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  Partner: UNT Libraries
 Department: Department of English
 Degree Level: Master's
 Collection: UNT Theses and Dissertations
My Whine, Your Wine

My Whine, Your Wine

Date: December 2011
Creator: Abbott, Shannon Marie
Description: Grapes hold the flavors of the lands where they grow, and when you make wine from them, those flavors of the land come through. Tasting wine from a place you've been can bring you back to that place with aromas and notes indicative of that place. A bottle of wine changes every day, and how it will taste depends on the moment you choose to release it from the glass walls. I have a vested interest in wine, because it is a living thing. I am compelled to make wine because its characteristics are like personality traits. Although some of those characteristics are harsh at times, I appreciate them all. Each trait plays an important role in the balance, the overall personality. Like my own personality flaws, wine's harsh tones can smooth over time. My relationship with wine is constantly evolving, with every new varietal, vintage, batch and blend. Believe me, after some of the jobs I had before my first day at Su Vino, I cherish every moment of my winemaking career. My Whine, Your Wine is the story of how it all started.
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The Development of Dramatic Exposition in the Plays of George Farquhar

The Development of Dramatic Exposition in the Plays of George Farquhar

Date: August 1965
Creator: Adams, Dale Talmadge
Description: The purpose of this thesis is to make further contribution in filling the gap in detailed analyses of George Farquhar's plays.
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"Fools for Christ": An Examination of the Ministerial Call in Three Novels by William Golding

"Fools for Christ": An Examination of the Ministerial Call in Three Novels by William Golding

Date: December 1987
Creator: Adcox, John Roland
Description: This thesis examines the ministerial call in three novels by William Golding, specifically The Spire, Darkness Visible, and Rites of Passage. The central character of each novel, a Christian minister, has a vision, or series of visions, which dominates his life. The call and vision(s) of Golding's ministers are examined in light of Jacques Ellul's The Humiliation of the Word, a work examining the differences between the word and the image. The ministerial call, in this thesis, is linked to Ellul's ideas about the word; the vision, in this thesis, is linked to Ellul's ideas of the image. As a result of following their vision(s) rather than their call, the ministers fail, and their lives end in despair and ruin.
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“No Paper Cowboys”: Stories

“No Paper Cowboys”: Stories

Date: December 2015
Creator: Agnew, Bryn
Description: Equilibrium is paramount in the crafting of a story, and for every writer this sense of balance is different. The writer must manage a balance of showing and telling, of denotation and connotation, and forever strive to find the perfect word in both the denotative and connotative sense, so that the reader and writer can meeting in a living story—both in the ink on the page and the remaining white space.
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Present tense marking as a synopsis of Southern American English: Plural verbal -s and zero 3rd singular.

Present tense marking as a synopsis of Southern American English: Plural verbal -s and zero 3rd singular.

Date: May 2005
Creator: Aguilar, Amanda G.
Description: This thesis explores the evolution plural verbal -s ("People thinks he is guilty") and zero 3rd singular ("He think he is guilty") in data from two sources on Southern English: The Linguistic Atlas of the Gulf States (LAGS) and The Linguistic Atlas of the Middle and South Atlantic States (LAMSAS). The research questions that underlie this study consider (1) the demographic association of plural verbal -s and zero 3rd singular, (2) the maintenance of each form, (3) the constraints on their use, and (4) the origins of -s variability. The atlas data suggest the following for plural verbal -s: (1) it has a British source, (2) it was present in both African American Vernacular English (AAVE) and early Southern White English (SWE), and (3) there were different grammatical constraints on its use in AAVE and SWE. Data for zero 3rd singular -s suggest this form (1) did not have a British source and (2) that it has historically been an AAVE feature.
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True Selves: Narrative Distance in Stories of Fiction and Nonfiction

True Selves: Narrative Distance in Stories of Fiction and Nonfiction

Access: Use of this item is restricted to the UNT Community.
Date: December 2009
Creator: Al-Qasem, Ruby
Description: True Selves: Narrative Distance in Stories of Fiction and Nonfiction consists of a scholarly preface and four creative works. The preface discusses narrative distance as used in both fiction and nonfiction, and as compares to other narrative agents such as point of view, especially in contemporary creative writing. The selection of stories examines relationships, especially familial, and themes of isolation, community, and memory. Collection includes two chapters of a novel-in-progress, Fences, short fiction story "Trees and Furniture," and creative nonfiction essays, "Floating" and "On the Sparrow."
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Iconoclast in the mirror.

