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 Department: Art Education and Art History
 Collection: UNT Scholarly Works
The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

Date: April 15, 2004
Creator: Pierce, Danielle; Way, Jennifer & Dupont, Jill
Description: This paper discusses research on the recruitment of women via the medium of posters during World War Two (1941-1945).
Contributing Partner: UNT Honors College
Making the Man: 'Suiting' Masculinity in Performance Art

Making the Man: 'Suiting' Masculinity in Performance Art

Date: March 31, 2005
Creator: Cornwell, Alicia & Way, Jennifer
Description: This paper examines research on the significance of clothing, specifically, the "men's suit," in select examples of contemporary American performance art. Drawing on sociology and art history, it considers the suit as a form of communication, and it suggests that performance artists Chris Burden, Paul McCarthy, and Vanessa Beecroft have used the "men's suit" to explore and communicate something about masculinity as a socially and culturally constructed hegemony.
Contributing Partner: UNT Honors College
'Third World Artist': The Performance Art of Alexander Brener

'Third World Artist': The Performance Art of Alexander Brener

Date: March 31, 2005
Creator: Nersesova, Lisa & Way, Jennifer
Description: This paper discusses research on the performance art of Alexander Brener.
Contributing Partner: UNT Honors College
The Veiled Icon: National Geographic's Representation of The Women of Islam

The Veiled Icon: National Geographic's Representation of The Women of Islam

Date: April 3, 2008
Creator: Floyd, Tiffany & Shabout, Nada
Description: This presentation discusses research on the National Geographic's representation of the women of Islam. The presentation includes numerous examples of photographic images that have appeared in National Geographic publications. The author's research was completed in the UNT art history Senior Seminar under the direction of Dr. Nada Shadout.
Contributing Partner: UNT Honors College
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Date: April 2, 2009
Creator: Weston, Charisse & Way, Jennifer
Description: This paper discusses research on Man Ray's 'Noire et blanche' photographic series that features a female model and an African mask. This paper advances beyond the too often superficially noted formal similarities and contrasts between the representations of the woman and the mask to identify cultural connections between the representations of the woman and the mask to identify cultural connections between them involving sexual and racial "Otherness".
Contributing Partner: UNT Honors College
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Date: April 2, 2009
Creator: Weston, Charisse & Way, Jennifer
Description: This presentation accompanies a paper examining Man Ray's photographic series, 'Noire et blanche' from 1926. 'Noire et Blanche consists of more than twenty photographs of a pale-faced, female model holding a darkly stained African mask. This presentation accompanies the research and shows four of the photographs in this series.
Contributing Partner: UNT Honors College
Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance

Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance

Date: April 2, 2009
Creator: Joyce, Megan & Owen, Lisa N.
Description: This paper discusses research on the use of photography in colonial India. The thesis of the paper is that British photographers, through their choice of subjects and editing of their works, created a romanticized image of India as the British wished to see it. More recent photography has focused on the reality of the lives of the Indian people. Thus photography has moved from functioning as an agent of colonial domination and political propaganda to a tool used to bring aid and compassion to those in need.
Contributing Partner: UNT Honors College
Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance

Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance

Date: April 2, 2009
Creator: Joyce, Megan & Owen, Lisa N.
Description: This presentation accompanies a paper discussing research exploring the use of photography in colonial India. The thesis of the paper is that British photographers, through their choice of subjects and editing of their works, created a romanticized image of India as the British wished to see it. More recent photography has focused on the reality of the lives of the Indian people. Thus photography has moved from functioning as an agent of colonial domination and political propaganda to a tool used to bring aid and compassion to those in need.
Contributing Partner: UNT Honors College
The Political Rhetoric of American Quilts: Research into the Validity of Women's Participation in American Social Politics

The Political Rhetoric of American Quilts: Research into the Validity of Women's Participation in American Social Politics

Date: April 2, 2009
Creator: Sokolow, Sarah & Way, Jennifer
Description: This presentation discusses research on the political rhetoric of American quilts. This research examines the validity of women's participation in American social politics.
Contributing Partner: UNT Honors College
Reviewing American Quilts: A Record of Women's Political Engagement

Reviewing American Quilts: A Record of Women's Political Engagement

Date: April 2, 2009
Creator: Sokolow, Sarah & Way, Jennifer
Description: This paper discusses research on American quilts and women's political engagement.
Contributing Partner: UNT Honors College
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