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Ring
This silver ring consists of a flat portion covered in alligator skin. A thin silver band then extends and narrows above the hand before curving back to the skin piercing it.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012.
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment
This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.
Black Growth
This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look.
Museum Dilemma: Nazi-era Art Restitution
This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space.
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship.
Santa Fe
In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue.
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall.
The Color of Money
In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair.
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines.
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion.
Bush Meets Pope
The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines.
Cain and Abel
This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder.
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.
Painted Magazine Triptych
The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall.
Painted Magazine Triptych
This is the center panel from a triptych.
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life.
Painted Sports Magazine
This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player.
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve.
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.
Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times
This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.
Strategic Domain: Reconquest Romanesque Along the Duero in Soria, Spain
This article uses a mapping project to examine the relationship between a small set of chapels in close proximity to defensive fortresses along the upper Duero in the region of Soria.
Relevant Interdisciplinarity: Taking the Art History Classroom to the Field
This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.
Geography, Archaeology, Art History: A Case Study for a Multidisciplinary Approach to Mapping Architectural Heritage
This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.
Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1
This article provides retrospective insight on incorporating geographic information systems into medieval studies research.
Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created
This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.
Business, soft power, and whitewashing: Three themes in the US media coverage of “The Great Wall” film
This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.
Internet Use in Latin America
This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.
Book Review: Elizabeth Valdez del Álamo, Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century
Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.
Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy
This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
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