Iconoclast in the mirror.

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Date: August 2005
Creator: Alexander, Lydia L.
Description: This work explores identity positions of speakers in modern and contemporary poetry with respect to themes of subjectivity, self-awareness, lyricism, heteroglossia, and social contextualization, from perspectives including Bakhtinian, queer, feminist and postructuralist theories, and Peircian semiotics. Tony Hoagland, W.H. Auden, Adrienne Rich, and the poetic prose of Hélène Cixous provide textual examples of an evolving aesthetic in which the poet's self and world comprise multiple dynamic, open relationships supplanting one in which simple correspondences between signifiers and signifieds define selves isolated from the world. Hypertext and polyamory serve as useful analogies to the semantic eros characteristic of such poetry, including the collection of original poems that the critical portion of this thesis introduces.
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"My Vagina" and other stories.

"My Vagina" and other stories.

Date: August 2005
Creator: Anderson, Aaron W.
Description: This thesis includes seven short stories and a critical afterword. The afterword places the stories in their literary historical context in regards to creative nonfiction. It goes on to discuss the craft of fictionalizing autobiographical stories. Each of the stories should stand alone, though they follow the narrator's life for a number of years. Harlin Anderson is the narrator of all the stories.
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Symbolism in Six Works of Joseph Conrad

Symbolism in Six Works of Joseph Conrad

Date: 1950
Creator: Anderson, Gerald
Description: This study examines evidence as to Conrad's principles provided by the symbolism in five novels and one novelette.
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Stretched Out On Her Grave: The Evolution of a Perversion

Stretched Out On Her Grave: The Evolution of a Perversion

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Date: August 2000
Creator: Angel-Cann, Lauryn
Description: The word "necrophilia" brings a particular definition readily to mind – that of an act of sexual intercourse with a corpse, probably a female corpse at that. But the definition of the word did not always have this connotation; quite literally the word means "love of the dead," or "a morbid attraction to death." An examination of nineteenth-century literature reveals a gradual change in relationships between the living and the dead, culminating in the sexualized representation of corpses at the close of the century. The works examined for necrophilic content are: Mary Wollstonecraft’s Mary, A Fiction, Mary Shelley’s Frankenstein, Emily Brontë’s Wuthering Heights, and Bram Stoker’s Dracula and The Jewel of Seven Stars.
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Pragmatism as the Religion of Defoe

Pragmatism as the Religion of Defoe

Date: 1957
Creator: Angell, Charles Edward
Description: This study attempts to resolve the question of Defoe's sincerity through examination of his life, his journalistic writings, and his major works or imagination.
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The Death Theme in Albert Camus' Plays

The Death Theme in Albert Camus' Plays

Date: December 1970
Creator: Arnault, Glen C.
Description: The purpose of this thesis is to consider Camus's use of the death metaphor and its probable meaning for him.
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A Study of The Vicar of Wakefield

A Study of The Vicar of Wakefield

Date: August 1960
Creator: Arthur, Lynda Ruth
Description: The Vicar of Wakefield is neither a sensational novel directed toward the reform of mankind nor does it mark an advance in fictional techniques. Rather, it is conventional both in form and substance. Despite this literary orthodoxy, the novel has remained popular with critics and the reading public for two centuries. Previous plot studies of The Vicar have concentrated principally on Goldsmithss failure to utilize adequately the cause-effect relationship. With few exceptions, all scholars who have studied this plot find coincidence and accidental meeting the novel's greatest weakness. Most character analyses of the narrative have centered on the chief character. While one critic attributes "typical human naturalness" to the Vicar, another finds him "an impossible mixture of folly and wisdom" and "an inadequate cog in a poorly designed machine.." In thematic studies of The Vicar, critics have attempted with little success to define the major theme. Those themes which have received most extensive treatment are the contrast of appearance and reality, the innate goodness of man, the limitations of contemporary literature, the corruption in government, and the ideal nature of rural life. A few stylistic studies of the novel have concentrated their praise on Goldsmith's spontaneity, some, contradictorily, on his ...
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A Study of the Low-Back Vowels and of Certain Diphthongs in the Speech of Selected Groups in Denton, Texas

