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 Collection: UNT Theses and Dissertations
Interpersonal Preception: the Accuracy of First Impressions and Attitude Change as a Function of Self-Image and Age Similarities

Interpersonal Preception: the Accuracy of First Impressions and Attitude Change as a Function of Self-Image and Age Similarities

Date: January 1969
Creator: Townsend, Philip C.
Description: It is the intent of this study to investigate an aspect of the accuracy of first impressions and the stability of attitudes formed on the basis of these impressions. The study of first impressions and their influence on behavior is one aspect of the general topic of person perception.
Contributing Partner: UNT Libraries
Interpersonal Responsiveness as a Function of Self-Concept

Interpersonal Responsiveness as a Function of Self-Concept

Date: August 1973
Creator: Olson, Robert E.
Description: This study considers the relationship between scores on the "Experimental Draw-A-Group Projective Technique for Measuring Interpersonal Responsivenesss" (DAG), and self-concept as indicated by scores on the Tennessee Self Concept Scale (TSCS). The study assumes a significantly positive relationship between interpersonal responsiveness and self-concept. The study further seeks to establish sound empirical data to justify the use of the DAG scale in the research of self-concept.
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An Interpretation of the Theme of Snopesism in the Work of William Faulkner

An Interpretation of the Theme of Snopesism in the Work of William Faulkner

Date: August 1964
Creator: Moore, Jeanette Fenley
Description: Ever since the publication of the novel Sartoria, members of a strange new breed of people by the name of Snopes have appeared in every Faulkner novel and short story which constitutes a part of what is called the Yoknapatawpha chronicle. Heretofore, it has been popular to support the thesis that the Snopeses represented the embodiment of crass commercialism, the inevitable replacement for the dying cotton aristocracy, and the direct retribution for the sins that had caused the downfall of these degenerate Southern gentry. This thesis will attempt to show, not that such a contention is wholly wrong, but that the real meaning of Snopesism lies much deeper than this, far beyond such a simple interpretation.
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An Interpretation of Various Aspects of Dualism as Found in the Art of Africa and China

An Interpretation of Various Aspects of Dualism as Found in the Art of Africa and China

Date: January 1970
Creator: Lee, Jini Yet Har
Description: The purpose of this study is to endeavor to interpret these various aspects of dualism through an analysis of selected examples of art from two cultural areas, Africa and China.
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Interpreting Industrial Arts in the School-Community

Interpreting Industrial Arts in the School-Community

Date: 1956
Creator: Ford, Hilary Blanton
Description: The purpose of this study is threefold: (1) to review the literature concerning school interpretation programs and the industrial arts phase of the public relations program based upon research studies, opinions and recommendations of leaders in education and industrial arts education; (2) to gather data concerning current practices used in the industrial arts departments during the year 1953-1954; and (3) to analyze the data in order to determine whether the current practice of industrial arts interpretation coincide with the interpretation program recommended by leaders in the field of education.
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Interpreting Prehistoric Patterns: Site Catchment Analysis in the Upper Trinity River Basin of North Central Texas

Interpreting Prehistoric Patterns: Site Catchment Analysis in the Upper Trinity River Basin of North Central Texas

Date: December 2004
Creator: Williams, Marikka Lin
Description: Archaeologically site catchment analysis produces valuable information regarding prehistoric subsistence strategies and social organization. Incorporating archaeological data into catchment analyses is an effective strategy to develop regional models of prehistoric site selection and settlement patterns. Digital access to data permits the incorporation of multiple layers of information into the process of synthesizing regional archaeology and interpreting corresponding spatial patterning. GIS software provides a means to integrate digital environmental and archaeological data into an effective tool. Resultant environmental archaeology maps facilitate interpretive analysis. To fulfill the objectives of this thesis, GIS software is employed to construct site catchment areas for archaeological sites and to implement multivariate statistical analyses of physical and biological attributes of catchments in correlation with assemblage data from sites. Guided by ecological, anthropological and geographical theories hypotheses testing evaluates patterns of prehistoric socio-economic behavior. Analytical results are summarized in a model of prehistoric settlement patterns in North Central Texas.
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Interpreting Richard Strauss's Der Krämerspiegel from the perspectives of the performers and the audience.

Interpreting Richard Strauss's Der Krämerspiegel from the perspectives of the performers and the audience.

