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  Partner: UNT Libraries
 Degree Discipline: Music
 Collection: UNT Theses and Dissertations
The Analytical System of Hindemith and Schenker as Applied to Two Works of Arnold Schoenberg

The Analytical System of Hindemith and Schenker as Applied to Two Works of Arnold Schoenberg

Date: January 1956
Creator: Miron, Nathan (Nathan Ben)
Description: This thesis uses two different musical analytical systems, one of Heinrich Schenker and one of Paul Hindemith, to analyze tonality within "Die Gurre Lieder" and "Fourth String Quartet" by Arnold Schoenberg.
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The Anthems of William Byrd

The Anthems of William Byrd

Date: January 1955
Creator: Propst, Fred L.
Description: The sacred anthem has had a unique conception and development that compares readily to that of other major forms of sacred music. Since an abundance of this music is used in our services, it is the purpose of this study to trace the history of the anthem from its origin in the early Tudor period to its culmination in the works of William Byrd. A special study will be made of the anthems by this master of the form.
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An Appraisal of Six Series of Music Textbooks for Grades One, Two and Three

An Appraisal of Six Series of Music Textbooks for Grades One, Two and Three

Date: August 1953
Creator: Webb, Gladys H. (Gladys Heyser)
Description: The education program in America began with the self-contained classroom and is today gradually moving back to that concept. It is believed that more attention can be given to the interests, needs, and abilities of the pupil if he is allowed to remain in his home room with his teacher throughout the school day. This is especially true in the primary grades. In many cases the primary teachers have only the minimum requirement by law of six hours credit in music.9 Furthermore, it is known that many primary teachers have little or no supervision from a music specialist. It is with these facts in view that this tabulation is needed for aid in the appraisal and selection of textbooks available for the teaching of music in grades one, two and three.
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An Argument for the Reassessment of Stravinsky's Early Serial Compositions

An Argument for the Reassessment of Stravinsky's Early Serial Compositions

Date: December 1995
Creator: Hughes, Timothy Stephen
Description: Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating serialism into his style of composition. Although Stravinsky still used the neo-classical trait of making strong references to the music of earlier periods, musical analyses of this transitional period have focused on serial aspects to the exclusion of anachronistic elements. Evidence of Stravinsky's possible use of musical structures adapted from earlier times is found in his consistent use of musical figures that are closely related to the cadences of the late Medieval and Renaissance eras. By fully addressing these neo-classical traits in future analyses, music theorists will gain an additional perspective, which is helpful in understanding the music of Stravinsky's transitional period.
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Ariettes Oubilées and Fêtes Galantes, Series I and II by Claude Debussy

Ariettes Oubilées and Fêtes Galantes, Series I and II by Claude Debussy

Date: January 1960
Creator: Pannell, Frankie Franks
Description: Not only did Debussy find the Symbolist movement a source of inspiration for his artistic aims, he often selected his literary collaborators from them. Pelleas et Melisande, Prelude a l'Apres-midi d'un Faune, Chansons de Bilitis, Trois Pomes de Stephane Mallarme, Fetes Galantes, Ariettes Oubliees, all had Symbolist authors. Moreover, the poetic style of the Proses Lyriques, of which Debussy himself was the author, is in the Symbolist manner.
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Articulation of the Primary with the Secondary Instrumental Band Program in the Public Schools

Articulation of the Primary with the Secondary Instrumental Band Program in the Public Schools

Date: August 1949
Creator: Olivadoti, Joseph, 1893-1977
Description: The purpose of this thesis is to acquaint future band and orchestra directors with a successful, thoroughly "tried and tested" plan of building an instrumental program within the music department. This thesis presents the technique of instrumentating the senior high school band by planning an instrumental program from the first grade to the time the band student reaches the senior high school level.
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Artistic Expression in Music and Poetry

Artistic Expression in Music and Poetry

Date: May 2007
Creator: Wertz, Charles Bradley
Description: This paper delineates meaningful relationships of passions, emotions, feelings, affections, nuances and aural perceptions of expressions and utterances, for understanding human artistic possibilities historically and contemporarily in the fraternal arts of music and poetry, with reference to sounds, silences, sequences, rhythms, rhymes, repetitions, retards, accelerations, tempos, harmonies, melodies, forms, etc., in four poetic and three musical compositions uniquely created by its author.
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Autographs 1928 : Four Songs for Soprano and Chamber Ensemble

