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Training the Hybrid Singer: Mixed Voice for the Bel Canto and Musical Theatre Singer

Description: Voice teachers can train versatile singers by infusing musical theatre technique within bel canto evidence-based pedagogy. Seeing these two genres as possessing similarities instead of as unrelated fields allows teachers to not only match academic knowledge with the current entertainment job market, but most importantly, possess a versatile technique allowing them to train singers to perform fluently in multiple styles: the hybrid singer. An area of confusion in both bel canto and musical the… more
Date: August 2021
Creator: Vala, Matthew
Partner: UNT Libraries
open access

An Investigation of the Relationships between Memory Strategies, Performance Anxiety, and Memory Lapses among Classical Pianists

Description: Unlike most other musicians, pianists need to play by memory during their recitals, juries, etc. Doing so can greatly influence the intensity and frequency of anxiety due to potential memory slips when performing. The purpose of this study is to examine the relationship between memory strategies, experiences with memory lapses, and performance anxiety among classical pianists. The specific aims of the study are to: (1) characterize demographics, performance practices, and memorization strategie… more
Date: August 2021
Creator: Kim, Min Kyung, 1983-
Partner: UNT Libraries
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The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences

Description: The purpose of this study is to analyze the first movements of Sergei Bortkiewicz's two piano sonatas and compare them with works by other composers that may have served as compositional models. More specifically, the intention is to examine the role of the subdominant key in the recapitulation and trace possible inspirations and influences from the Classical and Romantic styles, including Mozart, Beethoven, and Schubert. The dissertation employs Schenkerian analysis to elucidate the structure … more
Date: August 2021
Creator: Chen, Yi Jing
Partner: UNT Libraries
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Performing Controlled Indeterminacy in Leo Brouwer's "Sonata Mitología de las Aguas No. I, para Flauta y Guitarra"

Description: Leo Brouwer's Sonata Mitología de las Aguas No. I for flute and guitar, first published in 2017, has taken its place as an important twenty-first-century addition to the flute and guitar duo repertory. I provide a brief historical context for the work, followed by preparation guides for guitar alone and duo passages. My preparation guides include exercises and rehearsal strategies, focusing on those passages of the work that include controlled indeterminacy. The study of indeterminacy in music … more
Date: May 2021
Creator: Rodriguez, Hector Javier
Partner: UNT Libraries
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A Comparative Analysis of the Orchestral and Piano Versions of Finlandia by Jean Sibelius in Relation to His Compositional Style, 1899–1904

Description: While he was composing his important orchestral tone poem Finlandia in 1899–1900, Jean Sibelius (1865–1957) made his own piano arrangement of it. The purpose of this study is to compare the piano arrangement and orchestral version and to see further the similarities with Sibelius's other piano compositions from the same time period (1899-1904). Through this study I have found compositional patterns, which are typical for the composer and defined his composition style for piano during his "Kalev… more
Date: May 2021
Creator: Teppo, Ruusamari
Partner: UNT Libraries

Czech Opera Arias: An Anthology for Soprano

Description: This anthology of late 19th- and early 20th-century Czech opera arias for soprano focuses on works that lack existing scholarship, bridging the language gap through translations and pronunciation materials for English-speaking singers. Its 24 arias supplement the works of Smetana, Dvořák, and Janáček with those of contemporaneous composers Karel Bendl, Zdeněk Fibich, Josef Bohuslav Foerster, Karel Kovařovic, Vítězslav Novák, and Otakar Ostrčil. Its musicological scope provides vignettes of the … more
Date: May 2021
Creator: Nichols, Brittany "Bree"
Partner: UNT Libraries
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A Technical Preparation Guide for the "Dragonetti Concerto" in A Major for Double Bass and Orchestra by Édouard Nanny

Description: One of the essential difficulties encountered while preparing a piece for a pre-professional player is defining the piece's technical challenges and doing exercises or etude studies accordingly. Based on this fact, in my thesis, I described the technical challenges of Edouard Nanny's Dragonetti A Major concerto under the headings and suggested technical studies suitable for these difficulties. The titles represented are string crossing, bow strokes, thumb position and vertical-horizontal approa… more
Date: May 2021
Creator: Sabuncu, Irmak
Partner: UNT Libraries
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Piano Concerto No. 1 In E Minor, by Emil Sauer: A Stylistic and Historical Argument for Its Relevance to the Piano Literature

Description: In 1895, Emil Georg Conrad Sauer (1862-1942), a world-renowned German pianist and former student of Franz Liszt wrote his first piano concerto, which was published five years later in 1900. Sauer performed it extensively to enthusiastic crowds in Europe and the United States while on tour during the next several years. Then it vanished from the concert repertoire. It is no longer performed and has only been commercially recorded once. The purpose of this dissertation is to establish why it migh… more
Date: May 2021
Creator: Ulasiuk, Dzmitry
Partner: UNT Libraries
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An Introduction to the Piano Works of William Mason (1829-1908) and a Performance Guide to Selected Repertoire for Intermediate Students

