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Primary view of Harmonic Function in Rock: A Melodic Approach
Oliver, Matthew Ryan
December 2023
Primary view of "To Swim In Air Forever Tooloud Laughcrying"
Fristensky, Louise Anne
December 2023
Primary view of "Music for the End of the World": Sound, Nature, and the Anthropocene
Macedo de Castro Lima, Marcel
July 2023
Primary view of "Rainpiece": A Modular Work for Flute, Harp, Viola, and Live Electronics
Tempio, Madeline Grace
July 2023
Primary view of Resonant Ecologies: Exploring Interrelationships between Ecological Disciplines and Music Composition
Gerard, Garrison C.
July 2023
Primary view of "Utterances": Approaching a New Acousmatic Praxis
Smith, Jonathan Andrew
July 2023
Primary view of Everything and the Kitchen Sink; or, Towards an Understanding of a Creative Practice, "Codex Symphonia," Metamodernism, and Rhizomic Composition
Reeder, Kory
May 2023
Primary view of Exploring Texas Music Educators' Health Literacy, Musician Health Literacy, and Intentions to Address the Health-Related  Fine Arts TEKS in Ensemble Instruction Using the  Newest Vital Sign, MHL-Q19, and Integrated Behavior Model
Taylor, Meghan S.
May 2023
Primary view of "Idle Flux": A Composer/Choreographer Collaboration
Montgomery, Samuel A.
May 2023
Primary view of Metaphor and Mimesis in an Animal Soundscape
Whiting, Willyn R.
May 2023
Primary view of Semi-Occluded Vocal Tract Exercises: Understanding the Prevalence and Purposes within the Collegiate Voice Instructor Population
Sullivan, Kristen Janell
May 2023
Primary view of Adaptation and Validation of the Athletic Identity Measurement Scale for Use with Musicians
Zuhdi, Nabeel
December 2022
Primary view of Elements of Formal Continuity in Robert Schumann's "Novelletten," op. 21 and Other Piano Works
Nowak, Jeremy C.
December 2022
Primary view of Performing Translations: Rethinking Christian Wolff's Alternative Notation (1960-1968) in the Context of His Creative Communities
Stearns, Jessica
December 2022
Primary view of A Quantitative Approach to the History of Music Binder's Volumes (1820–1900)
Anderson, Brian K
December 2022
Primary view of Dido the Chaste: A Characterization of Dido in Spanish Baroque Pasticcio Opera
Zimmerman, Camila
August 2022
Primary view of Motivic Stratification in Fauré's Late Chamber Works: Perspectives on Voice Leading and Tonal Coherence
Bilik, Matthew Allan
August 2022
Primary view of Occupational Stress and Burnout among American Pastoral Musicians
Behel, Kensley Anne
August 2022
Primary view of "Songs from Vessels" for Ensemble and Live Electronics and Vessels: A Virtual Reality Micro-Opera
Poovey, Christopher Alex
August 2022
Primary view of "Stateside: An opera in one act" on the Experiences of the Military Spouse
Whelan, Rachel Lanik
August 2022
Primary view of "Untune the Sky": Ten Original Pieces for Microtonal Viola da Gamba with Voice and Electronics
Snead, Jonathan Dunnam
August 2022
Primary view of Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich
Hatch, Amy M
May 2022
Primary view of The Extended Lydian Locrian Theory of Harmony
Bandy, Chris
May 2022
Primary view of Ideal Hausmusik: Brahms's Vocal Quartets (opp. 31, 52, 64, 65, 92, 103, and 112) and the Politics of Domestic Music ca. 1848-1900
Anderson, Robert Michael
May 2022
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