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 Degree Discipline: Music
 Collection: UNT Theses and Dissertations
The Nocturnes of Chopin

The Nocturnes of Chopin

Date: June 1957
Creator: Alexander, Monte Hill Davis
Description: John Field (1782-1837), an Irishman, was the first composer to use the French term "nocturne," and was the inventor of the nocturne for piano. It can be seen with a glance at the scores that the orchestral notturni by the eighteenth century composers were very different than what is generally thought of today as a nocturne. Field introduced the idea of the nocturne that has remained much the same since. Frederic Chopin enlarged and improved the genre invented by Field, but it was Field's originality that brought this type of piece to piano literature. Indeed, John Field is hardly remembered today except as the inventor of the nocturne for the piano and for his influence on Chopin's Nocturnes. For that alone musicians will remain indebted to him.
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A Musical and Dramatic Analysis of the Principal Tenor Roles in Mozart's Singspiele

A Musical and Dramatic Analysis of the Principal Tenor Roles in Mozart's Singspiele

Date: December 1970
Creator: Alexander, Ronald C. (Ronald Curby)
Description: This paper will examine one area of Mozart's work, the Singspiele. This study is an analysis of the principal tenor roles of Mozart's Singspiele. The organization for analyzing these works conforms to three periods in Mozart's life. (1) Childhood and Early Youth, to 1774; (2) The Period of the First Masterworks, 1774-1781; and (3) The Years in Vienna, 1781-1791. Related biographical data and historical background have been utilized in discussing each work. Because the Singspiele is a musical composition, analyses will consider music as the major source of development, using plot and character wholly as supporting features.
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A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel

A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel

Date: May 1944
Creator: Alexander, William Don, 1920-
Description: It is the purpose of this thesis to determine the comparative differences and similarities of the accompanied violin sonatas of the two contemporary eighteenth-century composers, Johann Sebastian Bach and George Frederick Handel.
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Piano Sonatas Six, Seven and Eight of Prokofiev

Piano Sonatas Six, Seven and Eight of Prokofiev

Date: January 1956
Creator: Allen, Daniel Joseph
Description: The Sixth, Seventh, and E Piano Sonatas of Prokofiev illustrate the composer's more mature style. In these works there is a definite return to the classic forms and contrapuntal devices which have been called Neo-classicism. Prokofiev, himself, has said that form is one of the basic elements of his style. It is the purpose of this thesis to discover the' formal organization and make a comparison of these sonatas with the works of Beethoven and his contemporaries.
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Stylistic Analysis of "Banalités" by Francis Poulenc

Stylistic Analysis of "Banalités" by Francis Poulenc

Date: January 1968
Creator: Allen, Joy Ann
Description: Because of the nature of the poetry, the interpretation of Banalites in this study has involved certain subjective decisions. These deductions were, nevertheless, colored by statements of the poet, the composer, and authorities on each. This is not to imply, however, that this is the only interpretation. Both poet and composer have given evidence that their creation requires a subjective response on the part of the interpreter. This is perhaps the greatest challenge offered by the work.
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An Experimental Treatment of Inaccurate Singers in the Intermediate Grades

An Experimental Treatment of Inaccurate Singers in the Intermediate Grades

Date: August 1945
Creator: Allen, Sheila Emery
Description: A study of the causes and remedial treatment of inaccurate singing through experimentation and research was chosen by the writer as a practical problem urgently in need of solution.
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A Comparative Study of Three Sonatas for Solo Brass Instruments and Piano by Paul Hindemith

A Comparative Study of Three Sonatas for Solo Brass Instruments and Piano by Paul Hindemith

Date: June 1957
Creator: Alley, Edward Lee
Description: In the years during the writing of The Craft of Musical Composition, and for the next few years afterwards, Hindemith was engaged in writing a solo sonata for each of the instruments of the orchestra. Muser states that this series of sonatas continues a definite policy of providing music for people who want to play music, and not merely to listen to it. The three sonatas for solo brass instruments and piano were written during this period. The sonatas, written for trumpet, horn, and trombone, were written in the following order: Sonata for Trumpet and Piano—1939; Sonata for Horn and Piano—1939; Sonata for Trombone and Piano—1941. These sonatas, being written rather closely together, should have certain stylistic characteristics in common, and there should also be certain features peculiar to each sonata. To study these sonatas and compare them with each other structurally and stylistically is the purpose of this work.
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An Analysis of Maurice Ravel's Technique of Orchestration

