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  Partner: UNT College of Visual Arts + Design
 Collection: UNT Scholarly Works
Silk Panel IV
The yardage consists of light and dark horizontal cloud like forms intersecting with each other and occasionally overlapped with floating rectangular shapes. digital.library.unt.edu/ark:/67531/metadc27090/
[silk screened cotton velveteen artwork]
The horizontally oriented work consists of shapes that resemble floating sidewalks in the sky. Running from the upper left corner to the lower right is a long ribbon shape that floats into almost a calligraphic word. The ground depicting distance gradates from a darker blue to a pink at the horizon. In the far distance appears some shapes resembling mountains. The left and upper edge of the work is bordered by gradated stripes. digital.library.unt.edu/ark:/67531/metadc27075/
[silk screened cotton velveteen artwork]
This screen printed cotton velveteen artwork depicts in a horizontal orientation two curved brown boardwalk type images. These boardwalks reach through the sky and enter into two rectangular frame shapes. Mountainous shapes line the bottom edge of the work. digital.library.unt.edu/ark:/67531/metadc27074/
[silk yardage, batiked]
The length of the silk yardage contains geometric shapes set at an angle and amongst the geometric shapes are smaller wave type shapes. The colors are dark blue to light blues and some warm yellow-browns. digital.library.unt.edu/ark:/67531/metadc27094/
[silk yardage dyed pinks and oranges]
Silk yardage dyed in pinks and oranges with large circular lines and small spots resembling eyes or knots of wood. digital.library.unt.edu/ark:/67531/metadc27043/
Silver Blue Vase
The silver blue shape functions as the base of the work out of which and around which emerge brown, silver and yellow tubular shapes. digital.library.unt.edu/ark:/67531/metadc102340/
Small Casseroles
Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas. digital.library.unt.edu/ark:/67531/metadc129746/
Smelter Shelter
The artwork consists of five upright copper color poles around which twist decorated rolling pin shapes affixed to the uprights with pipes the same color as the uprights. The rolling pin shapes are covered with patterns and shapes of bright yellow, orange and black. digital.library.unt.edu/ark:/67531/metadc102333/
Snail
The sculpture depicts a large blue-green hand with four fingers outstretched. A pink spiral circles the back of the hand and crosses over three vertical black bar openings. digital.library.unt.edu/ark:/67531/metadc102341/
So, Number 2
The drawing consists of a grid drawn with graphite with a splash and run of India ink. digital.library.unt.edu/ark:/67531/metadc102419/
Song Sung Blue
The bowl shape sits atop a cushion shape that echoes the surface colors and textures of the bowl. A circle shape enclosing wiggly lines decorates the center of the exterior side of the bowl. Also around the exterior of the bowl are vertically oriented linear black lines and textural lines. digital.library.unt.edu/ark:/67531/metadc102328/
Sound Wave Series No. 37
Square piece of paper divided into five vertical columns with horizontal lines and dots and dashes in light beige on toned paper. digital.library.unt.edu/ark:/67531/metadc27116/
Space Behind the Dark Wall
The dark ground of the piece also contains square shapes that create great depth and floating on the surface appear trapezoidal pink shapes. The blue ground contains square that gradate from very dark to somewhat lighter and pink in tone. The pink shapes on the surface, floating parallel to the ground, gradate from a lighter pink to darker pink. digital.library.unt.edu/ark:/67531/metadc27081/
Space Beyond the Definition
The horizontally oriented piece consists of gray gradations on the left and upper sides in rectangular shapes. On the right side are circular gradations in pinks. Flowing from the right lower corner toward the upper left are ribbon shapes that create the illusion of deep space. digital.library.unt.edu/ark:/67531/metadc27080/
Space for Eternity
The horizontally oriented picture depicts water and a brown boardwalk of sorts receding into the deep space. Some small cloud like forms float in the top portion of the work and one-half of a rectangular shape floats in the top right hand portion of the picture. Some white tops of waves move out from the boardwalk area toward the right hand edge of the piece. digital.library.unt.edu/ark:/67531/metadc27071/
