UNT Theses and Dissertations - 86 Matching Results

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Primary view of The Aural Perception of Pitch-Class Set Relations: A Computer-Assisted Investigation
Millar, Jana Kubitza
May 1984
Primary view of A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form
Lang, Adelheid K.
July 1993
Primary view of Bach's Mass in B minor: An Analytical Study of Parody Movements and their Function in the Large-Scale Architectural Design of the Mass
Pérez Torres, René
December 2005
Primary view of Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition
Tompkins, Robert
December 2006
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of Composing-Out Notre-Dame: How Louise Bertin Expresses the Hugolian Themes of Fate and Decay in La Esmeralda
Walls, Levi
August 2018
Primary view of Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
Hale, Jacquelyn
December 2002
Primary view of Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue
Hahn, Stephen (Stephen Ernst)
August 2019
Primary view of Crisis and Catharsis: Linear Analysis and the Interpretation of Herbert Howells' "Requiem" and "Hymnus Paradisi"
Davenport, Jennifer Tish
August 2018
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Developing Variation and Melodic Contour Analysis: A New Look at the Music of Max Reger
McConnell, Sarah E.
August 2018
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 1]
Herman, Robert H., 1934-
August 1973
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 2]
Herman, Robert H.
August 1973
Primary view of Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist
Sims, Scott G.
May 1987
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
Primary view of Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz: The Collection at the Austrian National Library and Schenker's Generative Process
Auerbach, Jennifer Sadoff
May 2009
Primary view of Form in Popular Song, 1990-2009
Ensign, Jeffrey S.
December 2015
Primary view of Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems
Iler, Devin
December 2011
Primary view of Formal Organization in Ground-bass Compositions
Stevens, Bryan
August 2015
Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity
Davenport, Jennifer Tish
May 2011
Primary view of The Fundamental Unity in Brahm's Horn Trio, Op. 40
Kim, JongKyun
August 2007
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
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