Description: William Mason (1829–1908) was a well-known American composer, pianist, and pedagogue. Researchers have mainly focused on Mason's career as a pedagogue in the United States and his pedagogical treatises, which are widely considered and used as the conceptual core of teaching materials on the nineteenth century. However, there has been only an annotated catalogue of Mason's music works, and no performance guide to his piano compositions. This dissertation is designed to be the first performance g… more
Date: May 2021
Creator: Chen, Ying-Chieh
Partner: UNT Libraries
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Activating Artistry: Community Engagement Resources and Teaching Artist Strategies for the Bassoonist

Description: This document examines current practices and opportunities in the music performance field related to artistic citizenship, community engagement, and the field of teaching artistry. The relationship of musicians to their audiences and communities has shifted significantly in the twenty-first century, and there is an increasing need to redefine the essential skills of the professional musician. Derived from the field of teaching artistry, the concept of "activating artistry" suggests that our gre… more
Date: May 2021
Creator: Spring, Staci
Partner: UNT Libraries
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François Couperin's Neuvième Concert, "Ritratto Dell' Amore": A Performance Guide and Edition for Flute and Keyboard

Description: François Couperin (1668-1733) was one of the earliest French Baroque composers to merge the Italian style into the French tradition. He had great influence on the development of French Baroque music from the end of the seventeenth century until his death. Couperin's four Concerts Royaux and the ten Concerts Nouveaux (published in 1722 and 1724) were written for the enjoyment of Louis XIV. Those suites were popular in the court before they were published, as they were requested to be performed e… more
Date: May 2021
Creator: Wong, Ieng Wai
Partner: UNT Libraries
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Gabriel Pierné's Sonata in D Minor, op. 36: A Study of the Work's Compositional Language and Context, Focusing on the Composer's Transcription for Flute

Description: There are very few significant sonatas for flute and piano written between 1880 and 1918, a period of unusually rich stylistic diversity. Gabriel Pierné composed his Sonata in D Minor, Op. 36 for piano and violin in 1900, and later transcribed it for flute and piano. Unfortunately, the work has not been embraced to a significant extent by either violinists or flutists. The wealth of violin sonatas from this period might explain it not becoming part of the canon for violinists, but this is not t… more
Date: May 2021
Creator: Le, Huong Thu
Partner: UNT Libraries

A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, "Run" (2003), "…without a chance" (2003), and "Concerto for Two Percussionists and Orchestra" (2011), including a Structural and Aesthetic Analysis

Description: Jonathan Leshnoff is one today's foremost contemporary American composers. His percussion compositions are significant compositions to the percussion solo, chamber, and concerto repertoire. This study is a tonal analysis on his marimba solo, Run (2003), with comparative analyses on his percussion chamber work, …without a chance (2002), and Concerto for Two Percussionists and Orchestra (2011).
Date: May 2021
Creator: Garcia, Jacob Adam
Partner: UNT Libraries
open access

Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer

Description: The present dissertation consists in an original composition for solo piano, titled Seven Nocturnes (2020). The score is preceded by a critical essay in which I discuss the overall aesthetic and formal qualities of the work, its musical, philosophical, theoretical, and historical background, as well as specific performance suggestions for future interpreters. Particular emphasis is given to the work's experimental use of musical time and original approach in relating expanded time with directio… more
Date: May 2021
Creator: Schwan, Thomas, 1985-
Partner: UNT Libraries
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An Introduction to Contemporary Violin Techniques: A Practical Guide with Exercises for Students and Teachers

Description: Violin repertoire composed in the late twentieth and early twenty-first centuries placed new demands on performers. While numerous pedagogues have written etudes and treatises analyzing traditional techniques, far fewer have thoroughly examined contemporary techniques. Many of the existing etudes and exercises inspired by contemporary violin repertoire are of a very high difficulty level and may seem unapproachable to students with little to no experience performing the music of recent decades.… more
Date: May 2021
Creator: Detwiler, Mia
Partner: UNT Libraries
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Comparison and Application of Verismo Singing Concepts to Trumpet Performance through Aria Transcription and Emulation

Description: The link between trumpet playing and emulation of the human voice has been acknowledged by a number of prominent teachers, authors, and composers since the inception of the trumpet as a melodic instrument. This dissertation is a pedagogical guide to lyrical trumpet performance based on the verismo style of singing consistent with the authentic interpretations of operatic soprano arias by Pietro Mascagni, Ruggero Leoncavallo, and Giacomo Puccini. Included are chapters that examine various aspect… more
Date: May 2021
Creator: Pratt, William (Trumpeter)
Partner: UNT Libraries
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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874–1954)

