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 Department: Art Education and Art History
 Collection: UNT Scholarly Works
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment
This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts. digital.library.unt.edu/ark:/67531/metadc139459/
The Decapitation of Kings
This presentation accompanies a paper discussing research on Francisco de Goya. The author argues that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals') and his paintings from 1823 to 1825 (The Black Paintings; 'Judith' and 'Saturn' and Miniature 'Judith') represent the changing ideals on decapitation of a monarch. The research employs semiotics to determine the change in the representation of decapitation in relation to the King and his rule. digital.library.unt.edu/ark:/67531/metadc93296/
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment
This presentation includes images that accompany research analyzing the influence of royal patronage and liberal ideas on the artwork of celebrated Spanish artist, Francisco de Goya y Lucientes, in the context of the socio-political evolution of Spanish society during the eighteenth century, including the Bourbon Reforms and the influx of Enlightenment philosophy. digital.library.unt.edu/ark:/67531/metadc93241/
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment
This paper discusses research on Francisco de Goya's Tapestry Cartoons and the influence of the enlightenment. digital.library.unt.edu/ark:/67531/metadc84331/
Enlightening Industry: Goya, Allegory and Women at Work
This presentation discusses research on Francisco de Goya's painting, 'Allegory of Industry', 1797-1802. digital.library.unt.edu/ark:/67531/metadc93230/
Enlightening Industry: Goya, Allegory and Women at Work
This paper discusses research on Francisco de Goya's painting, Allegory of Industry, 1797-1802. digital.library.unt.edu/ark:/67531/metadc84325/
Francisco de Goya and the Mirror's Reflection
This presentation accompanies a paper with research on Francisco de Goya and his use of mirrors. The author argues that the Spanish painter, Francisco de Goya (1746-1828), used mirrors to symbolize the harmonization of the subject with its true self throughout his work. digital.library.unt.edu/ark:/67531/metadc93293/
Francisco de Goya and the Mirror's Reflection
In this paper, the author gives an analysis of Francisco de Goya, arguing that the painter uses mirrors to symbolize harmonization of subject with its true self throughout his work. digital.library.unt.edu/ark:/67531/metadc84321/
The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two
This paper discusses research on the recruitment of women via the medium of posters during World War Two (1941-1945). digital.library.unt.edu/ark:/67531/metadc84354/
Goya's Fantastic Vision of Madness
This presentation discusses research on Francisco de Goya and his artistically recorded evolving definitions of madness that preoccupied the eighteenth-century. digital.library.unt.edu/ark:/67531/metadc93275/
Goya's Fantastic Vision of Madness
This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness. digital.library.unt.edu/ark:/67531/metadc84355/
Goya's Los Caprichos: An Enlightened Bestiary
This presentation discusses research on Francisco de Goya. The author argues that the iconography and allegories found within medieval bestiaries influenced certain prints depicting human, animal, and hybrid figures within Francisco de Goya's (1746-1838) series 'Los Caprichos'. However, in contrast to the medieval bestiary, which employs animal symbolism for morally didactic purposes, Goya reworks the composition of bestial allegories in order to enlighten the viewer on the immortality that is innate, universal, and destructive. digital.library.unt.edu/ark:/67531/metadc93299/
Goya's Los Caprichos: An Enlightened Bestiary
This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society. digital.library.unt.edu/ark:/67531/metadc84365/
A King's Decapitation
This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch. digital.library.unt.edu/ark:/67531/metadc84351/
Making the Man: 'Suiting' Masculinity in Performance Art
This paper examines research on the significance of clothing, specifically, the "men's suit," in select examples of contemporary American performance art. Drawing on sociology and art history, it considers the suit as a form of communication, and it suggests that performance artists Chris Burden, Paul McCarthy, and Vanessa Beecroft have used the "men's suit" to explore and communicate something about masculinity as a socially and culturally constructed hegemony. digital.library.unt.edu/ark:/67531/metadc84324/
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)
This paper discusses research on Man Ray's 'Noire et blanche' photographic series that features a female model and an African mask. This paper advances beyond the too often superficially noted formal similarities and contrasts between the representations of the woman and the mask to identify cultural connections between the representations of the woman and the mask to identify cultural connections between them involving sexual and racial "Otherness". digital.library.unt.edu/ark:/67531/metadc86948/
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)
This presentation accompanies a paper examining Man Ray's photographic series, 'Noire et blanche' from 1926. 'Noire et Blanche consists of more than twenty photographs of a pale-faced, female model holding a darkly stained African mask. This presentation accompanies the research and shows four of the photographs in this series. digital.library.unt.edu/ark:/67531/metadc86929/
Museum Dilemma: Nazi-era Art Restitution
This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face. digital.library.unt.edu/ark:/67531/metadc172336/
The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere
This paper discusses research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome. The author's research examines the social context throughout Rome during the medieval era, the status of prostitution, spatial analysis of Trastevere, and the inevitable entrance of promiscuity through the Santa Maria Basilica in Trastevere. digital.library.unt.edu/ark:/67531/metadc84322/
The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere, Rome
This presentation accompanies a paper discussing research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome. The research examines the social context of Rome in this era, the status of prostitute, the neighborhood of Trastevere, and the entrance of promiscuity in the Santa Maria Basilica. digital.library.unt.edu/ark:/67531/metadc93294/
Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance
This paper discusses research on the use of photography in colonial India. The thesis of the paper is that British photographers, through their choice of subjects and editing of their works, created a romanticized image of India as the British wished to see it. More recent photography has focused on the reality of the lives of the Indian people. Thus photography has moved from functioning as an agent of colonial domination and political propaganda to a tool used to bring aid and compassion to those in need. digital.library.unt.edu/ark:/67531/metadc93303/
Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance
This presentation accompanies a paper discussing research exploring the use of photography in colonial India. The thesis of the paper is that British photographers, through their choice of subjects and editing of their works, created a romanticized image of India as the British wished to see it. More recent photography has focused on the reality of the lives of the Indian people. Thus photography has moved from functioning as an agent of colonial domination and political propaganda to a tool used to bring aid and compassion to those in need. digital.library.unt.edu/ark:/67531/metadc86878/
The Political Rhetoric of American Quilts: Research into the Validity of Women's Participation in American Social Politics
This presentation discusses research on the political rhetoric of American quilts. This research examines the validity of women's participation in American social politics. digital.library.unt.edu/ark:/67531/metadc86919/
Reviewing American Quilts: A Record of Women's Political Engagement
This paper discusses research on American quilts and women's political engagement. digital.library.unt.edu/ark:/67531/metadc94279/
'Third World Artist': The Performance Art of Alexander Brener
This paper discusses research on the performance art of Alexander Brener. digital.library.unt.edu/ark:/67531/metadc84348/
UNT Speaks Out on No Child Left Behind: The Impact of NCLB on Arts Education
This presentation is part of the faculty lecture series UNT Speaks Out on No Child Left Behind. This presentation discusses the No Child Left Behind (NCLB) Act and its impact on arts education. digital.library.unt.edu/ark:/67531/metadc67601/
The Veiled Icon: National Geographic's Representation of The Women of Islam
This presentation discusses research on the National Geographic's representation of the women of Islam. The presentation includes numerous examples of photographic images that have appeared in National Geographic publications. The author's research was completed in the UNT art history Senior Seminar under the direction of Dr. Nada Shadout. digital.library.unt.edu/ark:/67531/metadc86866/