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 Department: Art Education and Art History
 Resource Type: Paper
 Collection: UNT Scholarly Works
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment

The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment

Date: April 14, 2011
Creator: Thompson, Shana; Hopkins, Caitlin; England, Erin & Donahue-Wallace, Kelly, 1968-
Description: This paper discusses research on Francisco de Goya's Tapestry Cartoons and the influence of the enlightenment.
Contributing Partner: UNT Honors College
Enlightening Industry: Goya, Allegory and Women at Work

Enlightening Industry: Goya, Allegory and Women at Work

Date: April 14, 2011
Creator: DePetris, Kathrine & Donahue-Wallace, Kelly, 1968-
Description: This paper discusses research on Francisco de Goya's painting, Allegory of Industry, 1797-1802.
Contributing Partner: UNT Honors College
Francisco de Goya and the Mirror's Reflection

Francisco de Goya and the Mirror's Reflection

Date: April 14, 2011
Creator: Blanco, Andrea & Donahue-Wallace, Kelly, 1968-
Description: In this paper, the author gives an analysis of Francisco de Goya, arguing that the painter uses mirrors to symbolize harmonization of subject with its true self throughout his work.
Contributing Partner: UNT Honors College
The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

Date: April 15, 2004
Creator: Pierce, Danielle; Way, Jennifer & Dupont, Jill
Description: This paper discusses research on the recruitment of women via the medium of posters during World War Two (1941-1945).
Contributing Partner: UNT Honors College
Goya's Fantastic Vision of Madness

Goya's Fantastic Vision of Madness

Date: April 14, 2011
Creator: Prater, Paige & Abel, Mickey S.
Description: This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.
Contributing Partner: UNT Honors College
Goya's Los Caprichos: An Enlightened Bestiary

Goya's Los Caprichos: An Enlightened Bestiary

Date: April 14, 2011
Creator: Thompson, Julie & Donahue-Wallace, Kelly, 1968-
Description: This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Contributing Partner: UNT Honors College
A King's Decapitation

A King's Decapitation

Date: April 14, 2011
Creator: Palyu, Cheryl & Donahue-Wallace, Kelly, 1968-
Description: This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.
Contributing Partner: UNT Honors College
Making the Man: 'Suiting' Masculinity in Performance Art

Making the Man: 'Suiting' Masculinity in Performance Art

Date: March 31, 2005
Creator: Cornwell, Alicia & Way, Jennifer
Description: This paper examines research on the significance of clothing, specifically, the "men's suit," in select examples of contemporary American performance art. Drawing on sociology and art history, it considers the suit as a form of communication, and it suggests that performance artists Chris Burden, Paul McCarthy, and Vanessa Beecroft have used the "men's suit" to explore and communicate something about masculinity as a socially and culturally constructed hegemony.
Contributing Partner: UNT Honors College
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)

Date: April 2, 2009
Creator: Weston, Charisse & Way, Jennifer
Description: This paper discusses research on Man Ray's 'Noire et blanche' photographic series that features a female model and an African mask. This paper advances beyond the too often superficially noted formal similarities and contrasts between the representations of the woman and the mask to identify cultural connections between the representations of the woman and the mask to identify cultural connections between them involving sexual and racial "Otherness".
Contributing Partner: UNT Honors College
Museum Dilemma: Nazi-era Art Restitution

Museum Dilemma: Nazi-era Art Restitution

Date: February 2013
Creator: Wiskera, Emily
Description: This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.
Contributing Partner: UNT College of Visual Arts + Design
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