An Analysis of Maurice Ravel's Technique of Orchestration

Date: August 1958
Creator: Allman, Murray Augustus
Description: It is interesting to note that several of Ravel's compositions for the piano were successful only after he had orchestrated them. Ravel, a pianist, had a natural gift for orchestration, and when writing for the piano he seems to have projected his thoughts to the orchestra; thus some of his works are more successful' for the orchestra than for the piano. Since he orchestrated several of his own piano compositions, these present an excellent opportunity for a study of his orchestrations.
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Transcribing Orchestral Accompaniments of Large Choral Works for the Organ

Transcribing Orchestral Accompaniments of Large Choral Works for the Organ

Date: August 1966
Creator: Anderson, David Zane
Description: The art of transcribing orchestral accompaniments for organ is one of the most difficult problems which organists must face. Although a few will become professional recitalists, most organists will at one time or other have a church position and be required to play oratorios and other large choral compositions which were originally scored for orchestra. Several of the most popular of these works (Handel's Messiah, Saint-Saëns's Christmas Oratorio, Fauŕe's Requiem) have already been arranged for organ, but the majority are available only in piano reductions. The main body of the paper deals with this latter group of works, for it is here that the most urgent problems exist. However, some of the organ arrangements now available need considerable revision because they try to imitate the whole orchestra and are virtually impossible to play. Therefore, some preliminary comments on already existing transcriptions seem necessary.
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The Early Music Ensemble in 21st Century America

The Early Music Ensemble in 21st Century America

Date: December 2003
Creator: Assid, Tonya
Description: The early music ensemble has evolved from a counterculture to a mainstream musical genre. Because of this early music is having to learn arts management. Once a unique force it now competes with other arts organizations for funding and audience. Unlike other arts groups, early music has little help from within to clarify non-profit management. Through three types of surveys that were e-mailed to 239 early music organizations and 20 early music societies, an assessment of what is currently happening with early music ensembles in terms of growth, funding and over all well-being can be made. The information obtained revealed that most early music ensembles have little or no training in how to run an organization. This inexperience is creating problems and changing the face of early music. Information from the surveys also reveals that even with the economic problems over the last three years, early music is continuing to survive.
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Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos

Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos

Date: December 1998
Creator: Au, Siu-ming Stefan
Description: Jonah's Prayer is a choral work for solo tenor, a mixed choir of not fewer than 30 members, two pianos and a few percussion instruments to be played by choir members. The piece lasts about 13 minutes; it is a work intended for church choir use but could be performed in other venues as well.
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A Study of Rhythm in Bach's Orgelbüchlein

A Study of Rhythm in Bach's Orgelbüchlein

Date: 1952
Creator: Austin, Larry
Description: The present study is limited to Bach's Orgelbüchlein. The OB has been chosen because it represents a "closed" group of works which are in the same general style.
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Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn

Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn

Date: May 1988
Creator: Balthrop, Sharon
Description: This thesis provides modern transcriptions for horn of twenty-six two- and three-voiced canons by Johann Walter, thereby adding to the literature available from the sixteenth century for that instrument. This project specifically attempts to introduce the high school and college student hornist to modal music in strict fugal form; the transcriptions appear as an appendix. The topics discussed in the body of this thesis include the canon, Johann Walter's life and significant contributions, sixteenth-century instrumental music, musicians' guilds, the zink, and the horn. This work is not intended to offer a comprehensive history of any of these areas, but to aid the teacher and student in the preparation and performance of these transcriptions.
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Choral Problems in the Unaccompanied Music of Francis Poulenc

Choral Problems in the Unaccompanied Music of Francis Poulenc

Date: January 1966
Creator: Barnard, Jack Richard, 1932
Description: The purpose of this study, ve to analyze the stylistic characteristics in the unaccompanied music of one twentieth century composer, Francis Poulenc, in order to discover the choral problems which would confront choruses and conductors as they performed his music. It is hoped that this study will not only enable choral conductors to better understand, interpret, and appreciate the music of Poulenc, but also will serve as a guide toward the investigation of other twentieth century composers and their works.
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The Organ Works of Jehan Alain

The Organ Works of Jehan Alain

Date: May 1952
Creator: Barron, Richard Errol
Description: This study looks at Jehan Alain's music itself. However, it does not propose to analyze every bar of every composition but rather to point out certain melodic, rhythmic, and harmonic traits that are peculiar to this composer's style. It will also set forth facts concerning Alain's registrations and other items of special interest to organists. Upon such investigation an attempt will be made to reach a critical evaluation of Alain as a composer for the organ.
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The French Ballet De Cour and Its Predecessors, 1400-1650

