The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels.
Light shades of pinkish grays create the background juxtaposed with linear pattern and layered with small multi-hued geometric shapes and a linear drawing of a ship and silhouettes of two figures.
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes.
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern.
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag.
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes.
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors.
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas.
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes.
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas.
The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper.
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear.
The horizontal predominately blue and muted gray fabric artwork includes shiny circles, squares with horizons, and groups of parallel lines that float through the space of the artwork.
Wavy ribbons recede into the distance which is encased in a framed gradation of color and in the background a circular opening through which the ribbons reach.
The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture.
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.
Depth is achieved by the diminishing scale of purple wavy lines atop green straight verticals. Floating to the right is a multi-shade brown frame, again with the illusion of depth and inside is a masked face.
Many layers of handmade papers create depth along with the horizontal frames and cloud formations in the sky. In the center of the artwork are two collaged depictions of a red beach chair.
The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars.
Vertical painting consists of horizontal stripes of black and blue. Short vertical stripes of various colors float on the surface in the top half of the painting.
The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible.
Vertical painting with yellow and brown horizontal stripes. Floating on the surface is a black to white gradation motif consisting of short vertical brushstrokes.
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames.
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting.
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting.
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