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Primary view of A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets
Yang, Benjamin H. (Benjamin Hoh)
August 1989
Primary view of Transposition and the Transposed Modes in Late-Baroque France
Parker, Mark M. (Mark Mason)
December 1988
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of Harmony in the Songs of Hugo Wolf
McKinney, Timothy R. (Timothy Richmond)
August 1989
Primary view of J. F. Daube's "General-Bass in drey Accorden" (1756): A Translation and Commentary
Wallace, Barbara Kees
May 1983
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of The Traité d'harmonie of Charles-Simon Catel
George, David Neal
December 1982
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of The Aural Perception of Pitch-Class Set Relations: A Computer-Assisted Investigation
Millar, Jana Kubitza
May 1984
Primary view of Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist
Sims, Scott G.
May 1987
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
Primary view of An Analysis of Robert Nathaniel Dett's In the Bottoms
Miles, Debra A. (Debra Ann)
December 1983
Primary view of Syntactic Structures in Functional Tonality
Phelps, James, 1954-
August 1985
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