The French Ballet De Cour and Its Predecessors, 1400-1650

Date: January 1952
Creator: Bice, John Arch
Description: A study of the historical development of the origins of ballet in Italy and France during the fifteenth and sixteenth centuries. Specifically focuses on the ballet-comique de la reine and the ballet de cour.
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Harmony and Structure in Richard Strauss's Macbeth

Harmony and Structure in Richard Strauss's Macbeth

Date: August 1996
Creator: Bills, Danny C.
Description: This study begins with a discussion of step theory. Included in this discussion is the basis of chord succession, the idea of fundamental representation, and the uses of reinterpretation technique. These concepts are then used to demonstrate the continuity and logic of the harmonic language found in Strauss's Macbeth.
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A Transcription into Modern Notation of a Chansonnier (Fonds Francais 2245) of the Duke of Orleans, with Commentary and Concordance

A Transcription into Modern Notation of a Chansonnier (Fonds Francais 2245) of the Duke of Orleans, with Commentary and Concordance

Date: August 1955
Creator: Birmingham, Hugh Myers, 1929-
Description: Fonds Français 2245 is a fifteenth-century chansonnier of the Duke of Orleans which is property of the Bibliothèque Nationale in Paris, France. This thesis describes the document and provides commentary and transcriptions.
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The Secular Solo Songs of Pelham Humfrey

The Secular Solo Songs of Pelham Humfrey

Date: June 1966
Creator: Blancq, Charles, 1940-
Description: Humfrey's music, which is chiefly sacred, includes a large number of anthems, odes, services and songs. His compositions, particularly his sacred compositions, have received extensive investigation only on one other occasion, in Henry Bryce Jordan's unpublished dissertation on the subject. Of his sacred music, the anthems form by far the largest and most signification part. Six of them were printed in W. Boyce's Cathedral Music (London, 1760); twelve more, including the "club anthem" and an evening service, are to be found as part of the Tudway Collection of the British Museum (Harl. MS 7338) and others are extant in manuscript at the libraries of Ely, Salisbury, Windsor, the Friz-william Museum (Cambridge), Christ Church (Oxford, Birmingham University, St. Michael's (Tenbury), and the Additional manuscripts in the British Museum. It was primarily int he anthems that Humfrey introduced into England some of the declamatory methods of the French theatre and thus secured for himself the credit of having established their form and style. His solo songs, on the other hand seem to occupy a somewhat less esteemed position, attributable perhaps to their remarkable simplicity, and in few cases to their apparent neglect of such musical fundamentals as melody and rhythm. It is ...
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Stylistic Comparisons and Innovations in Mozart's E-Flat Major Piano Concertos, K. 271 and K. 482

Stylistic Comparisons and Innovations in Mozart's E-Flat Major Piano Concertos, K. 271 and K. 482

Date: January 1970
Creator: Blocker, Robert L. (Robert Lewis), 1946-
Description: It is obvious that the Mozart Eb Major Concertos for Piano, K. 271 and K. 482, bear certain resemblances to each other. The primary conclusion of this study is that Mozart consciously looks to K. 271 as a guide for his later composition. Consider the fact that the "Jeunehomme" concerto establishes Mozart as a mature musician and wins him public acclaim. He seeks to regain public favor with the later work.
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An Evaluation of Motion Picture Films for Use in Music Education

An Evaluation of Motion Picture Films for Use in Music Education

Date: June 1949
Creator: Bolin, Carl B.
Description: The purpose of this thesis is to present an evaluated list of motion picture films which are related to the field of music and the teaching of music in order that both teacher and student of music may become familiar with the films which are available for use in music education and with the relative merit of each film.
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A Style Analysis of Three Representative Piano Sonatas of Alexander Scriabin

A Style Analysis of Three Representative Piano Sonatas of Alexander Scriabin

Date: January 1955
Creator: Bolster, Mary Anne
Description: Analysis of Sonatas no. 1, 4, and 10
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A Capella Eletronnica

A Capella Eletronnica

Date: August 1995
Creator: Bonneau, Paul G. (Paul Gregory)
Description: The intent of A capella Eletronnica is to explore the possibility of the human voice as the most versatile of musical instruments. The voice, capable of melodic, harmonic, percussive and rhythmic effects, is also employed for spoken text and conversational elements as musical sources. My aim was to enlarge this array of vocal techniques with the use of electronic processing and amplification.
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A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51

A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51

Date: August 1944
Creator: Brackenridge, Margaret Elaine
Description: The purpose of the following study is to make an analysis of the structural elements and stylistic characteristics of the Sonata in A Minor for violin and piano by David Stanley Smith. This analysis will include the composer's treatment of form, harmony, melody and tonality, rhythm, intellectual and emotional content, and mediums of expression.
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