UNT Theses and Dissertations - 767 Matching Results

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Primary view of José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance
Carrasco Curíntzita, Laura A.
August 2012
Primary view of The French Sonatina of the Twentieth Century for Piano Solo: With Three Recitals of Works by Mussorgsky, Brahms, Bartok, Durilleux, and others
Carrell, Scott Allen
August 1999
Primary view of Riders to the Sea
Carson, Michael, 1959-
December 1993
Primary view of Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
Chae, Eunhee
December 2000
Primary view of The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute
Chambo, Wayla Joy Ewart
May 2015
Primary view of Utilizing Standard Violin Orchestral Excerpts As a Pedagogical Tool: an Analytical Study Guide with Functional Exercises
Chang, Ai-Wei
August 2014
Primary view of Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study
Chang, Hsiao-Ling
May 2010
Primary view of Boulez's Sonatine and the Genesis of His Twelve-tone Practice
Chang, Sangtae
May 1998
Primary view of Korean Traditional Elements and Contemporary Compositional Techniques in Hyowon Woo’s Choral Music As Reflected in Gloria
Chang, Yoonchung
August 2012
Primary view of Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718)
Chang, Young-Shim
August 2005
Primary view of Snow Spell: An Interactive Composition for Erhu, Flute, Piano, Cello, and Max/MSP
Cheng, Chien-Wen
August 2007
Primary view of The skazki (fairy tales) of Nikolai Medtner: The evolution and characteristics of the genre with compositional and performance aspects of selected fairy tales.
Chernaya-Oh, Ekaterina
August 2008
Primary view of An historical and analytical survey of the Transcendental Etudes by Sergei Liapunov.
Chernyshev, Igor
August 2007
Primary view of The Formative Years: an Exploration of the Early Training and Song Juvenilia of Samuel Barber
Chester, Derek T.
May 2013
Primary view of Cyril Scott's Piano Sonata, Op. 66: A Study of His Innovative Musical Language, With Three Recitals of Selected Works by Mozart, Schumann, Scriabin, Debussy, Ravel and Others
Cheung, Ching-Loh
May 1995
Primary view of The Sonatas of Johann Gottfried Eckard (1735-1809) and the Evolution of Keyboard Instruments Between 1760 and 1785
Chiang, I-Fang
August 2013
Primary view of The Stabat Mater of Herbert Howells: The Agony and the Ecstasy
Childs, Kim J.
August 2006
Primary view of Rediscovering Giuseppe Verdi's Messa da Requiem
Cho, Ick Hyun
August 2003
Primary view of Dream of a Thousand Keys: A Concerto for Piano and Orchestra
Choi, Da Jeong
May 2011
Primary view of Correcting the Record: a Comparison of Vladimir Ashkenazy’s Urtext-based Edition of Pictures at an Exhibition with Orchestration By Ravel and Stokowski
Choi, Hoon
August 2012
Primary view of Attitudes of International Music Students from East Asia toward U.S. Higher Education Institutions
Choi, Jin Ho
May 2009
Primary view of Minimalism, Exoticism, and Alternatim in Tarik O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above
Choi, Sangyun
December 2011
Primary view of The Poetic and Musical Dialogue of Ambrosini and Cavalcanti: a Study of Claudio Ambrosini’s a Guisa Di Un Arcier Presto Soriano for Solo Flute
Choi, Su-hyun
August 2013
Primary view of The Opening Section of Isang Yun's My Land My People: A Cross-Section of Korean and Western Musical Features
Choi, Woohyuk
May 2006
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