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 Department: Art Education and Art History
 Serial/Series Title: University Scholars Day
 Collection: UNT Scholarly Works
The Decapitation of Kings [Presentation]

The Decapitation of Kings [Presentation]

Date: April 14, 2011
Creator: Palyu, Cheryl & Donahue-Wallace, Kelly, 1968-
Description: This presentation accompanies a paper discussing research on Francisco de Goya. The author argues that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals') and his paintings from 1823 to 1825 (The Black Paintings; 'Judith' and 'Saturn' and Miniature 'Judith') represent the changing ideals on decapitation of a monarch. The research employs semiotics to determine the change in the representation of decapitation in relation to the King and his rule.
Contributing Partner: UNT Honors College
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment

The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment

Date: April 14, 2011
Creator: Thompson, Shana; Hopkins, Caitlin; England, Erin & Donahue-Wallace, Kelly, 1968-
Description: This paper discusses research on Francisco de Goya's Tapestry Cartoons and the influence of the enlightenment.
Contributing Partner: UNT Honors College
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment [Presentation]

The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment [Presentation]

Date: April 14, 2011
Creator: England, Erin; Hopkins, Caitlin; Thompson, Shana & Donahue-Wallace, Kelly, 1968-
Description: This presentation includes images that accompany research analyzing the influence of royal patronage and liberal ideas on the artwork of celebrated Spanish artist, Francisco de Goya y Lucientes, in the context of the socio-political evolution of Spanish society during the eighteenth century, including the Bourbon Reforms and the influx of Enlightenment philosophy.
Contributing Partner: UNT Honors College
Enlightening Industry: Goya, Allegory and Women at Work

Enlightening Industry: Goya, Allegory and Women at Work

Date: April 14, 2011
Creator: DePetris, Kathrine & Donahue-Wallace, Kelly, 1968-
Description: This paper discusses research on Francisco de Goya's painting, Allegory of Industry, 1797-1802.
Contributing Partner: UNT Honors College
Enlightening Industry: Goya, Allegory and Women at Work [Presentation]

Enlightening Industry: Goya, Allegory and Women at Work [Presentation]

Date: April 14, 2011
Creator: DePetris, Kathrine & Donahue-Wallace, Kelly, 1968-
Description: This presentation discusses research on Francisco de Goya's painting, 'Allegory of Industry', 1797-1802.
Contributing Partner: UNT Honors College
Francisco de Goya and the Mirror's Reflection

Francisco de Goya and the Mirror's Reflection

Date: April 14, 2011
Creator: Blanco, Andrea & Donahue-Wallace, Kelly, 1968-
Description: In this paper, the author gives an analysis of Francisco de Goya, arguing that the painter uses mirrors to symbolize harmonization of subject with its true self throughout his work.
Contributing Partner: UNT Honors College
Francisco de Goya and the Mirror's Reflection [Presentation]

Francisco de Goya and the Mirror's Reflection [Presentation]

Date: April 14, 2011
Creator: Blanco, Andrea & Donahue-Wallace, Kelly, 1968-
Description: This presentation accompanies a paper with research on Francisco de Goya and his use of mirrors. The author argues that the Spanish painter, Francisco de Goya (1746-1828), used mirrors to symbolize the harmonization of the subject with its true self throughout his work.
Contributing Partner: UNT Honors College
The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

Date: April 15, 2004
Creator: Pierce, Danielle; Way, Jennifer & Dupont, Jill
Description: This paper discusses research on the recruitment of women via the medium of posters during World War Two (1941-1945).
Contributing Partner: UNT Honors College
Goya's Fantastic Vision of Madness

Goya's Fantastic Vision of Madness

Date: April 14, 2011
Creator: Prater, Paige & Abel, Mickey S.
Description: This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.
Contributing Partner: UNT Honors College
Goya's Fantastic Vision of Madness [Presentation]

Goya's Fantastic Vision of Madness [Presentation]

Date: April 14, 2011
Creator: Prater, Paige & Abel, Mickey S.
Description: This presentation discusses research on Francisco de Goya and his artistically recorded evolving definitions of madness that preoccupied the eighteenth-century.
Contributing Partner: UNT Honors College
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