Spring Flowers
The painted artwork depicts a vase of flowers. The predominant colors are yellows and greens. The brushstrokes are bold and expressive. The composition in square. digital.library.unt.edu/ark:/67531/metadc102362/
Square Air Return Vent
The brooch is modeled after a ceiling air return vent. digital.library.unt.edu/ark:/67531/metadc129783/
Square Earrings
The silver earrings consist of mangled square shapes pierced with open rectangular shapes. Moving through the rectangular openings as well as the silver squares are copper wires. digital.library.unt.edu/ark:/67531/metadc102394/
St. Matthew
This acrylic painting on paper consists of small geometric shapes spread across the surface of ninety-degree turned and columnar patterns. St. Matthew is depicted at the lower right edge in an outline. An upside down silhouette shape of a dog is included in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc27210/
Staircase
This relatively monochromatic painting uses mostly browns and tans to depict an upper level view of a decaying staircase. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129761/
Stairwell
This low-chroma ink wash painting depicts an aerial view of the center of a stairwell. The angles of the broken banister and other elements create a somewhat dizzying perspective. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129751/
Storm, NYC Rooftop
Long multi-colored pieces are arranged on a rooftop in an urban setting. The pieces are arranged both in organic lines as well as straight lines filling the rooftop area. Some pieces partially move above the base and some appear suspended in space. digital.library.unt.edu/ark:/67531/metadc27118/
Stream
The horizontally oriented artwork depicts ribbon like shapes floating from foreground to background with blue gradated wave like forms and a geometric thick wall-like form in the center right of the composition. Emerging from the left side of the piece is a rectangular frame in pale gray. digital.library.unt.edu/ark:/67531/metadc27077/
Streetscape
The painting depicts a street scene with possibly a church on the right with its gargoyles, some street vendors and signs. Distance is blocked from view by the vertical facade of a building at the end of the street. digital.library.unt.edu/ark:/67531/metadc102357/
Study
Vertical dark gray painting with shade gradations from white to black on surface. Some numbers and some text in upper right portion along with red, blue, and yellow green spots. digital.library.unt.edu/ark:/67531/metadc27135/
Study for 95-3 and E 95-7
A vertical work with horizontal stripes in light blue and light tan and includes gray to black numbered brushstrokes. digital.library.unt.edu/ark:/67531/metadc27134/
Study of Forms and Color
The strong colors and vertical orientation with definite geometric shapes and stripes contribute to the graphic design. Blue and white stripes on the right hand side with a gradated purple sphere on the left and orange sphere at the top right are linked with some angled green lines. digital.library.unt.edu/ark:/67531/metadc27114/
Sun: Studio 321
This two-panel woven artwork depicts several gold angular spear shapes that jut downward vertically and break apart in two pieces. Weaving through and around the gold and orange vertical spears are two long two-toned ribbons. The background is purple with a few light blue streaks. digital.library.unt.edu/ark:/67531/metadc102380/
Sunset View from My Window
The horizontally oriented work of art consists of three vertical panels. Each panel depicts space through a series of gradated horizontally running lines and stripes. Moving from the foreground to the background are white ribbon shapes. digital.library.unt.edu/ark:/67531/metadc27087/
System
The slug shape forms the base and emerging from the top of it are two pipes terminating in funnel like shapes one of which is covered. In the surface of the lower portion are two circular screen covered openings. digital.library.unt.edu/ark:/67531/metadc129784/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129858/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129860/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129859/
Tail Shoes
This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe. digital.library.unt.edu/ark:/67531/metadc129857/
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion. digital.library.unt.edu/ark:/67531/metadc274985/
Ten Plastic Concepts on a Love Scene
