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Primary view of Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue
Hahn, Stephen (Stephen Ernst)
August 2019
Primary view of Igor Stravinsky: An Analytical Study of Programmatic Design of His Symphony in Three Movements
Anderson, Rachel (Rachel Anne)
August 2019
Primary view of Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens
Falterman, David
May 2019
Primary view of Multidimensional Musical Objects in Mahler's Seventh Symphony
Patterson, Jason, 1982-
May 2019
Primary view of Composing-Out Notre-Dame: How Louise Bertin Expresses the Hugolian Themes of Fate and Decay in La Esmeralda
Walls, Levi
August 2018
Primary view of Metric Dissonance in Non-Isochronous Meters
Smith, Jayson
August 2018
Primary view of Crisis and Catharsis: Linear Analysis and the Interpretation of Herbert Howells' "Requiem" and "Hymnus Paradisi"
Davenport, Jennifer Tish
August 2018
Primary view of Developing Variation and Melodic Contour Analysis: A New Look at the Music of Max Reger
McConnell, Sarah E.
August 2018
Primary view of Tonal Enigmas: A Study of Problematic Openings and Endings
Yun, Xiao
August 2018
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 2]
Herman, Robert H.
August 1973
Primary view of An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Graf, Benjamin
May 2016
Primary view of Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera The Voyage
Wu, Chia-Ying (Charles)
May 2016
Primary view of Form in Popular Song, 1990-2009
Ensign, Jeffrey S.
December 2015
Primary view of The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps
Lovern, Kenneth R.
December 2015
Primary view of Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization
Iler, Devin
December 2015
Primary view of Formal Organization in Ground-bass Compositions
Stevens, Bryan
August 2015
Primary view of A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae
Dobbs, Benjamin M.
August 2015
Primary view of Tonality and the Extended Common Practice in the Music of Thad Jones
Rogers, Michael A.
May 2015
Primary view of Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”
Krämer, Reiner
May 2015
Primary view of Ligeti’s Early Experiments in Compositional Process: Simple Structures in Musica Ricercata
Grantham, Daniel
December 2014
Primary view of Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones
Weaver, Jennifer L.
August 2014
Primary view of A Survey of the Influence of Heinrich Schenker on American Music Theory and Its Pedagogy Since 1940
Austin, John C.
December 1974
Primary view of The Published Writings of Ernest McClain Through Spring, 1976
Wingate, F. Leighton
August 1977
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
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