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Primary view of 12 Études Caractéristiques, Opus 2, by Adolf von Henselt: A Pedagogical Guide with Practical Exercises on Selected Etudes
Kim, Hyunsuk
May 2023
Primary view of "Allegro de Concert," op. 46, by Frédéric Chopin: A Performance Guide
Jeong, Jiyoon
August 2022
Primary view of The Amalgamation of Western and Eastern Influences in Julius Schloss's "First Chinese Rhapsody"
Cai, Ying (Pianist)
August 2021
Primary view of An Analytical Perspective of the Developing Aesthetic Concepts in Sergey Prokofiev's Choses en soi, Op. 45
Liu, Tzu-Yi
December 2017
Primary view of The Art of Borrowing: Quotations and Allusions in Western Music
Lee, Myung-Ji
May 2016
Primary view of The Artistic Image in "Twelve Children's Pieces of Medium Difficulty," Op. 31 by Reinhold Gliere (1875–1956)
Wu, Yuan Nessa
August 2021
Primary view of Assessing Perception and Attitude of Pianists toward Ergonomically Scaled Piano Keyboards (ESPK): Raising Awareness about ESPK and Evaluating Changes of Attitude through an Educational Survey
Son, Youjoo
August 2018
Primary view of Beethoven's Orchestra at the Romantic Piano: Understanding the Piano Transcriptions of "Marcia alla turca" from Beethoven's The Ruins of Athens by Franz Liszt and Anton Rubinstein
Yoon, Jeongmi
August 2021
Primary view of Bohuslav Martinů's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score
Jeoung, Ko Eun
December 2020
Primary view of Brazilian Adaptations of Baroque and Classical Elements in the Piano Sonata in F Minor, Op. 9, by Alberto Nepomuceno (1864–1920)
Wu, Qifan
May 2023
Primary view of Building an Effective Piano Technique while Avoiding Injury: A Comparison of the Exercises in Alfred Cortot's "Rational Principles of Pianoforte Technique" and Carl Tausig's "Daily Studies for the Pianoforte"
Woo, Laehyung
May 2017
Primary view of A Comparative Analysis of the Orchestral and Piano Versions of Finlandia by Jean Sibelius in Relation to His Compositional Style, 1899–1904
Teppo, Ruusamari
May 2021
Primary view of A Comparative Study of Piano Etudes by György Sandor Ligeti and Unsuk Chin: A Technical and Stylistic Guide to Mastering the Difficulties of Their Etudes
Jang, Miyoun
December 2018
Primary view of A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano
Rong, Xing
August 2019
Primary view of Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16
Lee, Sungyo
May 2017
Primary view of Conducting from the Piano? A Tradition Worth Reviving?
Marshall, Eldred
May 2018
Primary view of Expansion of Pianism through a Reinterpretation of Bartók's Dance Suite for Solo Piano (1925)
Lee, Jenny JungYeon
May 2023
Primary view of First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions
Wang, Xiao (Pianist)
May 2018
Primary view of The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences
Chen, Yi Jing
August 2021
Primary view of Franz Liszt as Transcriber and Editor: A Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760
Kwon, Jin Ah
August 2021
Primary view of Functional Orchestral Collaboration Skills for Wind Band Pianists: A Study Guide
Kim, Grace Jisoo
August 2016
Primary view of A Guide to Franz Liszt's Piano Transcriptions of Franz Schubert's Songs
Kim, Ah Young
May 2017
Primary view of A Holy Night: 10 Arrangements of Timeless Carols: Preparing Early Advanced Piano Students for Standard Repertoire
Nahkur, Hando
December 2019
Primary view of The Influence of Adolf von Henselt on Sergei Rachmaninoff: A Comparative Analysis of Henselt's Piano Concerto Op. 16 and Rachmaninoff's Piano Concerto Op. 18
Kim, Meenha
August 2021
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