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 Collection: UNT Scholarly Works
Competency-Based Approach for Curriculum Development in Digital Curation
Presentation for the Association of Library and Information Science Education (ALISE) Annual Conference. This presentation discusses a competency-based approach for curriculum development in digital curation. digital.library.unt.edu/ark:/67531/metadc274983/
The Color of Money
In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair. digital.library.unt.edu/ark:/67531/metadc274993/
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall. digital.library.unt.edu/ark:/67531/metadc274992/
Santa Fe
In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue. digital.library.unt.edu/ark:/67531/metadc274991/
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone. digital.library.unt.edu/ark:/67531/metadc274998/
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship. digital.library.unt.edu/ark:/67531/metadc274984/
Older Poor Parents who Lost an Adult Child to AIDS in Togo, West Africa: A Qualitative Study
Access: Use of this item is restricted to the UNT Community.
Article on a qualitative study exploring older poor parents who lost an adult child to AIDS in Togo, West Africa. digital.library.unt.edu/ark:/67531/metadc274980/
Consequences of Empowered CNA Teams in Nursing Home Settings: A Longitudinal Assessment
Article on a longitudinal assessment and the consequences of empowered CAN teams in nursing home settings. digital.library.unt.edu/ark:/67531/metadc274999/
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion. digital.library.unt.edu/ark:/67531/metadc274985/
Cain and Abel
This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder. digital.library.unt.edu/ark:/67531/metadc274995/
Predicting Solubility of Anthracene in Non-aqueous Solvent Mixtures Using a Combination of Jouyban-Acree and Abraham Models
Article on predicting the solubility of anthracene in non-aqueous solvent mixtures using a combination of Jouyban-Acree and Abraham models. digital.library.unt.edu/ark:/67531/metadc279686/
Effect of Solvent Polarity on the Fluorescence Emission Spectra of Select Five- and Six-Ring Pyrene Derivatives
Article on the effect of solvent polarity on the fluorescence emission spectra of select five- and six-ring pyrene derivatives. digital.library.unt.edu/ark:/67531/metadc279688/
Autobiographical Memories for Very Negative Events: The Effects of Thinking about and Rating Memories
Article on autobiographical memories for very negative events and the effects of thinking about and rating memories. digital.library.unt.edu/ark:/67531/metadc279699/
The Transcriptional Regulator AlgR Controls Cyanide Production in Pseudomonas aeruginosa
Article on the transcriptional regulator AlgR controlling cyanide production in Pseudomonas aeruginosa. digital.library.unt.edu/ark:/67531/metadc279695/
Memory and Coping with Stress: The Relationship Between Cognitive-Emotional Distinctiveness, Memory Valence, and Distress
Article on memory and coping with stress and the relationship between cognitive-emotional distinctiveness, memory valence, and distress. digital.library.unt.edu/ark:/67531/metadc279684/
Disclosure of Children's Positive Serostatus to Family and Nonfamily Members: Informal Caregivers in Togo, West Africa
Article on the disclosure of children's positive serostatus to family and nonfamily members. digital.library.unt.edu/ark:/67531/metadc274981/
Painted Magazine Triptych
The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall. digital.library.unt.edu/ark:/67531/metadc274987/
Painted Sports Magazine
This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player. digital.library.unt.edu/ark:/67531/metadc274986/
Spatial Mapping of Lipids at Cellular Resolution in Embryos of Cotton
Article on the spatial mapping of lipids at cellular resolution in embryos of cotton. digital.library.unt.edu/ark:/67531/metadc279702/
Changes in Cell Wall Carbohydrate Extractability are Correlated with Reduced Recalcitrance of HCT Downregulated Alfalfa Biomass
Article on changes in cell wall carbohydrate extractability and how these are correlated with reduced recalcitrance of hydroxycinnamoyl transferase (HCT) downregulated alfalfa biomass. digital.library.unt.edu/ark:/67531/metadc279713/
Modeling Utilization of Planned Information Technology
Article from the proceedings of the 1998 American Medical Informatics Association (AMIA) Annual Symposium. This article discusses modeling utilization of planned information technology. digital.library.unt.edu/ark:/67531/metadc279712/
Open Access Publishing Fees: Responses, Strategies and Emerging Trends
Presentation for the 2014 SWALL Annual Meeting. This presentation discusses open access, publishing fees, article processing charges, and research on campus open access funds. digital.library.unt.edu/ark:/67531/metadc279701/
Painted Magazine Triptych
This is the center panel from a triptych. digital.library.unt.edu/ark:/67531/metadc274988/
