You limited your search to:

  Partner: UNT College of Visual Arts + Design
 Collection: UNT Scholarly Works
Jumping from the Hoop
Image of the brooch from the side. digital.library.unt.edu/ark:/67531/metadc129862/
Jumping from the Hoop
Image of the brooch from front view. digital.library.unt.edu/ark:/67531/metadc129861/
Jupiter's Goalee
The white bowl shape is covered with patterned squares filled in with black and blue short hash marks. A sweeping blue transparent overlay shape hugs the side of the bowl as do two horizontally oriented black outlines. digital.library.unt.edu/ark:/67531/metadc102311/
K 97-11
Vertical painting consists of long gray, blue, and black brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27142/
KSC Greenhouse
The painting depicts the interior of a greenhouse. The perspective in raking along a bench set with potted plants. digital.library.unt.edu/ark:/67531/metadc102353/
[layered silk and organza, bird, wave, and moon shapes]
Layer of organza over silk with depictions of birds in flight and wave shapes create depth in this hanging artwork. digital.library.unt.edu/ark:/67531/metadc27030/
Let's Spend Some Time Together, Number 2
This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground. digital.library.unt.edu/ark:/67531/metadc102399/
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
Life on the Moon
The porcelain artwork consists of a cup shape seated on a base. The cup is covered with yellow, gray and black geometric decoration. The yellow sections are textured with linear striations while the gray areas include some squiggly marks that resemble cursive handwriting. digital.library.unt.edu/ark:/67531/metadc102312/
Life's Cycle
The textured artwork consists of pinks and blues predominately. Geometric shapes float on a blue woven background. Making a circular arc, partially seen, are some wedge shapes with pink tops and turquoise sides. At the far left are two cylindrical pink and purple shapes. Floating among the larger shapes are many small open ovals and open chevron shapes. digital.library.unt.edu/ark:/67531/metadc102382/
Life's Cycle
The artwork depicts a partial circle of geometric shapes through which float some small oval shapes which float out of two vertical white containers. The ground of the piece is a gradation of pale blue to a darker blue at the top edge. digital.library.unt.edu/ark:/67531/metadc102378/
The Light from a Shoji Window
The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition. digital.library.unt.edu/ark:/67531/metadc27061/
Light vs. Shadow 01
The black and white image depicts three drinking glasses and their shadows. digital.library.unt.edu/ark:/67531/metadc129801/
Light vs. Shadow 14
Depicted in this digital photograph are several planes of varying levels of value with highlights and shadows. digital.library.unt.edu/ark:/67531/metadc129802/
Limb
The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
Liqueur
The cordial glass consists of two pieces which are similar in form. The ebony base holds the sterling silver vessel portion. At the top and bottom of the piece are similar thin silver bands. digital.library.unt.edu/ark:/67531/metadc102395/
Liqueurs
These two cordial glasses are designed in the shape of an angular animal's horn or cornucopia, one piece in wood acts as the stand and the smaller one in metal acts as the drinking vessel portion. digital.library.unt.edu/ark:/67531/metadc102396/
Little Chapel
The black and white digital image depicts the interior of a church with brick arches and large globe lamps with the stained glass window in the background. digital.library.unt.edu/ark:/67531/metadc129803/
I'll Tumble For You
The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
M 98-1
Vertical painting consists of horizontal stripes of black and blue. Short vertical stripes of various colors float on the surface in the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27144/
Marvel
A tall bowl shape sits atop a cushion shaped base. Both the base and the vessel are covered with a complex series of patterns and textures. Vertical panels of yellow, light blue and black are further enhanced with texture and short curvilinear lines in gray and black. Rectangular cutouts are inside the black sections of both the vessel and base. digital.library.unt.edu/ark:/67531/metadc102313/
The Mask
Image of painting that consists of a portrait of a masked man, seated with his arm resting on a table. The horned mask is red with some black expressive marks. Behind the man is the back side of a stretched canvas. This painting was shown in the senior level painting exhibit in the Lightwell Gallery at University of North Texas in October of 2012. digital.library.unt.edu/ark:/67531/metadc129792/
Mechanical Music
The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
The Moon on a Pool
The horizontally oriented work of art consists of a very dark ground. In the upper left corner is a shape resembling a window and in the lower right corner is a circular shape made of horizontal bars. Floating from the lower edge to the upper portion of the work is a lighter colored ribbon shape. digital.library.unt.edu/ark:/67531/metadc27076/
Museum Dilemma: Nazi-era Art Restitution
This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face. digital.library.unt.edu/ark:/67531/metadc172336/
My Dream
The vertical orientation with the muted and pale purples and blues of this piece create in ribbon like forms a simultaneous recession and progression of space. digital.library.unt.edu/ark:/67531/metadc27113/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Number 126
Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
Number 132
This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 155
This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
Number 165
This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
Oil and Vinegar Set
Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012. digital.library.unt.edu/ark:/67531/metadc129747/
Only Time Will Tell
The blue and black horizontally woven background supports geometric structural type shapes that move through the space. A long purple shape pierces a pink triangular shape in the upper right portion of the work. The piece has the illusion of much depth and metal surfaces. digital.library.unt.edu/ark:/67531/metadc102383/
Only Time Will Tell, Number 5
This collage appears to depict a pier upon which sit several geometric shapes in reds, blues, pinks and oranges. Also depicted is an orange and yellow spear piercing a triangular orange shape. digital.library.unt.edu/ark:/67531/metadc102401/
Orb, Number 3
The sculptural object is created from layers of paper. This piece was included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102374/
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship. digital.library.unt.edu/ark:/67531/metadc274984/
Our House
This flat piece consists of copper shapes that resemble a house outline. Two of these shapes meet and within the outlines are other various colored shapes that resemble an architectural floor plan. digital.library.unt.edu/ark:/67531/metadc102335/
P 98-4
No Description digital.library.unt.edu/ark:/67531/metadc27145/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/