The painting consists of shapes floating together and overlapping in places. Two large yellow shapes in the upper portion of the canvas appear as sun type images. A brown shape resembles two seated figures and floats in the upper portion of the painting. A brown meandering shape moves across the lower section of the painting. Surrounding the brown meandering shape is blue which might represent water. digital.library.unt.edu/ark:/67531/metadc102343/
Texas Series
Acrylic paint on paper depicting two large squares, one turned forty-five degrees and both filled with small lines, dots, and dashes creating many more small grids. Light blues and purples dominate. digital.library.unt.edu/ark:/67531/metadc27117/
That
The drawing consists of a grid drawn in graphite with angled marks at each corner. India ink foils the grid pattern with its loose pattern. digital.library.unt.edu/ark:/67531/metadc102420/
Thinking of You
The sculpture depicts a crackled yellow head with blue eyes. The bottom portion of the head, including the mouth is not included in the sculptural piece. A serpentine shape in the same yellow color encircles the top of the head. Sitting atop the head like a small hat is a green cylindrical shape out of which protrudes a coil-rope funnel shape. digital.library.unt.edu/ark:/67531/metadc102320/
Three Strokes and Some Eggs
The square painting consists of a layering of grids. Variations in the colors in the bottom layer of paint creates shapes which the scratched out grid lines reveal. On the top most layer are three vertical streaks of a light color paint. digital.library.unt.edu/ark:/67531/metadc102424/
[tie-dyeing in a tall vertical artwork]
This long vertical work consists of a tie dyed or shibori method of screen printing. The imagery in the top portion of the work is a large red circle floating on an orange colored ground. The bottom portion of the work is a purple with many dark streaks running horizontally and a large light purple wave shape moves from the bottom edge of the work towards the top. digital.library.unt.edu/ark:/67531/metadc27105/
Trees Landscape
The painting depicts trees, fence and water. The colors are vibrant and the texture of the rough paper is visible. digital.library.unt.edu/ark:/67531/metadc102354/
Tsunami
The sculptural earthenware piece depicts a person's head from the nose up. The eyes are wide open and atop the head are four shapes resembling ears of corn. The colors are predominately yellows and light browns with blue eyes. The face and hair are highly textured. digital.library.unt.edu/ark:/67531/metadc102318/
[two vertical striped panel artwork]
The vertical artwork consists of two long vertical panels with horizontal stripes that do not match between panels. Floating wave or cloud like shapes overlap and float between both panels. The colors gradate from pink to dark blue and the ribbon like wave shapes gradate from dull pink to blue. digital.library.unt.edu/ark:/67531/metadc27072/
[two vertical striped panel artwork]
The vertical two panel artwork depicts horizontal stripes in gradations of blues and pinks. Floating across the two panels is a long wave shape that moves vertically and is an orange pink color. A ribbon like form floats across the two panels and is blue and purple. digital.library.unt.edu/ark:/67531/metadc27073/
Unplugged
The artwork is in the shape of a plate and on it is depicted a masked man applying something to a large cactus like shape. The plate is rimmed in a textured blue. The light yellow background of the plate is covered with hieroglyphic type marks and symbols. The man's body is a heavily textured green color and his mask is orange. digital.library.unt.edu/ark:/67531/metadc102315/
UNT Speaks Out on No Child Left Behind: The Impact of NCLB on Arts Education
This presentation is part of the faculty lecture series UNT Speaks Out on No Child Left Behind. This presentation discusses the No Child Left Behind (NCLB) Act and its impact on arts education. digital.library.unt.edu/ark:/67531/metadc67601/
Untitled
The sculpture consists of several vertical pieces twisting with each other secured in a square wood base. digital.library.unt.edu/ark:/67531/metadc102360/
Untitled
The vertically oriented sculpture appears to depict a fish or a bird. The upper portion of the piece is smooth while the base is rough. digital.library.unt.edu/ark:/67531/metadc102358/
Untitled
This painting consists of curved vertical lines. digital.library.unt.edu/ark:/67531/metadc27205/