatre de l'opera comique

Le cadi dupé, opéra bouffon en un acte, representé sur le Théatre de l'opera comique

Date: 1761
Creator: Monsigny, Pierre-Alexandre, 1729-1817
Description: The figured bass is unrealized in the full score of this one-act comic opera. Sung French text is underlaid; spoken text is printed before and after each song.
Contributing Partner: UNT Music Library
Cantates françoises à I. et II. voix: avec simphonie, et sans simphonie, V. 1-2

Cantates françoises à I. et II. voix: avec simphonie, et sans simphonie, V. 1-2

Date: 1710
Creator: Clérambault, Louis-Nicolas, 1676-1749
Description: This item contains volumes 1 and 2 of Clérambault's "Cantates Françoises." The second volume bears the subtitle "Mellées de Simphonies." Volume 1 contains the cantatas "L'amour piqué," "Le jaloux," "Orphée," "Poliphême," "Medée," and "L'amour et Baccus." Volume 2 contains "Alphée et Arethuse," "Leandre et Hero," "La musette," "Pirame et Tisbé," "Pigmalion," and "Le triomphe de la paix." The continuo line is figured.
Contributing Partner: UNT Music Library
Cantates françoises a voix seule et basse-continue, avec et sans symphonies, Livre second

Cantates françoises a voix seule et basse-continue, avec et sans symphonies, Livre second

Date: 1708
Creator: Stuck, Jean-Baptiste, 1680-1755
Description: This item comprises two books of secular cantatas for soprano (indicated by the consistent use of the soprano clef in the vocal line), obbligato strings and winds, and (unrealized) basso continuo. The first book was printed in 1706; the second, in 1708. Since the two volumes were bound together, the later date is used for this item. The subtitle for the first volume indicates "a voix seule avec symphonies" while the subtitle for the second volume gives "a voix seule et basse-continue, avec et sans symphonies."
Contributing Partner: UNT Music Library
Le carnaval de Venise

Le carnaval de Venise

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of "Le carnaval de Venise" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the operatic soprano Eugenie García (née Mayer; 1815-1880), who was the first wife of the famous Spanish baritone Manuel García. "Le carnaval de Venise" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les ...
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Cendrillon

Cendrillon

Date: 1759
Creator: Anseaume, M. (Louis), 1721-1784.
Description: Libretto of the 1759 pastiche-style comic opera "Cendrillon," by Louis Anseaume. The songs were contributed by the singer-composer Jean-Louis Laruette and Egidio Duni, which they likely adapted from fashionable tunes. "Cendrillon" (Cinderella in English) premiered in Paris at Foire St-Germain on February 21, 1759. The opera underwent two revisions before the definitive version of 1764. Anseaume adapted the plot the fairy tale by Charles Perrault. This copy includes (from pp.54-63) notated melodies of airs and recitatives.
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Colinette à la cour ou La double épreuve : comédie lyrique en trois actes

Colinette à la cour ou La double épreuve : comédie lyrique en trois actes

Date: 1782
Creator: Grétry, André Ernest Modeste, 1741-1813 & Lourdet de Santerre, Jean Baptiste, 1732-1815
Description: A comparison of the scores for Colinette à la cour and Barbe-bleue illustrates the primary distinguishing factor between the genres of comédie lyrique and opera comique: the method of dialogue delivery. In Paris, the issue of genre was tied to the performance venue of a particular opera, due to government regulations. Although comic opera was traditionally presented with spoken dialogue, as in opera comique, when Grétry composed for the Opéra, where recitative was expected, he merged comic subject matter with the sung dialogue heard in serious opera.
Contributing Partner: UNT Music Library
[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique]

[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique]

Date: 1681
Creator: Quinault, Philippe, 1635-1688.; Benserade, Isaac de, 1613-1691.; Beauchamp, Pierre, 1631-1705.; Benserade, Isaac de, 1613-1691. & Lully, Jean Baptiste, 1632-1687.
Description: This book contains a collection of librettos for ballets, tragedies and opera staged for Louis XIV from ca. 1680-1691. The works reflect the collaboration of Jean-Baptiste Lully and dance masters and librettists in the court of Louis XIV. The following French dramatic works are included in the collection: Le triomphe de l'amour; Coronis; Isis; Amadis; Phaeton; Proserpine; Zephire et Flore; Thetis et Pelée; Enée et Lavinie; Astrée; and Roland.
Contributing Partner: UNT Music Library
Colonie : opéra comique en deux actes

Colonie : opéra comique en deux actes

Date: 1776
Creator: Sacchini, Antonio, 1730-1786 & Framery, Nicolas Etienne, 1745-1810
Description: None
Contributing Partner: UNT Music Library
Coronis

Coronis

Date: 1891
Creator: Chappuzeau de Baugé, Daniel-Paul.
Description: Libretto of the 1691 "Coronis," a French lyrical genre called pastorale-heroïque, representing the love of nobles or gods often disguised as shepherds (or shepherdesses) in Arcadian settings. Daniel-Paul Chappuzeau de Baugé wrote the libretto and Teobaldo de Gatti composed its music.
Contributing Partner: UNT Music Library
Les Danaïdes, tragédie lirique en cinq actes

Les Danaïdes, tragédie lirique en cinq actes

Date: 1784
Creator: Salieri, Antonio, 1750-1825; Du Roullet, François Louis Gaud Lebland, marquis, 1716-1786 & Tschudi, Jean-Baptiste-Louis-Théodore, baron de, 1734-1784
Description: Antonio Salieri began work on Les Danaïdes upon the recommendation of Gluck, whose health prevented him from fulfilling a commission for the work. Although Salieri was living in Vienna, the tragedie-lyrique was written for the Opéra in Paris, with a libretto by François Louis Gand Leblanc Roullet and Ludwig Theodor Tschudi based on Calzabigi’s Italian libretto.
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Dardanus : nouvelle tragédie

