You limited your search to:
Partner:
UNT College of Visual Arts + Design
Collection:
UNT Scholarly Works
- The Light from a Shoji Window
- The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition. digital.library.unt.edu/ark:/67531/metadc27061/
- Light vs. Shadow 01
- The black and white image depicts three drinking glasses and their shadows. digital.library.unt.edu/ark:/67531/metadc129801/
- Light vs. Shadow 14
- Depicted in this digital photograph are several planes of varying levels of value with highlights and shadows. digital.library.unt.edu/ark:/67531/metadc129802/
- Limb
- The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
- Liqueur
- The cordial glass consists of two pieces which are similar in form. The ebony base holds the sterling silver vessel portion. At the top and bottom of the piece are similar thin silver bands. digital.library.unt.edu/ark:/67531/metadc102395/
- Liqueurs
- These two cordial glasses are designed in the shape of an angular animal's horn or cornucopia, one piece in wood acts as the stand and the smaller one in metal acts as the drinking vessel portion. digital.library.unt.edu/ark:/67531/metadc102396/
- Little Chapel
- The black and white digital image depicts the interior of a church with brick arches and large globe lamps with the stained glass window in the background. digital.library.unt.edu/ark:/67531/metadc129803/
- I'll Tumble For You
- The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
- M 98-1
- Vertical painting consists of horizontal stripes of black and blue. Short vertical stripes of various colors float on the surface in the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27144/
- Marvel
- A tall bowl shape sits atop a cushion shaped base. Both the base and the vessel are covered with a complex series of patterns and textures. Vertical panels of yellow, light blue and black are further enhanced with texture and short curvilinear lines in gray and black. Rectangular cutouts are inside the black sections of both the vessel and base. digital.library.unt.edu/ark:/67531/metadc102313/
- The Mask
- Image of painting that consists of a portrait of a masked man, seated with his arm resting on a table. The horned mask is red with some black expressive marks. Behind the man is the back side of a stretched canvas. This painting was shown in the senior level painting exhibit in the Lightwell Gallery at University of North Texas in October of 2012. digital.library.unt.edu/ark:/67531/metadc129792/
- Mechanical Music
- The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
- The Moon on a Pool
- The horizontally oriented work of art consists of a very dark ground. In the upper left corner is a shape resembling a window and in the lower right corner is a circular shape made of horizontal bars. Floating from the lower edge to the upper portion of the work is a lighter colored ribbon shape. digital.library.unt.edu/ark:/67531/metadc27076/
- My Dream
- The vertical orientation with the muted and pale purples and blues of this piece create in ribbon like forms a simultaneous recession and progression of space. digital.library.unt.edu/ark:/67531/metadc27113/
- Number 68
- This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
- Number 69
- The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
- Number 126
- Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
- Number 132
- This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
- Number 133
- This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
- Number 142
- Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
- Number 149
- This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
- Number 154
- This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
- Number 155
- This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
- Number 165
- This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
- Number 168
- This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
- Number 169
- This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
- Numbers 136, 142, 126, and 127
- Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
- Numbers 143, 144 and 145
- Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
- Oil and Vinegar Set
- Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012. digital.library.unt.edu/ark:/67531/metadc129747/
- Only Time Will Tell
- The blue and black horizontally woven background supports geometric structural type shapes that move through the space. A long purple shape pierces a pink triangular shape in the upper right portion of the work. The piece has the illusion of much depth and metal surfaces. digital.library.unt.edu/ark:/67531/metadc102383/
- Only Time Will Tell, Number 5
- This collage appears to depict a pier upon which sit several geometric shapes in reds, blues, pinks and oranges. Also depicted is an orange and yellow spear piercing a triangular orange shape. digital.library.unt.edu/ark:/67531/metadc102401/
- Orb, Number 3
- The sculptural object is created from layers of paper. This piece was included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102374/
- Our House
- This flat piece consists of copper shapes that resemble a house outline. Two of these shapes meet and within the outlines are other various colored shapes that resemble an architectural floor plan. digital.library.unt.edu/ark:/67531/metadc102335/
- P 98-4
- No Description digital.library.unt.edu/ark:/67531/metadc27145/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the exhibition consists of a large vertical painting with a dark ground. digital.library.unt.edu/ark:/67531/metadc129685/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The paper tags that hang from the large dish structure are seen in close detail in this view. digital.library.unt.edu/ark:/67531/metadc129688/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation has many elements. In the foreground is a black table with microscope and glass slides on it. In the background is a boxing ring with a gurney in the center on which is strapped down punching bag. Men's dress shirts and a mural of the "Stretchman" is on the rear wall. digital.library.unt.edu/ark:/67531/metadc129695/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation. digital.library.unt.edu/ark:/67531/metadc129700/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows the directions and dialogue script written on the wall for the performers. A black dress hangs with a pair of white rubber boots beneath. A portion of the yellow vanity table is visible with one chair. digital.library.unt.edu/ark:/67531/metadc129693/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The boxing ring contains a gurney on which is a strapped down punching bag. A television monitor playing found footage of alligator gardens and Esther Williams hangs high from the ceiling. digital.library.unt.edu/ark:/67531/metadc129696/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129702/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view of the installation includes a small room in which a vanity with two chairs has a crown painted on the wall above. Words, directions, are written on the wall for the performers to the right of the vanity table. digital.library.unt.edu/ark:/67531/metadc129691/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall. digital.library.unt.edu/ark:/67531/metadc129692/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The detail view shown here is an armature or a trampoline form folded in half and suspended from the ceiling. digital.library.unt.edu/ark:/67531/metadc129689/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope. digital.library.unt.edu/ark:/67531/metadc129701/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view is of the gurney with the strapped down punching bag and in the background can be seen two murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129697/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition. digital.library.unt.edu/ark:/67531/metadc129703/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting. digital.library.unt.edu/ark:/67531/metadc129713/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items. digital.library.unt.edu/ark:/67531/metadc129712/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting. digital.library.unt.edu/ark:/67531/metadc129717/