You limited your search to:

  Partner: UNT Libraries
 Collection: UNT Theses and Dissertations
Mystical Elements in Emerson's Thought

Mystical Elements in Emerson's Thought

Date: January 1966
Creator: Conklin, Lillian M.
Description: It is the main purpose of this thesis to ascertain just to what extent Emerson's writing do contain mystical elements.
Contributing Partner: UNT Libraries
Myth and History in Two Plays by Nicholas Rowe

Myth and History in Two Plays by Nicholas Rowe

Date: August 1972
Creator: Reedy, Mary Virginia Lee
Description: The purpose of this study is to examine two plays by Nicholas Rowe, eighteenth-century English poet, dramatist, editor, and translator, in order to ascertain their historical content, as opposed to their mythological and fictional content.
Contributing Partner: UNT Libraries
Myth in Alan Sillitoe's Saturday Night and Sunday Morning

Myth in Alan Sillitoe's Saturday Night and Sunday Morning

Date: December 1970
Creator: Wright, Vicki Prather
Description: The purpose of this thesis is to point out the three levels of mythic structure contained in Saturday Night and Sunday Morning, a novel published in 1958 by the British novelist Alan Sillitoe. The novel has been criticized almost solely in its role as a work dealing exclusively with the English proletariat; the critics have ignored mythic content in the novel, and in doing so have missed valuable meaning and structure which each myth adds to the novel.
Contributing Partner: UNT Libraries
Myth in the Early Collaborations of Benjamin Britten and William Plomer

Myth in the Early Collaborations of Benjamin Britten and William Plomer

Date: August 2005
Creator: Salfen, Kevin McGregor
Description: Although the most well-known collaborations of William Plomer and Benjamin Britten are the three church parables (or church operas) - Curlew River, The Burning Fiery Furnace, and The Prodigal Son - by the time of the completion of Curlew River in 1964, the librettist and composer had been working together for well over a decade. During that time, they had completed the opera Gloriana and had considered collaborating on three other projects: one a children's opera on Beatrix Potter's The Tale of Mr. Tod, one on an original story of Plomer's called "Tyco the Vegan," and one on a Greek myth (possibly Arion, Daedalus and Icarus, or Phaëthon). Far from being footnotes to the parables, these early collaborations established Plomer and Britten's working relationship and brought to light their common interests as well as their independent ones. Their successive early collaborations, therefore, can be thought of as a conversation through creative expression. This metaphor of conversation can be applied both to successive collaborations and to the completed Gloriana, in that the libretto and the music can be seen as representing different interpretations of both major and minor characters in the opera, including Elizabeth I and Robert Devereux, Earl of Essex. ...
Contributing Partner: UNT Libraries
Myth in the Fiction of C. S. Lewis

Myth in the Fiction of C. S. Lewis

Date: August 1966
Creator: Miller, Ruth Humble
Description: In both his fiction and non-fiction, Lewis comments on myth, its characteristics and strengths, and its relation to Christian doctrine. His use of myth to examine and to illustrate Christian ideas is most important in the space trilogy, the Narnia series of children's books, and Till We Have Faces. These books are the primary sources for this thesis, and they will be examined in chronological order.
Contributing Partner: UNT Libraries
The Myth of Emmetropia: Perception in Rhetorical Studies

The Myth of Emmetropia: Perception in Rhetorical Studies

Date: August 2012
Creator: Kaszynski, Elizabeth
Description: This thesis sets up the problem of sight in a visual society, with the aim to answer how the visual makes itself known. The conversation starts on visuality, and where there are gaps in understanding. The first of two case studies examines the absence of sight, or blindness, both literal and figurative. Through a study of blind photographers and their work, this chapter examines the nature of perception, and how biological blindness may influence and inform our understanding of figurative blindness. The second case study examines what the improvement of damaged sight has to say about the rhetorical nature of images. This chapter examines various means of improving sight, using literal improvements to sight to understand figurative improvements in vision and perception. The fourth and final chapter seeks to sum up what has been discovered about the rhetorical nature of sight through the ends of the spectrum of sight.
Contributing Partner: UNT Libraries
The Myth of Strategic Superiority: Us Nuclear Weapons and Limited Conflicts, 1945-1954

The Myth of Strategic Superiority: Us Nuclear Weapons and Limited Conflicts, 1945-1954

Date: May 2012
Creator: Morse, Eric
Description: The nuclear age provided U.S. soldiers and statesmen with unprecedented challenges. the U.S. military had to incorporate a weapon into strategic calculations without knowing whether the use of the weapon would be approved. Broad considerations of policy led President Dwight Eisenhower to formulate a policy that relied on nuclear weapons while fully realizing their destructive potential. Despite the belief that possession of nuclear weapons provided strategic superiority, the U.S. realized that such weapons were of little value. This realization did not stop planners from attempting to find ways to use nuclear weapons in Korea and Indochina.
Contributing Partner: UNT Libraries
Mythic Archaeologies: The Impact of Visual Culture on the Art and Identity of Four Hopi Artists

Mythic Archaeologies: The Impact of Visual Culture on the Art and Identity of Four Hopi Artists

Date: August 2011
Creator: Santos, Lori J.
Description: This qualitative critical ethnography examines how visual culture impacted the identity and art of four Hopi artists. Sources of data included a personal journal, artists’ interviews, group discussion, art work interpretations, and historical research of Hopi art, visual culture, and issues of native identity. In particular, my analysis focused on issues of power / knowledge relationships, identity construction, and the artist as co-constructor of culture through personal narratives. Implications for art education centered on the concept of storytelling through mythic archaeology situated in identities of past, present, and future.
Contributing Partner: UNT Libraries
A Mythic Perspective of Commodification on the World Wide Web

A Mythic Perspective of Commodification on the World Wide Web

Date: May 2004
Creator: Robinson, Glendal Paul
Description: Capitalism's success, according to Karl Marx, is based on continued development of new markets and products. As globalization shrinks the world marketplace, corporations are forced to seek both new customers and products to sell. Commodification is the process of transforming objects, ideas and even people into merchandise. The recent growth of the World Wide Web has caught the attention of the corporate world, and they are attempting to convert a free-share-based medium into a profit-based outlet. To be successful, they must change Web users' perception about the nature of the Web itself. This study asks the question: Is there mythic evidence of commodification on the World Wide Web? It examines how the World Wide Web is presented to readers of three national publications-Wired, Newsweek, and Business Week-from 1993 to 2000. It uses Barthes' two-tiered model of myths to examine the descriptors used to modify and describe the World Wide Web. The descriptors were clustered into 11 general categories, including connectivity, social, being, scene, consumption, revolution, tool, value, biology, arena, and other. Wired articles did not demonstrate a trend in categorical change from 1993 to 2000; the category of choice shifted back and forth between Revolution, Connectivity, Scene, and Being. Newsweek ...
Contributing Partner: UNT Libraries
Mythic Themes and Literary Analogues in Lowell's Prometheus Bound

Mythic Themes and Literary Analogues in Lowell's Prometheus Bound

Date: June 1970
Creator: Holford, Carolyn
Description: The present study will be concerned primarily with an interpretation of Lowell's derivation of Prometheus Bound as he adapted that play from the Greek playwright Aeschylus' version, with a study of the development of his themes in that play, and with consideration of some of the sources upon which those themes are dependent.
Contributing Partner: UNT Libraries