A Study of the Low-Back Vowels and of Certain Diphthongs in the Speech of Selected Groups in Denton, Texas

Date: June 1962
Creator: Askew, John Wesley
Description: American dialect studies have progressed rapidly within the last thirty years, but the progress seems to be concentrated within the Southern and New England areas of the United States. Though there have been studies made in other areas, they are sporadic, no work of any significance having yet been published. Texas, unfortunately, is one area of rich dialectal significance which has been neglected, with the exception of Oma Stanley's work on the dialect in East Texas. Even though that work is somewhat dated in many respects, few scholars have seen fit to undertake a revision of Stanley's work or a study of other areas of Texas which would be comparable to The Speech of East Texas. Several master's theses add to the small number of studies concerned with Texas dialects, notably Roy Elders' study of the stressed back vowels in the speech of Parker County, but such studies are also too few. The present investigation was undertaken for the purpose of adding to that collection of Texas dialect studies an examination of the low-back vowels in stressed syllables, of certain diphthongs in stressed syllables, and of the change in frequency of usage of those vowels and diphthongs, occurring within recent ...
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Sir Arthur Wing Pinero's Treatment of Women in Four Social Plays

Sir Arthur Wing Pinero's Treatment of Women in Four Social Plays

Date: August 1967
Creator: Bailey, Don B.
Description: The purpose of this thesis is to survey Sir Arthur Wing Pinero's treatment and development of the leading women in four of his most highly regarded "social" plays. Their texts will be analyzed carefully in order to arrive at answers to the following questions: What problems do these women confront and how do they attempt to solve them? What are the factors which determine their success or failure? Are their failures due to inherent flaws in character or outside influences? To what extent do these women control their destiny? What common traits do these women possess and in what respects do they differ? What is Pinero's idea of women's role in society, and what is his idea of women in general? What can one learn of Pinero's art from a study of these women?
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The Role of Women in the Work of William Faulkner

The Role of Women in the Work of William Faulkner

Date: August 1968
Creator: Balkman, Betty Ann
Description: This study attempts to categorize the major women characters of Faulkner, and with a brief description of each, cast light upon the relationship of that character to Faulkner's other women and to the author's ultimate view of womankind.
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Epoch Stages of Consciousness in The Rainbow

Epoch Stages of Consciousness in The Rainbow

Date: May 1978
Creator: Bardas, Mary Louise Ivey
Description: In The Rainbow D. H. Lawrence departs from traditional literary techniques, going below the level of ego consciousness within his characters to focus on the elemental dynamic forces of their unconscious minds. Using three generations of the Brangwen family, Lawrence traces the rise of consciousness from the primal unity of the uroboros through the matriarchal epoch and finally to full consciousness, the realization of the self, in Ursula Brangwen. By correlating the archetypal symbols characteristic of three stages of consciousness outlined in Erich Neumann's Origins and History of Consciousness and The Great Mother with the three sections of the novel, it is possible to show that Lawrence utilizes the symbols most appropriate to each stage.
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Orality, Literacy, and Heroism in Huckleberry Finn

