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Primary view of Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11
Hwang, So Myung (Sonia)
May 2010
Primary view of The Vocal Pedagogy of Frederic Woodman Root
Grogan, David Christopher
May 2010
Primary view of The Influence of Japanese Composers on the Development of the Repertoire for the Saxophone and the Significance of the Fuzzy Bird Sonata by Takashi Yoshimatsu
Hanafusa, Chiaki
May 2010
Primary view of A study of the Violin Concerto in D Minor by Ralph Vaughan Williams
Kim, Si Hyung
May 2010
Primary view of The Legacy of Theodore Leschetizky as Seen through His Pedagogical Repertoire and Teaching Style
Serrin, Bret
May 2010
Primary view of Ida Gotkovsky's Eolienne Pour Flute et Harpe in Theory and Practice: A Critical Analysis
Surman, Patricia Jovanna
May 2010
Primary view of Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers
Thomas, Lisa Cheryl
May 2010
Primary view of A Comparative Analysis of the 1915 and 1919 Versions of Symphony No. 5 in E-flat Major, op. 82 by Jean Sibelius
Norine, John Richard, Jr.
May 2010
Primary view of The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice
Roberts, John Francis
May 2010
Primary view of A Performer's Analysis of Dominick Argento's Miss Havisham's Wedding Night
Mott, Jammieca D.
May 2010
Primary view of Using Web-Based Instruction to Teach Music Theory in the Piano Studio:  Defining, Designing, and Implementing an Integrative Approach
Carney, Robert D.
May 2010
Primary view of An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Bradfield, Ann
May 2010
Primary view of Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis
Cain, Joren
May 2010
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale
Stevens, Daniel Brent
August 2010
Primary view of Polystylistic Features of Schnittke's Cello Sonata (1978)
Kleinmann, Johannes
August 2010
Primary view of The Keyboard Music of Peter Philips
Bennight, Brad
August 2010
Primary view of A Trumpeter's Guide to Samuel Barber's Capricorn Concerto
Crafton, Jason Allen
August 2010
Primary view of Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study
Chang, Hsiao-Ling
May 2010
Primary view of The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century
Oliver, Jason L.
August 2010
Primary view of A Performance Guide for Pearls I and Pearls II by Roland Szentpali
Buckley, Christopher
May 2010
Primary view of The Instrumental Music of Ida Gotkovsky: Finding Intertextual Meaning
Hunter, Steven K.
August 2010
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of The Avatar by Steve Rouse:  A Performance Practice Guide
Lynn, Mark J.
August 2010
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