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life. digital.library.unt.edu/ark:/67531/metadc274990/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Village Characteristics and Health of Rural Chinese Older Adults: Examining the CHARLS Pilot Study of a Rich and Poor Province
Article on the village characteristics and health of rural Chinese older adults and an examination of the CHARLS pilot study of a rich and poor province. digital.library.unt.edu/ark:/67531/metadc274997/
Bacterial Cyanide Oxygenase Is a Suite of Enzymes Catalyzing the Scavenging and Adventitious Utilization of Cyanide as a Nitrogenous Growth Substrate
Article on bacterial cyanide oxygenase as a suite of enzymes catalyzing the scavenging and adventitious utilization of cyanide as a nitrogenous growth substrate. digital.library.unt.edu/ark:/67531/metadc279691/
Monolignol Biosynthesis and its Genetic Manipulation: the Good, the Bad and the Ugly
Book chapter manuscript on monolignol biosynthesis and its genetic manipulation. digital.library.unt.edu/ark:/67531/metadc279698/
Brain-Targeted Proanthocyanidin Metabolites for Alzheimer's Disease Treatment
Article on brain-targeted proanthocyanidin metabolites for Alzheimer's disease treatment. digital.library.unt.edu/ark:/67531/metadc279694/
Standardization of Switchgrasss Sample Collection for Cell Wall and Biomass Trait Analysis
Article on standardization of switchgrass sample collection for cell wall and biomass trait analysis. digital.library.unt.edu/ark:/67531/metadc279690/
Large P body-like RNPs form in C. elegans oocytes in response to arrested ovulation, heat shock, osmotic stress, and anoxia and regulated by the major sperm protein pathway
Article on large P body-like RNPs forming in C. elegans oocytes in response to arrested ovulation, heat shock, osmotic stress, and anoxia and regulated by the major sperm protein pathway. digital.library.unt.edu/ark:/67531/metadc279689/
On-Off Switches for Secondary Cell Wall Biosynthesis
Article discussing on-off switches for secondary cell wall biosynthesis. digital.library.unt.edu/ark:/67531/metadc279696/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
The Integration of Emotions in Memories: Cognitive-Emotional Distinctiveness and Posttraumatic Stress Disorder
Article on the integration of emotions in memories and cognitive-emotional distinctiveness and posttraumatic stress disorder. digital.library.unt.edu/ark:/67531/metadc279709/
nip, a Symbiotic Medicago truncatula Mutant that Forms Root Nodules with Aberrant Infection Threads and Plant Defense-Like Response
Article on nip, a symbiotic Medicago truncatula mutant that forms root nodules with aberrant infection threads and plant defense-like response. digital.library.unt.edu/ark:/67531/metadc279710/
With Globe
This acrylic painting consists of a highly patterned background across which is scattered small geometric shapes and silhouettes. digital.library.unt.edu/ark:/67531/metadc27211/
St. Matthew
This acrylic painting on paper consists of small geometric shapes spread across the surface of ninety-degree turned and columnar patterns. St. Matthew is depicted at the lower right edge in an outline. An upside down silhouette shape of a dog is included in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc27210/
Caregiver Participation in Hospice Interdisciplinary Team Meetings via Videophone Technology: A Pilot Study to Improve Pain Management
Article on a pilot study to improve pain management and caregiver participation in hospice interdisciplinary team meetings via videophone technology. digital.library.unt.edu/ark:/67531/metadc275792/
Exploring Interpersonal Communication in Hospice Interdisciplinary Team Meetings
Article on exploring interpersonal communication in hospice interdisciplinary team meetings. digital.library.unt.edu/ark:/67531/metadc275791/
An Evaluation of the Federal Government's Implementation of the Government Information Locator Service (GILS): Final Report
This document reports the results of the evaluation study commissioned in response to the Government Information Locator Service (GILS) Board's request for an assessment of GILS. The study began in September 1996, data collection ended in March 1997, and the final report was completed in June 1997. The goal of the study was to understand how: GILS serves various user groups, GILS improves public access to government information, agencies are progressing with their implementations, and GILS works as a tool for information resources management. digital.library.unt.edu/ark:/67531/metadc275783/
"They're Part of the Team": Participant Evaluation of the ACTIVE
Article discussing a qualitative study to evaluate an intervention (ACTIVE) that utilized videophone technology to include patients and/or their family caregivers in hospice interdisciplinary team meetings. digital.library.unt.edu/ark:/67531/metadc275793/
CE 04-6
This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
CD 04-5
This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
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