Orality, Literacy, and Heroism in Huckleberry Finn

Date: August 1986
Creator: Barrow, William David, 1955-
Description: This work re-assesses the heroic character of Huckleberry Finn in light of the inherent problems of discourse. Walter Ong's insights into the differences between oral and literate consciousnesses, and Stanley Fish's concept of "interpretive communities" are applied to Huck's interactions with the other characters, revealing the underlying dynamic of his character, the need for a viable discourse community. Further established, by enlisting the ideas of Ernest Becker, is that this need for community finds its source in the most fundamental human problem, the consciousness of death. The study concludes that the problematic ending of Twain's novel is consistent with the theme of community and is neither the artistic failure, nor the cynical pronouncement on the human race that so many critics have seen it to be.
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Into the Valley: Voices I Heard Along the Way

Into the Valley: Voices I Heard Along the Way

Date: August 2007
Creator: Barth, Amy K.
Description: Into the Valley: Voices I Heard Along the Way contains a preface and a collection of five short stories. The preface discusses the use of voice as a technique to develop characters and create authenticity through elements such as sentence structure, diction, dialogue, and regional, cultural, and/or gender-specific affectations to make the words on the page become audible language in the mind of the reader. Each story is written with a unique voice that presents characters who struggle to come to terms with the truth and its various shades of reality.
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Mark Twain's Representation of the American West

Mark Twain's Representation of the American West

Date: August 1953
Creator: Bass, Jeanne H.
Description: The purpose of this paper is to picture the West as Mark Twain saw it. Many books have been written which describe Twain's Western years, but few have given much consideration to the accuracy of his account of the West in the 1860's. This paper attempts to portray Twain not only as a social and political satirist, but also as a possible historical satirist.
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The Epic Element in Hiawatha

The Epic Element in Hiawatha

Date: August 1953
Creator: Bass, Mary Laura
Description: By tracing the development of the epic, oral and written, as in Chapter III, the qualities that are characteristic of the epic and the devices associated with the epic through continued usage were found to be the constant factors upon which the definition of the epic is formulated. The application to Hiawatha of the epic definition in terms of form, theme, subject matter, characters, tone, the use of the supernatural, and the use of characteristic devices, strengthens the thesis that Longfellow has written an epic.
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Searching for a Savior

Searching for a Savior

Date: December 2015
Creator: Batch, Julia
Description: This collection of essays includes a preference that investigates the role and importance of setting and character in a nonfiction narrative. The preface assesses the writings of four great authors, examining how each author use setting and characterization to further the purpose of their story. This collection focuses on four different issues that the author has wrestled with for two decades. While “Desperado” is an investigation into the problems within her own family, “Being Black Me” highlights the authors struggle against the racial inequality her hometown. “Voices In The Dark”, the author analyze how the abuse she suffered as a child has influenced her life and contributed to a drinking problem that is explored in a later essay “Alors On Danse”.
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Clutch

Clutch

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Date: August 2009
Creator: Bauge, Jessica M.
Description: Clutch is the title of the creative portion of my thesis as well as the name of my theory 'clutch' which I outline in the preface section. The purpose of the clutch theory is to recognize modes of inspiration in the body, heart and mind so that the poet can consciously move beyond passive receptivity to engage inspiration more fully. Mechanically, to "clutch" does not mean to create inspiration, but it is the opportunistic, spirited encouragement of these moments of inspiration and, more importantly, the direction of the artist's own response in moving from inspiration to creation. The clutch process unfolds through three centers: body, heart and mind, where we initially encounter inspiration. And, through a discussion of three notable poets' work, Henri Cole, Li-Young Lee and T.S. Eliot, the relationship between a completed work and clutch as a process further explains the boundaries of each mode.
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The Noh Plays of William Butler Yeats: Accomplishment in Failure

The Noh Plays of William Butler Yeats: Accomplishment in Failure

Date: May 1971
Creator: Bays, Carol Ann
Description: This paper is a study of the effect of W. B. Yeats's contact with Japanese Noh drama on his work. The immediately discernible effect on his work can be seen, of course, in his adaptation of Noh dramatic form to his Four Plays for Dancers and The Death of Cuchulain. It is the thesis of this paper, then, that, despite many handicaps, Yeats's aesthetic background was not only sufficient to discover what suggestion did lie in the limited information available to him concerning Noh, but also sufficient for him to intuit much of what wasn't suggested.
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