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  Access Rights: Public
  Partner: UNT Libraries
 Department: Department of Radio, Television and Film
 Collection: UNT Theses and Dissertations
A Descriptive Analysis of the Development and Decline of New Taiwan Cinema, 1982-1986

A Descriptive Analysis of the Development and Decline of New Taiwan Cinema, 1982-1986

Date: December 1993
Creator: Lin, Ying-chia, 1969-
Description: The emphasis of this research is on the social, economic, and cultural factors generating the New Taiwan Cinema between 1982 to 1986. The study consists of four chapters. Chapter I introduces the background and parameters of the topic. Chapter II discusses the factors which nurtured the rise of New Taiwan Cinema. It also provides historical background information on Taiwanese films. Chapter III discusses the definition and characteristics of New Taiwan Cinema and its major filmmakers and films. Chapter IV focuses on the issue of the end of New Taiwan Cinema. This chapter also covers the general situation of the Taiwanese film industry after 1986.
Contributing Partner: UNT Libraries
Bus Ride to Liberation: a Historical Video Documentary of the Acres Homes Transit Company in Houston, Texas

Bus Ride to Liberation: a Historical Video Documentary of the Acres Homes Transit Company in Houston, Texas

Date: May 1994
Creator: Childress, Doris (Doris Elaine)
Description: The Acres Homes Transit Company in Houston, Texas is Texas' first African American owned and operated bus company. Some say it is the first in the South. The company was developed during the height of the civil rights period. It serves as an establishment of economic empowerment during the oppressive civil rights era. The video is a historical visual documentation of the bus company from its beginning to its end. An accompanying written profile describes the research process, the pre-production, production and post-production stages, as well as future proposals for the documentary.
Contributing Partner: UNT Libraries
Chinese Leftist Urban Films of the 1930s

Chinese Leftist Urban Films of the 1930s

Date: August 1998
Creator: He, Xin, 1970-
Description: This thesis explores the films produced by leftist filmmakers of the 1930s which reflect the contemporary urban life in Shanghai.
Contributing Partner: UNT Libraries
Exhibit Eh: Canadian Dependency, U. S. Hegemony, and the Amorphousness of English Canadian Culture

Exhibit Eh: Canadian Dependency, U. S. Hegemony, and the Amorphousness of English Canadian Culture

Date: August 1999
Creator: McIntosh, Andrew
Description: This thesis begins by examining the factors that have resulted in the dependent nature of Canada's political and economic structure, and proceeds to examine how this has contributed to the cultural amorphousness of English Canadian identity. The hegemonic authority of American and trans-national interests, established and maintained in the cultural sphere through the extensive monopoly of the distribution of cultural and media products, perpetuates the amorphousness of English Canadian culture through the appropriation of Canadian space by the international image industry. Such categorization of Canadian space reflects and perpetuates the imaginary representation of Canada within the dominant ideology as an indistinct and amorphous entity, and comes to usurp the materiality that constructs the lived identities of English Canadians.
Contributing Partner: UNT Libraries
Girl Power: Feminism, Girlculture and the Popular Media

Girl Power: Feminism, Girlculture and the Popular Media

Date: August 1999
Creator: Smith, Ashley Lorrain
Description: This project is an interrogation of three examples from recent popular culture of girlculture, specifically texts that target young female consumers: the Spice Girls, Scream and Buffy the Vampire Slayer. These examples are fundamentally different than texts from earlier female targeted generic models because they not only reflect the influence of the feminist movement, they work on feminism's behalf. The project's methodology grows out of feminist film theories and cultural studies theories. One chapter is dedicated to each text, and each reading works to reappropriate girlculture texts for a counter-hegemonic agenda by highlighting the moments when each text manages to subvert its mass mediated conservative biases.
Contributing Partner: UNT Libraries
Gestalt Work For the Actor: A Documentary Video Production

Gestalt Work For the Actor: A Documentary Video Production

Date: May 2000
Creator: Massey, Hugh Richard
Description: Gestalt Work for the Actor is a documentary about Dr. Renee Vincent's Gestalt acting exercise. Students are trained to recall powerful emotions and then employ the conjured passions into performance. This documentary examines the Gestalt acting exercise and what benefits it affords actors. The accompanying production book explains the production processes: preproduction, production, and postproduction, as well as the theoretical approaches used in the documentary.
Contributing Partner: UNT Libraries
Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man

Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man

Date: August 2000
Creator: Murphree, Hyon Joo Yoo
Description: This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' "intero-alterity" is further problematized by antiheroes in Tim Burton's films.
Contributing Partner: UNT Libraries
On Objects and Affections: Contemporary Representations of the Gay Man/Straight Woman Dyad in Popular Film and Television

On Objects and Affections: Contemporary Representations of the Gay Man/Straight Woman Dyad in Popular Film and Television

Date: December 2000
Creator: Pillion, Owen L.
Description: This project explores the representational strategies used to depict a gay male/straight female dyad across a variety of popular media. The study problematizes and critically evaluates how the narrativization of the dyad both challenges and reinforces stereotypes of gay men and at the same time circulates a troubling image of femininity in the figure of the straight woman. This line of argument is extended to the context of "Lifestyle Television" to demonstrate how the dyad implicitly structures two particular programs. It is suggested that the prevalence of the dyad is in part indicative of an assimilation of a particular gay identity into mainstream culture. The ideological implications of the dyad are discussed throughout this thesis.
Contributing Partner: UNT Libraries
A New Circle

A New Circle

Date: December 2001
Creator: Shutt, Jason
Description: This reflexive documentary film explores the Alabama-Coushatta Indian Tribe of Texas and examines questions of cultural identity. The twenty-one minute film uses footage of cultural events, reservation landscape, photographs, and interviews to bring the viewer into the lives of the Alabama-Coushatta people. The written portion of this thesis details the entire processes of making the film, from the proposal stage to the post-production stage. This includes an examination of the film's evolution from using a proposed ethnographic approach to one less scientific and more personal.
Contributing Partner: UNT Libraries
"There's A Man With A Gun Over There": Cops And The Counterculture

"There's A Man With A Gun Over There": Cops And The Counterculture

Date: December 2001
Creator: Moellinger, Terry
Description: By 1960, television advertisers recognized the economic potential of American youth, and producers were expected to develop programs to attract them, while still maintaining appeal for the older audience members. This task was to prove difficult as the decade wore on. While continuing to link the nation's cold war concerns to the portrayal of good and evil, some shows, like 77 Sunset Strip, and The Mod Squad, explored alternative lifestyles, but still accepted American values. As the 1960s developed, crime programs continued to promote American hegemony but became increasingly more open to alternative reading strategies. This study examines the strategies developed to draw a youth audience to 1960s crime programs, while also supporting the dominant ideology of American society.
Contributing Partner: UNT Libraries
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