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  Partner: UNT College of Visual Arts + Design
 Collection: UNT Scholarly Works
Untitled
The painting depicts several birds in profile. The style is abstracted with the fowls outlined and brightly colored. digital.library.unt.edu/ark:/67531/metadc102350/
Untitled
The horizontal painting depicts a landscape in which the sky is gray and the moon or sun is a solid red-orange color. In the foreground is some brown and yellow grasses which create a hill or small mountain shape. digital.library.unt.edu/ark:/67531/metadc102351/
Untitled
The vertical painting consists of a large vertical shape in the center with a red head or top and a dark bottom or body. Surrounding the figurative type image is a orange and red oval which floats in the center. At the top and bottom edges are orange bands which lay behind the cartouche. digital.library.unt.edu/ark:/67531/metadc102344/
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall. digital.library.unt.edu/ark:/67531/metadc274992/
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece. digital.library.unt.edu/ark:/67531/metadc275001/
Bush Meets Pope
The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc275000/
Cain and Abel
This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder. digital.library.unt.edu/ark:/67531/metadc274995/
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne. digital.library.unt.edu/ark:/67531/metadc275009/
The Color of Money
In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair. digital.library.unt.edu/ark:/67531/metadc274993/
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life. digital.library.unt.edu/ark:/67531/metadc274990/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone. digital.library.unt.edu/ark:/67531/metadc274998/
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve. digital.library.unt.edu/ark:/67531/metadc275007/
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship. digital.library.unt.edu/ark:/67531/metadc274984/
Painted Magazine Triptych
The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall. digital.library.unt.edu/ark:/67531/metadc274987/
Painted Magazine Triptych
This is the center panel from a triptych. digital.library.unt.edu/ark:/67531/metadc274988/
Painted Sports Magazine
This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player. digital.library.unt.edu/ark:/67531/metadc274986/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles. digital.library.unt.edu/ark:/67531/metadc275006/
Santa Fe
In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue. digital.library.unt.edu/ark:/67531/metadc274991/
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman. digital.library.unt.edu/ark:/67531/metadc275011/
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion. digital.library.unt.edu/ark:/67531/metadc274985/
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference." digital.library.unt.edu/ark:/67531/metadc275005/
Dancing Between the Hunt and the Hearth
The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture. digital.library.unt.edu/ark:/67531/metadc129819/
I'll Tumble For You
The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
Mechanical Music
The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag. digital.library.unt.edu/ark:/67531/metadc129710/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames. digital.library.unt.edu/ark:/67531/metadc129706/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition. digital.library.unt.edu/ark:/67531/metadc129704/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible. digital.library.unt.edu/ark:/67531/metadc129708/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The paper tags that hang from the large dish structure are seen in close detail in this view. digital.library.unt.edu/ark:/67531/metadc129688/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation. digital.library.unt.edu/ark:/67531/metadc129700/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The boxing ring contains a gurney on which is a strapped down punching bag. A television monitor playing found footage of alligator gardens and Esther Williams hangs high from the ceiling. digital.library.unt.edu/ark:/67531/metadc129696/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129702/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall. digital.library.unt.edu/ark:/67531/metadc129692/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items. digital.library.unt.edu/ark:/67531/metadc129712/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Text in black covers the two walls shown in this view. Hanging from the ceiling is a two-part black form. Over the short wall, the chain link fence imagery can be seen. The wall text is titled, Queens. digital.library.unt.edu/ark:/67531/metadc129694/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition. digital.library.unt.edu/ark:/67531/metadc129703/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it. digital.library.unt.edu/ark:/67531/metadc129707/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope. digital.library.unt.edu/ark:/67531/metadc129709/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope. digital.library.unt.edu/ark:/67531/metadc129701/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted. digital.library.unt.edu/ark:/67531/metadc129711/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. digital.library.unt.edu/ark:/67531/metadc129699/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the exhibition consists of a large vertical painting with a dark ground. digital.library.unt.edu/ark:/67531/metadc129685/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation has many elements. In the foreground is a black table with microscope and glass slides on it. In the background is a boxing ring with a gurney in the center on which is strapped down punching bag. Men's dress shirts and a mural of the "Stretchman" is on the rear wall. digital.library.unt.edu/ark:/67531/metadc129695/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows the directions and dialogue script written on the wall for the performers. A black dress hangs with a pair of white rubber boots beneath. A portion of the yellow vanity table is visible with one chair. digital.library.unt.edu/ark:/67531/metadc129693/
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