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Department: College of Music

Degree Discipline: Musicology

Collection: UNT Theses and Dissertations

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"Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage

"Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage

The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing

The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing

Nobody's Fool: A Study of the Yrodivy in Boris Godunov

Nobody's Fool: A Study of the Yrodivy in Boris Godunov

Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)

Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)

Eighteenth-Century French Oboes: A Comparative Study

Eighteenth-Century French Oboes: A Comparative Study

he Essercizii musici: A Study of the Late Baroque Sonata

he Essercizii musici: A Study of the Late Baroque Sonata

Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s

Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s

Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet

Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet

Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848

Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848

Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the Herwarth Collection at the Bavarian Library, Munich

Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the Herwarth Collection at the Bavarian Library, Munich

In-between Music: The Musical Creation of Cholo Identity in Cochabamba, Bolivia

In-between Music: The Musical Creation of Cholo Identity in Cochabamba, Bolivia

Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony

Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony

The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony

The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony

Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary

Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary

Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection

Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection

Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5

Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5

The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Sāvitri (1908-9)

The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Sāvitri (1908-9)

Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710

Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710

The Recorder Tutors in 't Uitnement Kabinet

The Recorder Tutors in 't Uitnement Kabinet

Myth in the Early Collaborations of Benjamin Britten and William Plomer

Myth in the Early Collaborations of Benjamin Britten and William Plomer

Finding the "Indian" in Amy Beach's Theme and Variations for Flute and String Quartet, op. 80.

Finding the "Indian" in Amy Beach's Theme and Variations for Flute and String Quartet, op. 80.

Accessibility and Authenticity in Julia Smith's Cynthia Parker

Accessibility and Authenticity in Julia Smith's Cynthia Parker

"Schattenhaft" in Mahler's Seventh and Ninth Symphonies: An Examination of a Passage in Adorno's Mahler: A Musical Physiognomy

"Schattenhaft" in Mahler's Seventh and Ninth Symphonies: An Examination of a Passage in Adorno's Mahler: A Musical Physiognomy

The "Beethoven Folksong Project" in the Reception of Beethoven and His Music

The "Beethoven Folksong Project" in the Reception of Beethoven and His Music

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