Date: August 2007
Creator: Hurst, Michael Shane
Description: The purpose of this document is to examine Richard Strauss's 1918 song cycle Der Krämerspiegel in order to discern compositional intent and to address problems performers may face in communicating the work to a contemporary audience. Examining the existing literature, it is never clearly stated why Strauss composed such an anomalous song cycle that defied aesthetic and generic norms of the day. The premise taken in this study is that Strauss, who was litigiously forced to write the work in order to fulfill a contract with the publisher Bote & Bock, composed certain difficulties into the cycle to make it less marketable and thus less profitable for the firm. Furthermore, he commissioned a text that lampooned the publishing industry in general and certain firms and individuals in particular. Following a brief history of Strauss's involvement with the publishing industry, general considerations for interpretation are examined. The individual songs are then explored, keeping in mind the text's word play and parody, Strauss's use of self-quotation, and the challenges performers and audiences face when confronting Krämerspiegel. Finally, the individual songs are explored, and suggestions for preparation and performance of Krämerspiegel are given suggesting a more operatic understanding of the piece, especially given ...
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An Interpretive Analysis of George Antheil's Sonata for Trumpet and Piano

An Interpretive Analysis of George Antheil's Sonata for Trumpet and Piano

Date: August 2008
Creator: Fenderson, Mark
Description: American composer George Antheil's Sonata for Trumpet and Piano was written in 1951. This dissertation provides historical and theoretical information that gives insight into the interpretation of this sonata. Reasons why the piece deserves greater attention with respect to the standard twentieth century trumpet literature are also given. Antheil's music was influential in the development of classical music in the first half of the 20th century and, more specifically, contributed to the establishment of an American style of classical music. Composed near the end of his life, this sonata has its roots in this heritage. The understanding of Antheil's history, motivations, and compositional techniques is intended to help bring a performance of this sonata to its full potential.
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An Interpretive Approach to Two Wind Partitas of Franz Vincent Krommer: Partita in F, Op. 57 (1808) and Partita in E-flat, Op. 79 (1810), A Lecture Recital : Together with Three Recitals of Selected Works of Stravinsky, Hanson, Martin Mailman, Holst and Walton

An Interpretive Approach to Two Wind Partitas of Franz Vincent Krommer: Partita in F, Op. 57 (1808) and Partita in E-flat, Op. 79 (1810), A Lecture Recital : Together with Three Recitals of Selected Works of Stravinsky, Hanson, Martin Mailman, Holst and Walton

Date: August 1995
Creator: Mailman, Matthew
Description: An interpretive approach to performing two works by Franz Krommer for wind ensemble. Including a short history of Harmoniemusik, with origins, development, and chronology of the instruments and repertoire, the roles of "better-known" composers of Harmoniemusik, and its importance in both general music history and history of the wind band. An account of known biographical detail concerning Franz Krommer, his life, his musical involvement and career in Europe, and his place in music history. An overview of his compositions for wind groups other than the Harmoniemusik, including his symphonic music and concertos. Detailed analyses of the two octet-partitas, Partita in F, Op. 57 and Partita in E-flat, Op. 79, with discussion of thematic, harmonic, melodic, articulation, and formal characteristics illustrated through score examples. Examination of issues for a conductor to consider when approaching a performance of these works such as instrumentation (modern vs. period instruments, selecting 16-foot instrument), taking (or not taking) repeats with respect to form, interpreting articulations, determining metronomic tempos, ensemble balance, and style based on wind music of the Classical period. Also, how this music can (and why it should) be used by wind conductors as both a teaching supplement and a compositional model for pieces from ...
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Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, "Mr. Bass Trombone."

Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, "Mr. Bass Trombone."

Date: December 2006
Creator: Yeager, Jonathan K.
Description: Nicknamed "Mr. Bass Trombone" for his role as a prominent, trailblazing recording artist, George Roberts (b. 1928) has often been recognized as redefining the role of the bass trombone in popular music as well as setting new standards for technical refinement and expressive possibilities of the instrument. Through two interviews and a comparison between ten recorded performances by Roberts and corresponding lead sheets, I make observations about Roberts' performance techniques and illustrate various examples of those techniques. The document includes 35 pp. of interview transcriptions.
Contributing Partner: UNT Libraries