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  Partner: UNT Libraries
 Decade: 2010-2019
 Degree Discipline: English
 Collection: UNT Theses and Dissertations
Miscegenated Narration: The Effects of Interracialism in Women's Popular Sentimental Romances from the Civil War Years

Miscegenated Narration: The Effects of Interracialism in Women's Popular Sentimental Romances from the Civil War Years

Date: May 2011
Creator: Beeler, Connie
Description: Critical work on popular American women's fiction still has not reckoned adequately with the themes of interracialism present in these novels and with interracialism's bearing on the sentimental. This thesis considers an often overlooked body of women's popular sentimental fiction, published from 1860-1865, which is interested in themes of interracial romance or reproduction, in order to provide a fuller picture of the impact that the intersection of interracialism and sentimentalism has had on American identity. By examining the literary strategy of "miscegenated narration," or the heteroglossic cacophony of narrative voices and ideological viewpoints that interracialism produces in a narrative, I argue that the hegemonic ideologies of the sentimental romance are both "deterritorialized" and "reterritorialized," a conflicted impulse that characterizes both nineteenth-century sentimental, interracial romances and the broader project of critiquing the dominant national narrative that these novels undertake.
Contributing Partner: UNT Libraries
After the Planes

After the Planes

Date: May 2012
Creator: Boswell, Timothy
Description: The dissertation consists of a critical preface and a novel. The preface analyzes what it terms “polyvocal” novels, or novels employing multiple points of view, as well as “layered storytelling,” or layers of textuality within novels, such as stories within stories. Specifically, the first part of the preface discusses polyvocality in twenty-first century American novels, while the second part explores layered storytelling in novels responding to World War II or the terrorist attacks of 9/11. The preface analyzes the advantages and difficulties connected to these techniques, as well as their aptitude for reflecting the fractured, disconnected, and subjective nature of the narratives we construct to interpret traumatic experiences. It also acknowledges the necessity—despite its inherent limitations—of using language to engage with this fragmentation and cope with its challenges. The preface uses numerous novels as examples and case studies, and it also explores these concepts and techniques in relation to the process of writing the novel After the Planes. After the Planes depicts multiple generations of a family who utilize storytelling as a means to work through grief, hurt, misunderstanding, and loss—whether from interpersonal conflicts or from war. Against her father’s wishes, a young woman moves in with her nearly-unknown grandfather, ...
Contributing Partner: UNT Libraries
Antigravity

Antigravity

Date: August 2012
Creator: Bowen, Ashley Hamilton
Description: This dissertation contains two parts: Part I, which discusses the elegy of possessive intent, a subgenre of the contemporary American elegy; and Part II, Antigravity, a collection of poems. English elegies have been closely rooted to a specific grief, making the poems closer to occasional poems. The poet—or at least the poet’s speaker—seeks some kind of public consolation for (often) a private loss. The Americanized form does stray from the traditional elegy yet retains some of its characteristics. Some American elegies memorialize failed romantic relationships rather than the dead. In their memorials, these speakers seek a completion for the lack the broken relationship has created in the speakers’ lives. What they can’t replace, they substitute with something personal. As the contemporary poem becomes further removed from tradition, it’s no surprise that the elegy has evolved as well. Discussions of elegies have never ventured into the type of elegy that concerns itself with the sort of unacknowledged loss found in some contemporary American poems of unrequited love. These poems all have speakers who willfully refuse to acknowledge the loss of their love-objects and strive to maintain control/ownership of their beloveds even in the face of rejection.
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Mr Secrets and Social Media:  the Confession of Richard Rodriguez

Mr Secrets and Social Media: the Confession of Richard Rodriguez

Date: May 2013
Creator: Burns, Amanda Jill
Description: Richard Rodriguez's works create troubling situations for many scholars. Though numerous critics see him as the penultimate Chicano writer, many others see his writing as only pandering to the elite. However, all politics and controversies aside, he is a writer whose ideas upon language and public confession have been revolutionary. Throughout the thesis, I argue that Rodriguez's ideas upon language and identity are applicable to the social media landscape that we reside in currently, especially the public confession. Also, I use deconstructionism, along with postmodern criticism, to illustrate the changing arc of Rodriguez's confession from his first autobiography to his final one. In his first memoir, Rodriguez remains in the closet upon his sexuality, and the reader only catches glimpses of the 'real' character inside his work. In the second memoir, the reader sees a better glimpse because of his coming out; yet, even in this regard, he does not do so wholly and still leaves his confession unfinished. By the third, he applies themes and problems seen in his first and second works to discuss our browning nature, and how we are all sinners and that we desire to confess our sins. In my assessment of Rodriguez, I argue ...
Contributing Partner: UNT Libraries
Re-Envisioning an Eighteenth-Century Artifact: A Postmodern Reading of Tristram Shandy

Re-Envisioning an Eighteenth-Century Artifact: A Postmodern Reading of Tristram Shandy

