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AL 00-3
This abstract painting is mostly black with some white vertical scrapes.
AS 01-7
No Description Available.
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line.
2,490 Feet
The work is a coiled piece of paper that measures 2,490 feet when unwound. Pieces of white string tie sections to hold it in place.
[4-panel piece, handmade paper on silk]
The artwork consists of four panels each turned on point. A grid ladder pattern turned in various directions appears in each panel. The colors are warm reddish browns and light blues. Other rectangular and triangular outlined shapes appear scattered across the panels.
[12 panel handmade paper and silk artwork]
The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels.
86-3
Dark background with many small geometric shapes, lines and dots in bright colors evenly spaced around the canvas over a structured linear pattern.
87-205 with Mickey Mouse
Linear patterns in background mostly in whites and grays layered with small geometric shapes in multi-hues with Mickey Mouse cartoon character emerging from the lower edge.
88-4
Black background with linear patterns and small multi-hued geometric shapes float on the surface.
90-208, Voyager
Light shades of pinkish grays create the background juxtaposed with linear pattern and layered with small multi-hued geometric shapes and a linear drawing of a ship and silhouettes of two figures.
92-204
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes.
93-4/94-1
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern.
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes.
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface.
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface.
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface.
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles.
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles.
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag.
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface.
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting.
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes.
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas.
2490 Rubbing #1
Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper.
2490 Rubbing #2
Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper with lines also radiating from the center.
2490 Rubbing #3
Image of artwork consisting of loosely drawn concentric circles centered on the cream color rectangular piece of paper.
AI, Arts & Design: Questioning Learning Machines
Article is an introduction to Artnodes issue No. 26, “AI, Arts & Design: Questioning Learning Machines" which addresses the question: Does generative and machine creativity in the arts and design represent an evolution of “artistic intelligence,” or is it a metamorphosis of creative practice yielding fundamentally distinct forms and modes of authorship?
Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy
This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
Anti-racist Pedagogy in Art and Museums
Video recording featuring guest panelists, Stephanie A. Johnson-Cunningham, and Kelli Morgan, Ph.D., this third installment of the 2044 series frames Afrofuturism and futurist thinking in museum practice to examine the roles museums play in maintaining and recreating anti-blackness and white supremacy. Panelists discuss how museum educators and curators can practice anti-racist pedagogy and thinking. Racist and colonial practices of museums need greater racial equity and recognition. Through the use of visual imagery, Afrofuturism as a framework may be a viable strategy for community building, imagination, and expression. Recognizing that museums are rooted in white colonial narratives that have been and continue to be oppressive to Black and people of color, museums can amplify Black experiences and narratives while pointing out the need for systemic change in the sector. From the periphery of colonial violence and commodification to the centrality of visibility and recognition, museum education can provide opportunities to “analyze how racism shapes how we view, discuss, create, and engage multiple audiences within the museums.”
Anti-racist Pedagogy in Art Education: K-12/Higher Education
Video recording featuring co-hosts Lauren Cross, Ph.D., and Kathy Brown, Ph.D., engage in ongoing conversations about anti-racist pedagogy in the arts and design. Joined by distinguished guest panelists, Joni Boyd Acuff, Ph.D., and James Haywood Rolling Jr., Ed.D., this first installment of the 2044 series introduces Afrofuturism and the ways that it can help reimagine art discourses, laying the groundwork for establishing Afrofuturism as a framework for conceptualizing and enacting anti-racist art education practice. In addition to sharing their work and how it relates to Afrofuturism and futurist thinking, the panelists discuss how recognizing Black and Brown artists and advocating for racial literacy is essential to creating and maintaining a racial consciousness practice in K-12 education.
Anti-racist Praxis at Futurist Art and Design Pedagogy
Video recording featuring esteemed guest panelists, Tameka Ellington, Ph.D., Cheryl D. Holmes Miller, and Terresa Moses, M.F.A., this second installment of the 2044 series highlights the ways that working against anti-Blackness through the lens of Afrofuturism and Critical Race Theory allows for the examination and enactment of decolonizing design bias and white default. This session brings questions of Black agency, stereotyping, bias, representation, appropriation, commodification, and the dangers of pathologizing Blackness in design. Panelists discuss anti-racist practice in design education through forms of resistance and resilience.
Artist interviews and revisionist art history: women of African descent, critical practice and methods of rewriting dominant narratives
Article reflecting on over ten years of conducting and collecting interviews with and by women artists of African descent in a variety of formats (e.g. narrative arts writing, academic research and documentary film/video) to note the specific ways that artists’ interviews help to rewrite art-historical narratives.
Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times
This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.
AT 01-8, AV 01-10, AU 01-9, BI 02-8, BJ 02-9, BS 03-7
No Description Available.
Bear
Image of part of an art installation at Trinity College in Hartford, Connecticut...
Bear
Image of part of an art installation at Trinity College in Hartford, Connecticut.
Black Hair as Metaphor Explored through Duoethnography and Arts-Based Research
This article presents a duoethnographic, critical arts-based research project, which began as a pre-recorded, on-demand presentation for the 2021 National Art Education Association Annual Convention. This is an edited, expanded print version of the authors' conference session examining hair as text and sites of identity/respectability politics, positionality, rites of passage, liminality, and selfhood.
Book Review: Elizabeth Valdez del Álamo, Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century
Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
Business, soft power, and whitewashing: Three themes in the US media coverage of “The Great Wall” film
This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment
This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.
Coyote
Image of part of an art installation at Trinity College in Hartford, Connecticut.
Dancing Between the Hunt and the Hearth
The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture.
Deer
Image of part of an art installation at Conduit Gallery in Dallas, Texas.
Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created
This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.
The fashion-conscious behaviours of mature female consumers
This article examines the apparel and shopping preferences of mature women in America.
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