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open access

Compositional approaches within new media paradigms

Description: "Compositional Approaches to New Media Paradigms" is the discursive accompaniment to the original composition BoMoH, (a new media chamber opera. A variety of new media concepts and practices are discussed in relation to their use as a contemporary compositional methodology for computer musicians and digital content producers. This paper aligns relevant discourse with a variety of concepts as they influence and affect the compositional process. This paper does not propose a new working method; r… more
Date: May 2016
Creator: Oliveiro, Mark, 1983-
Partner: UNT Libraries
open access

Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera

Description: This paper explores various technologies available to the modern composer and utilized in recent modern opera, providing creative approaches to producing aural, visual, and theatrical performance environments. It also explores my own use of digital technology in Transient Delete. Transient Delete is a digital miniature-opera that explores different aspects of a community of post-human cyborgs. The story follows Iméra, a newly converted cyborg as she acclimates herself to this new cybernetic exi… more
Date: May 2016
Creator: Shirey, Benjamin, 1985-
Partner: UNT Libraries
open access

The Sound-Poetry of the Instability of Reality: Mimesis and the Reality Effect in Music, Literature, and Visual Art

Description: This paper uses the concept of mimesis to clarify the debate concerning the representation of reality in music. Specifically, this study defines the audio reality effect and the three main practices of realism as a way of understanding mimetic practices in multiple artistic media, in particular regarding the multimedia works of the "Landscape series." After addressing the historical debates concerning mimesis, this study develops a framework for the understanding of mimesis in sound by addressi… more
Date: May 2016
Creator: Underriner, Chaz, 1987-
Partner: UNT Libraries
open access

"Deborah": The Creation of a Chamber Oratorio in One Act

Description: In comparing oratorio traits across history, three aspects of oratorio were found to be particularly applicable to the creation of "Deborah: A Chamber Oratorio in One Act." These aspects were: the selection of topic and the creation or adaptation of text; the differences between recitative and aria, in form and function; and the level of stylistic diversity within a given work.
Date: May 2016
Creator: Mixter, Mary
Partner: UNT Libraries
open access

Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design

Description: This dissertation explores the analysis and creation of compositions from the standpoint of texture and momentum. It is comprised of four chapters. The first presents a number of concepts as tools for analysis, including textural typography and transformation, perception of time and psychological engagement of an audience, and respiration as a metaphor for musical momentum. The second and third chapters apply these tools to Gerard Grisey's "Periodes" and "Partiels," and Brian Ferneyhough's "Lem… more
Date: August 2016
Creator: Robin, Brad
Partner: UNT Libraries
open access

Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi, --

Description: This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore the work of John Zorn; how time is perceived in acoustic collage music and the concept of "super tempo"; musical quotation and appropriation in acoustic collage music; the definition of acoustic collage music in relation to other acoustic collage works; and musical montages addressing the works of Charles Ives, Lucciano Berio, George Rochberg,… more
Date: August 2016
Creator: Campbell, Andrew (Andrew S.)
Partner: UNT Libraries
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