Date: August 2011
Creator: Burns, Anthony Louis
Description: The interjection of a new and dynamically different reading of Lawrence Sterne’s Tristram Shandy is imperative, if scholars want to clearly see many of the hidden facets of the novel that have gone unexamined because of out-dated scholarship. Ian Watt’s assumption that Sterne “would probably have been the supreme figure among eighteenth-century novelists” (291) if he had not tried to be so odd, and the conclusion that he draws, that “Tristram Shandy is not so much a novel as a parody of a novel” (291), is incorrect. Throughout the thesis, I argue that Sterne was not burlesquing other novelists, but instead, was engaging with themes that are now being examined by postmodern theories of Jacques Derrida, Michel Foucault, and Jean François Lyotard: themes like the impenetrability of identity (“Don’t puzzle me” (TS 7.33.633)), the insufficiency of language (“Well might Locke write a chapter upon the imperfections of words” (5.6.429)), and the unavailability of permanence (“Time wastes too fast” (9.8.754)). I actively engage with their theories to deconstruct unexamined themes inside Tristram Shandy, and illuminate postmodern elements inside the novel. However, I do not argue that Tristram Shandy is postmodern. Instead, I argue that if the reader examines the novel outside ...
Contributing Partner: UNT Libraries
Noctilucent

Noctilucent

Access: Use of this item is restricted to the UNT Community.
Date: December 2011
Creator: Bush, Mary Gwen
Description: This dissertation is composed of two parts. Part I discusses the evolution of meditative poetry as a genre, with a particular emphasis on the influence of women poets and feminist critical theory. Part II is a collection of poems. Although several popular and critically-acclaimed poets working today write meditative poems, meditative poetry as a genre has not been systematically examined since M.H. Abrams’s essay on the meditative mode in Romantic poetry, “Structure and Style in the Greater Romantic Lyric.” Because one of the driving forces of meditative poetry is a longing for, or recognition of, a state of perception that lies between individual being and some form of universal ordering principle, meditative poetry might seem to be antithetical to a postmodern world that is fragmentary, contingent, and performative; indeed, earlier definitions of meditative poetry, tied to historical and cultural understandings of the individual and the Universal, no longer reflect “how we know” but only “how we knew.” However, this essay argues that there is a contemporary meditative structure that allows for a continued relationship between the individual and the Universal without resorting to the essentialism implicit in the genre as traditionally described. This new structure owes much to feminist theory, ...
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Reconsidering Regionalism:  The Environmental Ethics of Sarah Orne Jewett, Kate Chopin, and Willa Cather

Reconsidering Regionalism: The Environmental Ethics of Sarah Orne Jewett, Kate Chopin, and Willa Cather

Date: August 2011
Creator: Clasen, Kelly
Description: This study identifies environmentalist themes in the fiction and nonfiction of Sarah Orne Jewett, Kate Chopin, and Willa Cather and argues that these ideals are interdependent upon the authors’ humanistic objectives. Focusing on these three authors’ overlapping interest in topics such as women’s rights, environmental health, and Native American history, this dissertation calls attention to the presence of a frequently unexplored but distinct, traceable feminist environmental ethic in American women’s regional writing. This set of beliefs involves a critique of the threats posed by a patriarchal society to both the environment and its human inhabitants, particularly the women, and thus can be classified as proto-ecofeminist. Moreover, the authors’ shared emphasis on the benefits of local environmental knowledge and stewardship demonstrates vital characteristics of the bioregionalist perspective, a modern form of environmental activism that promotes sustainability at a local level and mutually beneficial relationships among human and nonhuman inhabitants of a naturally defined region. Thus, the study ultimately defines a particular form of women’s literary activism that emerged in the last decades of the nineteenth century and argues for these authors’ continued theoretical relevance to a twenty-first-century audience increasingly invested in understanding and resolving a global environmental predicament.
Contributing Partner: UNT Libraries
Set for Life: a Novel

Set for Life: a Novel

Access: Use of this item is restricted to the UNT Community.
Date: August 2012
Creator: Coleman, Britta
Description: This collection of six chapters is an excerpt from a novel based on the book of Job, as told through the viewpoint of a contemporary woman from Texas. A preface exploring the act of starting over, fictionally and creatively, precedes the chapters.
Contributing Partner: UNT Libraries
Road Debris

Road Debris

Access: Use of this item is restricted to the UNT Community.
Date: May 2012
Creator: Dewoody, Dale W.
Description: This dissertation comprises two parts: Part I, which discusses the growing trend in project books in contemporary poetry, and Part II, a collection of poems titled, Road Debris. There is an increasing trend in the number of project books, which are collections of poetry unified in both thematic and formal ways. the individual poems in a project book share overt connections which allow the book to work on many different levels, blending elements of fiction and non-fiction or sharing a specific theme or speaker. While these books have the advantage of being easily memorable, which might gain poets an edge in book contests, there are also many risks involved. the main issue surrounding project books is if the individual poems can justify the book, or do they seem too repetitive or forced. As more poets, especially newer ones, try to use the project book as a shortcut to publication, it can result in poorly written poems forced to fit into a particular concept. By examining three successful cotemporary project books—The Quick of It, by Eamon Grennan; Incident Light, by H. L. Hix; and Romey’s Order by Astory Riley—this essay discusses how these books work in order to understand the potential ...
Contributing Partner: UNT Libraries
Understanding the Owner’s Manual: the United States Constitution Examined Through the Lens of Technical Communication

Understanding the Owner’s Manual: the United States Constitution Examined Through the Lens of Technical Communication

Date: May 2012
Creator: Elerson, Crystal
Description: This dissertation explores the collaborative process and use of language that went into the creating the United States Constitution in 1787. From a technical communication perspective, the collaborative process explored did not develop any new theories on collaboration, but instead, allows scholars to track the emergence of a well-documented America collaborative process from the early period of the developing American nation on a document that has remained in use for over 235 years. in addition to examining this collaborative process, the author also discusses the use of passive voice and negative language in the first article of the Constitution.
Contributing Partner: UNT Libraries
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