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 Department: Art Education and Art History
 Collection: UNT Scholarly Works
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment

A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment

Date: November 15, 2012
Creator: Hasio, Cindy
Description: This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.
Contributing Partner: UNT College of Visual Arts + Design
UNT Speaks Out on No Child Left Behind: The Impact of NCLB on Arts Education

UNT Speaks Out on No Child Left Behind: The Impact of NCLB on Arts Education

Date: October 5, 2011
Creator: Davis, D. Jack
Description: This presentation is part of the faculty lecture series UNT Speaks Out on No Child Left Behind. This presentation discusses the No Child Left Behind (NCLB) Act and its impact on arts education.
Contributing Partner: UNT College of Visual Arts + Design
Museum Dilemma: Nazi-era Art Restitution

Museum Dilemma: Nazi-era Art Restitution

Date: February 2013
Creator: Wiskera, Emily
Description: This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.
Contributing Partner: UNT College of Visual Arts + Design
The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere, Rome

The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere, Rome

Date: April 14, 2011
Creator: Camp, Briana & Baxter, Denise Amy
Description: Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome.
Contributing Partner: UNT Honors College
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Date: April 2, 2009
Creator: Weston, Charisse & Way, Jennifer
Description: Presentation for the 2009 University Scholars Day at the University of North Texas discussing Man Ray's photographic series, "Noire et blanche" from 1926.
Contributing Partner: UNT Honors College
A King's Decapitation

A King's Decapitation

Date: April 14, 2011
Creator: Palyu, Cheryl & Donahue-Wallace, Kelly, 1968-
Description: This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.
Contributing Partner: UNT Honors College
Francisco de Goya and the Mirror's Reflection

Francisco de Goya and the Mirror's Reflection

Date: April 14, 2011
Creator: Blanco, Andrea & Donahue-Wallace, Kelly, 1968-
Description: In this paper, the author gives an analysis of Francisco de Goya, arguing that the painter uses mirrors to symbolize harmonization of subject with its true self throughout his work.
Contributing Partner: UNT Honors College
Goya's Fantastic Vision of Madness

Goya's Fantastic Vision of Madness

Date: April 14, 2011
Creator: Prater, Paige & Abel, Mickey S.
Description: This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.
Contributing Partner: UNT Honors College
Goya's Los Caprichos: An Enlightened Bestiary

Goya's Los Caprichos: An Enlightened Bestiary

Date: April 14, 2011
Creator: Thompson, Julie & Donahue-Wallace, Kelly, 1968-
Description: This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Contributing Partner: UNT Honors College
The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

Date: April 15, 2004
Creator: Pierce, Danielle; Way, Jennifer & Dupont, Jill
Description: This paper discusses research on the recruitment of women via the medium of posters during World War Two (1941-1945).
Contributing Partner: UNT Honors College
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