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  Partner: UNT Libraries
 Decade: 2000-2009
 Degree Discipline: Radio, Television and Film
 Collection: UNT Theses and Dissertations
24, Lost, and Six Feet Under: Post-traumatic television in the post-9/11 era.

24, Lost, and Six Feet Under: Post-traumatic television in the post-9/11 era.

Date: May 2008
Creator: Anderson, Tonya
Description: This study sought to determine if and how television texts produced since September 11, 2001, reflect and address cultural concerns by analyzing patterns in their theme and narrative style. Three American television serials were examined as case studies. Each text addressed a common cluster of contemporary issues such as trauma, death, and loss.
Contributing Partner: UNT Libraries
"According to Their Wills and Pleasures": The Sexual Stereotyping of Mormon Men in American Film and Television

"According to Their Wills and Pleasures": The Sexual Stereotyping of Mormon Men in American Film and Television

Date: May 2009
Creator: Sutton, Travis
Description: This thesis examines the representation of Mormon men in American film and television, with particular regard for sexual identity and the cultural association of Mormonism with sexuality. The history of Mormonism's unique marital practices and doctrinal approaches to gender and sexuality have developed three common stereotypes for Mormon male characters: the purposeful heterosexual, the monstrous polygamist, and the self-destructive homosexual. Depending upon the sexual stereotype in the narrative, the Mormon Church can function as a proponent for nineteenth-century views of sexuality, a symbol for society's repressed sexuality, or a metaphor for the oppressive effects of performing gender and sexuality according to ideological constraints. These ideas are presented in Mormon films such as Saturday's Warrior (1989) as well as mainstream films such as A Mormon Maid (1917) and Advise and Consent (1962).
Contributing Partner: UNT Libraries
Beach Drive: Public Rights and Private Property: A Documentary Film

Beach Drive: Public Rights and Private Property: A Documentary Film

Date: August 2006
Creator: Schoenbaechler, Jessica
Description: The Texas Open Beaches Act states that the public beach extends from the water up to the line of vegetation. Once a privately-owned property is submerged, it transfers into state ownership. Because of severe erosion and the shifting nature of vegetation, the Village of Surfside has lost several rows of houses and streets and, currently, over thirty houses are located on the public beach obstructing public access in violation of the Texas Open Beaches Act. The extreme erosion in this small village on the Texas Gulf Coast puts homeowners, property owners, legislators, and beachgoers in difficult positions and many are at odds with one another. The documentary film is structured around rental property owner Russell Clinton, environmentalists Ellis Pickett and Jeff Hooton, and former State Senator A.R. "Babe" Schwartz.
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Behind the Scenes of The Steve Taylor Story: A Documentary

Behind the Scenes of The Steve Taylor Story: A Documentary

Date: May 2009
Creator: Gibson, Sarah Edith
Description: Behind the Scenes of The Steve Taylor Story: A Documentary is the written companion to a 39-minute documentary film entitled, The Steve Taylor Story. The film explores the controversial career of Christian musician Steve Taylor. It also chronicles the ideology of the Christian subculture in America through the hegemony of the dominant Christian culture and Steve's actions in opposition to it.
Contributing Partner: UNT Libraries
Big hair and big egos: Texan stereotypes in American entertainment media as formed through television viewing.

Big hair and big egos: Texan stereotypes in American entertainment media as formed through television viewing.

Date: August 2006
Creator: Burdette, Catherine Bowers
Description: This thesis explores the stereotypes of Texans portrayed in American entertainment media, and attempts to identify the reasons for both the existence, and persistence of these images. The study includes a brief history of Texas, and background information on the formulation of stereotypes. Cultivation theory is used to explain the process of stereotypes formed through television viewing. Content analysis of the responses from an on line survey involving 52 participants revealed that people outside the state of Texas have strong perceptions about Texans that are consistent with media representations. As the level of television viewership increased, so did the indelibility of the impressions. Those who watch more television were more likely to perceive the image of Texans as negative, and less likely to change their opinions of Texans after visiting the state.
Contributing Partner: UNT Libraries
Born in Beirut

Born in Beirut

Date: August 2007
Creator: Khalaf, Tania
Description: The film starts with another ordinary day, two elderly men playing Backgammon, cars passing by, children playing in the street; scenes anyone anywhere in the world can relate to. Seemingly without warning, as the sun set on that ordinary day, the audience is taken on a perilous journey through war-torn Beirut. Born in Beirut is a thoughtful and poetic examination of war through the eyes of a child who lived through endless conflict in war-torn Beirut. The film examines the futility of war and the price paid in innocent lives.
Contributing Partner: UNT Libraries
Central American media: A comparative study of media industries in Guatemala, Nicaragua, Honduras, El Salvador, and Costa Rica.

Central American media: A comparative study of media industries in Guatemala, Nicaragua, Honduras, El Salvador, and Costa Rica.

Date: August 2008
Creator: Salzman, Catherine C.
Description: The five countries that lie on the isthmus connecting North and South America have endured a past of colonialism, civil war, and natural disaster. As these countries evolve in the 21st century, growing economies and political peace provide a promising outlook for the citizens of these nations. The media industries in these nations have varying levels of development which are explored in this thesis. Using Michael Porter's 1990 framework and a case study methodology, this thesis explores the differences and similarities of media industries in Guatemala, El Salvador, Honduras, Nicaragua and Costa Rica, and what may be done to ensure future success in an increasingly global world.
Contributing Partner: UNT Libraries
Contemporary pirates: An examination of the perceptions and attitudes toward the technology, progression, and battles that surround modern day music piracy in colleges and universities.

Contemporary pirates: An examination of the perceptions and attitudes toward the technology, progression, and battles that surround modern day music piracy in colleges and universities.

Date: August 2004
Creator: Latson, Christopher Craig
Description: The pilot study used in this thesis examined the attitudes and perceptions of a small group of students at the University of North Texas. The participants in this pilot study (n=22) were administered an online music file sharing survey, a Defining Issues Test (DIT), and participated in a small focus group. This thesis also outlined the history and progression of online music piracy in the United States, and addressed four research questions which aimed to determine why individuals choose to engage in the file sharing of copyrighted music online.
Contributing Partner: UNT Libraries
Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man

Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man

Date: August 2000
Creator: Murphree, Hyon Joo Yoo
Description: This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' "intero-alterity" is further problematized by antiheroes in Tim Burton's films.
Contributing Partner: UNT Libraries
Dangerous, Desperate, and Homosexual: Cinematic Representations of the Male Prostitute as Fallen Angels

Dangerous, Desperate, and Homosexual: Cinematic Representations of the Male Prostitute as Fallen Angels

Date: May 2008
Creator: Lay, John Phillip
Description: The purpose of this study is to frame the cinematic male prostitute as a "fallen angel" to demonstrate that the evolution of the cinematic hustler has paralleled historicized ideological definitions of male homosexuality. Because cultural understandings of male homosexuality frequently reflect Judeo-Christian ideological significations of sin and corruption, the term "fallen angel" is utilized to describe the hustler as a figure who has also succumbed to sin due to his sexual involvement with other men. This study constructs an epochal analysis of eight films that explores the confluence of the social understanding of homosexuality with the cinematic image of the hustler from the mid 1960s through the present. In doing so, this study shows that the image of the cinematic hustler is intricately tied to the image of the male homosexual in material cultures and eras that produce them. A filmography is included.
Contributing Partner: UNT Libraries
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