Description: The American composer Charles Ives is well known for musical quotation/borrowing: composing music with or from pre-existing musical sources, such as folk tunes, hymns, chants, or other composers' works. His Third Violin Sonata is one of few works that used his unique technique of cumulative setting with only hymn tunes. For analysis of his instrumental music, the text of the hymn tunes is generally disregarded, as the compositions are for instruments. Ives' Third Violin Sonata is challenging to… more
Date: May 2021
Creator: Kim, GaLeoung
Partner: UNT Libraries
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How a Schenkerian Analysis May Inform the Interpretation and Performance of J. S. Bach's Lute Music on the Guitar Using Selective Movements of Bach Lute Suite No. 4 in E Major (BWV1006A) as a Demonstration

Description: Continuing the discussion of interpreting J. S. Bach's lute music on the guitar, this dissertation seeks to demonstrate that Schenkerian analysis can assist the modern classical guitarist to better understand Bach's music. In particular, the Schenkerian approach provides an important methodology for studying Bach's music in depth, and then guiding performance practice on the guitar. Although there are many books and articles about transcribing, interpreting and performing Bach's music on the gu… more
Date: December 2020
Creator: Li, Zhi (Guitarist)
Partner: UNT Libraries
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Bohuslav Martinů's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score

Description: Bohuslav Martinů's "Concerto for Oboe and Small Orchestra" is one of the most frequently played pieces in the oboe repertoire. For this reason, it is often played with the piano reduction instead of the orchestra in oboe recitals. However, the existing piano reductions include many errors and discrepancies from the orchestral score, misrepresent the orchestration, sometimes fail to make the oboe entries clear, and tend to be unplayable for pianists. Moreover, the scores were published after th… more
Date: December 2020
Creator: Jeoung, Ko Eun
Partner: UNT Libraries
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The Historical Significance of the Compositions for Clarinet by Nguyen Phuc Linh in Vietnamese Instrumental Music

Description: The document provides an annotated bibliography of the compositions for clarinet by Dr. Nguyen Phuc Linh, one of Vietnam's foremost contemporary classical musician. Brief biography of Nguyen and his music aesthetic are also included. The dissertation also provides an overview of Vietnamese music and instrumental music.
Date: December 2020
Creator: Trần, Quang (Trần Khánh Quang)
Partner: UNT Libraries

An Anthology of Tenor Arias from Korean Operas

Description: The first Western opera to be performed in Korea was Verdi's La Traviata on January 16, 1948, by the Joseon Opera Company. The first Korean opera, Chunhyangjeon by Jae Myung Hyun, premiered at the Korean National Theater in May 1950, just before the outbreak of the Korean War. Daejeon.go.kr reports that since that year approximately 200 Korean operas have been produced in Korea. Nevertheless, there have been consistent efforts to create and introduce Korean operas to the public. Most of them e… more
Date: December 2020
Creator: Joo, Kwan Kyun
Partner: UNT Libraries
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Pedagogical Use of Plainchant for Trombone: Its Application in Legato Studies and Ensemble Playing

Description: The purpose of this research is to explore the benefits of chant music and its pedagogical applications for the individual trombonist or ensemble member. Several common method books are examined and categorized as either musical exercise or lyrical etude. Through this analysis I highlight a gap between the two method types that can be bridged through practice of chant. I support this claim through an analysis of chant characteristics that make it an ideal candidate to encourage pure sound produ… more
Date: December 2020
Creator: Hinman, Daniel
Partner: UNT Libraries
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The Emancipation of the Bass Clarinet: Harry Sparnaay and the Development of Solo Bass Clarinet Repertoire

Description: Harry Sparnaay was a major contributor to the development of unaccompanied works for the bass clarinet and commissioned over 100 pieces for bass clarinet alone. While Sparnaay's book, The Bass Clarinet: A Personal History, includes a list of works written for him, there is minimal information available regarding most of these pieces. This project fills the information gap for this repertoire by providing publication status/score availability, performance challenges, recording history, program n… more
Date: December 2020
Creator: Cameron, Erin, 1993-
Partner: UNT Libraries
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An Orchestral Approach to Johannes Brahms' "Variationen und Fuge über ein Thema von Händel," Op. 24: Orchestral Transcription as an Interpretive Tool

Description: This dissertation provides an interpretive guide to Variationen und Fuge über ein Thema von Händel, Op. 24, written in 1861 by Johannes Brahms (1833–1897), in orchestral terms, using as basis the orchestral transcription by Edmund Rubbra (1901–1986), published as his Op. 47 in 1938. Not only does Brahms' Variationen present players with considerable pianistic difficulties, its intense harmonic and polyphonic structures make the music sound symphonic. The English composer Edmund Rubbra, a great … more
Date: December 2020
Creator: Yun, Hee Sun
Partner: UNT Libraries
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