UNT Theses and Dissertations - 45 Matching Results

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Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of A Phenomenology of Music Analysis
Anderson, Andrew E. (Andrew Edwin)
December 1995
Primary view of The Influence of Fredrik Melius Christiansen on Six Minnesota Conductor-Composers
Armendarez, Christina Marie
May 2006
Primary view of Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz: The Collection at the Austrian National Library and Schenker's Generative Process
Auerbach, Jennifer Sadoff
May 2009
Primary view of Imagined Sounds: Their Role in the Strict and Free Compositional Practice of Anton Bruckner
Brooks, Jonathan
May 2008
Primary view of The Opening Section of Isang Yun's My Land My People: A Cross-Section of Korean and Western Musical Features
Choi, Woohyuk
May 2006
Primary view of The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke
Conlon, Colleen Marie
May 2009
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity
Davenport, Jennifer Tish
May 2011
Primary view of Toward a Unified Whole: Allan Pettersson's Symphony No. 5.
Davis, Colin
August 2007
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010
Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary
Fose, Luanne Eris
May 1992
Primary view of Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke
Fukuchi, Hidetoshi
May 2004
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
Hale, Jacquelyn
December 2002
Primary view of Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte
Huff, David, 1976-
December 2010
Primary view of Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems
Iler, Devin
December 2011
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of The Segmentation Process and its Influence on Structure in the Malheur Me Bat Masses of Obrecht and Josquin
Jarzombek, Ralph
December 2002
Primary view of The Fundamental Unity in Brahm's Horn Trio, Op. 40
Kim, JongKyun
August 2007
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
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