Autographs 1928 : Four Songs for Soprano and Chamber Ensemble

Date: August 1995
Creator: Walls, Jay Alan
Description: Autographs 1928: Four Songs for Soprano and Chamber Ensemble is a composition of approximately 16 minutes' duration and is scored for mezzo-soprano, flute, oboe, clarinet, horn in F, viola, violoncello, one keyboardist (piano and celesta), and two percussionists (marimba, xylophone, chimes, timpani, bass drum, temple blocks, triangle, and slapstick). The work consists of four songs and four readings with texts from Walls's maternal grandmother's autograph book. The composition opens with a reading and alternates between readings and songs. The music is intended to reflect the playful, tender and humorous nature of the lyrics.
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Bach's Treatment of the Chorale in the Chorale Cantatas

Bach's Treatment of the Chorale in the Chorale Cantatas

Date: August 1950
Creator: Quist, Floyd Henry
Description: The Chorale Cantatas by Johann Sebastian Bach are outstanding examples of his ingenuity. The existing data on the Chorale Cantatas are distributed throughout numerous volumes by many scholars. They have written much about the cantatas in general but not so much specifically about the chorales in them. In this thesis, the emphasis is on the chorales and Bach's treatment of them in the Chorale Cantatas. An historical approach to the cantata and the chorale is given as a preliminary to the treatment of the chorale in the chorale cantata. This was done that the reader might have a better understanding of them. The necessary material for this thesis was gathered from dictionaries, music lexicons, books, articles and the music principally in the Bach-gesellschaft edition. The material is organized according to the following plan: 1. The Church Cantata and its origin; the development of the Church Cantata in Germany; the use of the cantata in the worship service. 2. The Chorale, its origin and development; its changes as a result of the Reformation; its use in church services, and its use in musical composition. 3. Bach's treatment of the Chorale in musical forms. 4. Bach's treatment of the words of the ...
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Beethoven's Piano Sonata Op. 111 in its Historical Perspective

Beethoven's Piano Sonata Op. 111 in its Historical Perspective

Date: 1950
Creator: Floyd, J. Robert (James Robert), 1929-
Description: This thesis presents a brief history of the sonata form until the time of Beethoven. It also discusses Beethoven's use of the sonata form, and how it applies to his op. 111 piano sonata.
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Boulez's Sonatine and the Genesis of His Twelve-tone Practice

Boulez's Sonatine and the Genesis of His Twelve-tone Practice

Date: May 1998
Creator: Chang, Sangtae
Description: This dissertation proposes that the Sonatine broadly unfolds a kinetic structure that stems from the traditional tension-relief model and, consequently, its dependence on tradition proves much deeper than Boulez would acknowledge.
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A Capella Eletronnica

A Capella Eletronnica

Date: August 1995
Creator: Bonneau, Paul G. (Paul Gregory)
Description: The intent of A capella Eletronnica is to explore the possibility of the human voice as the most versatile of musical instruments. The voice, capable of melodic, harmonic, percussive and rhythmic effects, is also employed for spoken text and conversational elements as musical sources. My aim was to enlarge this array of vocal techniques with the use of electronic processing and amplification.
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The Castrato Sacrifice: Was it Justified?

The Castrato Sacrifice: Was it Justified?

Date: August 2006
Creator: Sowle, Jennifer
Description: One of the greatest mysteries in the history of music is the castrato singers of the Baroque era. Castration has existed for many thousands of years, but for the first time in history, it was used for artistic purposes. Who were these men who seemingly gave up their masculinity for the sake of music? By examining the time period and circumstances in which these musicians lived, an answer may be found. Exploring the economic, social, and political structure of the 17th and 18th centuries may reveal the mindset behind such a strange yet accepted practice. The in-depth study of their lives and careers will help lift the veil of mystery that surrounds them. Was their physical sacrifice a blessing or a curse? Was it worth it?
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The Characterstücke of Johannes Brahms

The Characterstücke of Johannes Brahms

Date: August 1955
Creator: Guerry, Jack, 1931-
Description: With the advent of the Ballades, Intermezzi, Cappriccios and Rhapsodies of Johannes Brahms the musical world was to witness the apex of a development of a particular style of pianoforte composition which began in the nineteenth century with the publication in 1803 of a group of seven pieces called Bagatelles, opus 33 by Ludwig van Beethoven. This style thus originated was the Caracterstücke.
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Charles Ives and a Stylistic Analysis of his Three Piano Sonatas

Charles Ives and a Stylistic Analysis of his Three Piano Sonatas

Date: 1955
Creator: Harer, Carolyn Bertha
Description: This thesis has been written with several goals in mind. The first purpose has been to inform the reader about the life of Charles Ives and the influences he experienced that gave him the impetus to experiment and write music of a nature thirty years ahead of its time, while the rest of the world was basking in the waning light of Romanticism. The second purpose has been to describe in a short space general characteristics that may be found throughout the entire musical output of Ives. The third purpose has been to analyze in greater detail the major portion of his contributions to piano literature, the three piano sonatas, so that the student may better understand the complexities which will face him in performance of these compositions. Perhaps the strongest motivation for the present study has been the hope that it might induce more students to be explorers themselves and become familiar with this music of Ives.
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Circumfusion: a Composition for Real-Time Computer Music Spatialization System

