UNT Theses and Dissertations - 767 Matching Results

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Primary view of Supplemental Studies for Mastering Extended Techniques in Three Late Twentieth-Century Works for Solo Trombone: Luciano Berio's Sequenza V, Folke Rabe's Basta and Mark Phillips' T. Rex, Together with Three Recitals of Selected Works by Wagenseil, Grøndahl, Gotkovsky, and Others
Scott, Deb
May 2004
Primary view of The Surface: A Synthesis
Willis, Stephen
May 2001
Primary view of A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire
Lignitz, Kellie
May 2013
Primary view of A Survey of the Solo and Chamber Works for Trumpet, Horn, Trombone, Euphonium and Tuba By the Hungarian Composer Frigyes Hidas
Gill, Jonathan B.
August 2013
Primary view of Susan Botti's Cosmosis: A Conductor's Analysis with Performance Considerations
Schroeder, Angela
May 2007
Primary view of Symmetrical Features of Nikolai Medtner's Language: The Grzovaya Sonata, Opus 53 No. 2
Pitts, James L.
December 1999
Primary view of Symphonic Fantasia Han-Kook Oui Ja-Yeon (Nature in Korea): Score and Critical Commentary
Han, Sang-Eun
August 2004
Primary view of Symphonic Poem "New Life" for Orchestra and Yang-Chin
Leung, Chi Cheung
May 1990
Primary view of Symphony in Three Movements
Park, Ki-Seob
December 1994
Primary view of Syncretisms for wind quintet and percussion: A study in combining organizational principles from Southeast Asian music with western stylistic elements.
Seymour, John
May 2008
Primary view of Systematic Composition and Intuition in a Concerto for Organ and Orchestra
Worlton, James Timbrel
August 2003
Primary view of Taiwan music teacher attitudes toward the arts and humanities curriculum.
Lai, Lingchun
August 2007
Primary view of Te Deum
Piekarski, James
May 1994
Primary view of Teacher Communication in Title I Elementary Music Classrooms: Perceptions of Elementary Music Classroom Teachers
Mason, Lindsey Lea
December 2013
Primary view of Teaching the Bass Tuba: A Survey of Current Trends in the College and University Applied Studio in the United States
Mitchell, William Kenneth
December 2006
Primary view of Techniques of Sensual Perception: The Creation of Emotional Pathways
Henry, Jon L.
December 1999
Primary view of Tele: Using Vernacular Performance Practices in an Eight-Channel Environment
Welch, Chapman
August 2003
Primary view of Temporal Distortions: a Composition for Orchestra
Frank, Robert J., 1961-
August 1995
Primary view of Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis
Liu, Yi-Jan
August 2014
Primary view of The Texas Bandmasters Association: A Historical Study of Activities, Contributions, and Leadership (1920-1997)
Shoop, Stephen Scott
May 2000
Primary view of Texas Middle School Choral Directors’ Beliefs About Repertoire Selection
Williams, Scott Michael, Jr.
December 2011
Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of Then Svenska Messan by Johan Helmich Roman: A Study of Text Setting
Lindström, G. Mikael
December 2005
Primary view of Theobald Boehm and the History of the Alto Flute, Including the Facsimile Edition of His Arrangement of Beethoven's Largo From the Concerto for Piano, Op. 15, No. 1 for Alto Flute and Piano (C. 1858), With Three Recitals of Selected Works by Griffes, Telemann, Bartok, Jolivet, Gaubert and Others
Redcay, Andrea
May 1997
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