Dardanus : nouvelle tragédie

Date: 1744
Creator: Rameau, Jean Philippe, 1683-1764 & La Bruère, Le Clerc de, 1714-1754
Description: Dardanus went through a number of revisions from the time of its premiere in 1739 until its final eighteenth-century run at the Opéra in 1771. The version in the Virtual Rare Book Room was first performed in 1744; the last three acts exhibit extensive plot changes from the first edition. The final version in 1760 received the most positive acclaim, especially compared to the criticisms that were made about the nonsensical plot of the first version. By this point, however, the polemic between the Lullistes and the Ramistes, which had surrounded the premiere, had subsided.
Contributing Partner: UNT Music Library
Dardanus : tragédie lyrique en quatre actes

Dardanus : tragédie lyrique en quatre actes

Date: 1784
Creator: Sacchini, Antonio, 1730-1786; Guillard, Nicolas François, 1752-1814 & La Bruère, Le Clerc de, 1714-1754
Description: Like Renaud, Sacchini’s second French opera, Dardanus, faced problems due in large part to the composer’s Italian heritage. The opera is based on Rameau’s Dardanus, which had been a topic of earlier dispute between the Lullistes and the Ramistes. After an initially disappointing reception, Dardanus was reduced from four acts to three. In its first form, the opera received only six performances, but the three-act version was performed more than thirty times during the eighteenth century. Dardanus went on to enjoy several productions in the first decade of the nineteenth century.
Contributing Partner: UNT Music Library
Le depart et le retour, deux nocturnes

Le depart et le retour, deux nocturnes

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing a piano part for two nocturnes "Le depart" and "Le retour" by Leopold von Meyer. These nocturnes were issued as the first of four pieces published under the title "Repertoire de Léopold de Meyer."
Contributing Partner: UNT Music Library
Le déserteur; drame en trois actes representé par les Comediens italiens ordinaires du roi le 6 mars 1769, Gravé par Mlle, Vendôme et le Sr. Moria

Le déserteur; drame en trois actes representé par les Comediens italiens ordinaires du roi le 6 mars 1769, Gravé par Mlle, Vendôme et le Sr. Moria

Date: 1769
Creator: Monsigny, Pierre-Alexandre, 1729-1817
Description: This three-act opera is dedicated to His Most Serene Highness Monseigneur Duke of Orleans and premiered on 6 March 1769 at les Comediens italiens ordinaires du roi. This full score opens with a letter of dedication from the composer to his patron.
Contributing Partner: UNT Music Library
Les deux chasseurs et la laitière; comédie en un acte

Les deux chasseurs et la laitière; comédie en un acte

Date: 1763
Creator: Duni, Egidio, 1708-1775 & Anseaume, M. (Louis), 1721-1784
Description: Duni’s French style was shaped by the developments of the War of the Buffoons, which pitted French tragic opera against Italian comic opera. The newly emergent opéra comique genre, for which Duni is still considered to be one of the major contributors, combined elements of both styles. His significance in the development of opéra comique is evident in the long-term success of Les deux chasseurs et la laitière, which was performed at the Comédie-Italien until 1792, almost twenty years after the composer’s death.
Contributing Partner: UNT Music Library
Les deux chasseurs et la laitière; comédie en un acte

Les deux chasseurs et la laitière; comédie en un acte

Date: 1763
Creator: Duni, Egidio, 1708-1775 & Anseaume, M. (Louis), 1721-1784
Description: Undated score of Egidio Duni's opera Les deux chaussures et la laitière. Duni’s French style was shaped by the developments of the War of the Buffoons, which pitted French tragic opera against Italian comic opera. The newly emergent opéra comique genre, for which Duni is still considered to be one of the major contributors, combined elements of both styles. His significance in the development of opéra comique is evident in the long-term success of Les deux chasseurs et la laitière, which was performed at the Comédie-Italien until 1792, almost twenty years after the composer’s death.
Contributing Partner: UNT Music Library
Les deux comtesses : opera bouffon imité de l'Italien et parodié sous la musique

Les deux comtesses : opera bouffon imité de l'Italien et parodié sous la musique

Date: 178u
Creator: Paisiello, Giovanni, 1740-1816 & Framery, Nicolas Etienne, 1745-1810
Description: Paisiello’s comic operas were some of the most successful of the time. In point of fact, his operas enjoyed 251 performances in Vienna between 1783 and 1792, compared to 63 performances of Mozart’s operas. The intermezzo Le due comtesse, which first appeared in Rome (with an all-male cast) on 3 January 1776, was translated to French and parodied by Nicolas Etienne Framery, who also adapted Paisiello’s Il barbiere di Siviglia for the Parisian stage.
Contributing Partner: UNT Music Library
Les deux journées

Les deux journées

Date: 1800~
Creator: Cherubini, Luigi, 1760-1842.
Description: Vocal score of Luigi Cherubini's rescue opera "Les deux journées" (also known by the title, The water carrier) to a libretto by Jean-Nicolas Bouilly. The first performance took place in Paris at Théâtre Feydeau on January 16, 1800 followed by 56 performance during that year. Les deux journées remained in the international repertory of operas for most of the 19th century. The piano reduction contains the text in French and German.
Contributing Partner: UNT Music Library