Circumfusion: a Composition for Real-Time Computer Music Spatialization System

Date: August 1998
Creator: Morgan, Christopher R. (Christopher Robert)
Description: Two of the leading methodologies for spatializing audio over multiple channels include non-real-time multi-track tape and variations of real-time systems that often involve complex configurations of hardware. Of the latter, composers relying on MIDI as a control source have used pairs of sound modules, effects units and automation capable mixers to achieve spatialization over four loudspeakers. These systems typically employ intensity panning, Doppler shifts and reverberation. The present research details the development of a compact spatialization system using a MAX patch controlling a Kurzweil K2500 sampler. This system supports real-time diffusion of up to six simultaneous sound files over eight loudspeakers while incorporating intensity panning, Doppler shifts, delays and filtering. The MAX patch allows composers to choose from several automatic sound spatialization trajectories or to use the mouse to draw and store their own trajectories for later playback. The piece, Circumfusion, is an eighteen-minute composition of electroacoustic music utilizing this spatialization system.
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The Clarinet in Chamber Music from Mozart through Brahms

The Clarinet in Chamber Music from Mozart through Brahms

Date: August 1950
Creator: Farris, John Alexander
Description: It is the purpose of this thesis to present a study of the development of writing for the clarinet in chamber music during the period from Mozart (1756-1791) through Brahms (1833-1897). The first part is a brief history of the clarinet showing the stages of development of the instrument from its beginning to its present form and also surveys the field of chamber music in general, with special attention to the chamber music for the clarinet, and to the performers for whom many of these works were written.
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The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov

The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov

Date: 1950
Creator: McIver, Don L.
Description: The purpose of this thesis is to show through the presentation and analysis of authoritative information, together with opinions drawn from the information and analyses, how the clarinet grew in its function as a member of the symphony orchestra.
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A Classification and Evaluation of Concert and Occasional Music for Junior High School Band

A Classification and Evaluation of Concert and Occasional Music for Junior High School Band

Date: June 1947
Creator: Graham, John Patrick, 1917-
Description: It is the purpose of this thesis to list and evaluate the published materials for junior high school band that the director may have a comprehensive knowledge of materials adapted to that level.
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A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor

A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor

Date: August 1997
Creator: Leong, Jeremy
Description: The thesis speculates on the possible influence of Mozart's Requiem on Cherubini's Requiem in D Minor, concluding that Cherubini's setting of the Sequence ("Dies irae") was indeed influenced by Mozart's setting of this liturgical text both on the micro and macro levels.
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A Comparative Critical Analysis of Beginning Piano Methods

A Comparative Critical Analysis of Beginning Piano Methods

Date: August 1942
Creator: Hollis, Mabel Gertrude
Description: It has been the purpose of this study to examine representative beginning piano methods, as found available in published form, and to compare and evaluate them according to musical, psychological, physical, and educational standards.
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Comparative First Year College Music Theory

Comparative First Year College Music Theory

Date: August 1945
Creator: Wheat, Margaret Anne, 1922-
Description: The problem of this study is to set forth some principles of teaching beginning music theory in Texas colleges; to survey and evaluate critically a sampling of standard theory textbooks basing the evaluation on the principles outlined; and to recommend a methodology for teaching beginning college theory.
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Comparative Study of the Bel Canto Teaching Styles and their Effects on Vocal Agility

Comparative Study of the Bel Canto Teaching Styles and their Effects on Vocal Agility

Date: August 1996
Creator: Harper, Portia
Description: This thesis examines the historical significance of the vocal methods employed from the middle of the seventeenth century to the beginning of the nineteenth century in what became known as the bel canto era. It provides further exploration into the pedagogical procedures of the bel canto technique through a study of the premier instructors and singers from this period. The resurgence of interest in this tradition is addressed along with its impact on current vocal pedagogy. The vital role that vocal agility played as one of its most distinguishing traits is the primary factor under investigation. A discussion of the bel canto teaching styles in relation to their approach to agility is a major point of inquiry. By maintaining a link between present artists and pedagogues and the old Italian school, it helps the singer understand the historical implications of vocal agility as an integral part of healthy vocal development.
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A Comparative Study of the Harmonic Equipment and Formal Features in the String Quartets by Claude Debussy and Maurice Ravel

A Comparative Study of the Harmonic Equipment and Formal Features in the String Quartets by Claude Debussy and Maurice Ravel

Date: August 1952
Creator: Jenkins, Robert E. (Robert Eugene),1929-
Description: This thesis proposes to determine the construction of the two string quartets and to reveal through the study of the quartets the similarities and contrasts of the creative musical characteristics of Debussy and Ravel.
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