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Primary view of Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Morey, Michael J.
May 2019
Primary view of "Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Composing Symbolism's Musicality of Language in Fin-de-siècle France
Varvir Coe, Megan Elizabeth, 1982-
August 2016
Primary view of Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Cooper, Amy Nicole
December 2011
Primary view of Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
Hagen, Emily
May 2018
Primary view of Don Gillis's Symphony No 5½: Music for the People
Morrison, Sean
May 2013
Primary view of Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930
Freeman, Cole
August 2013
Primary view of Foreignizing Mahler: Uri Caine’s Mahler Project As Intertraditional Musical Translation
Ritchie, J. Cole
August 2015
Primary view of The Intimacy of Death: Mahler’s Dramatic Narration in Kindertotenlieder
Strange, AnnaGrace
May 2014
Primary view of It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa
Govind, Arathi
December 2012
Primary view of The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923
Carrasco, Clare
August 2016
Primary view of Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches
Van Dine, Kara Lynn
May 2010
Primary view of Le Nuove Musiche: Giovanni Battista Bovicelli?
Gámez Hernández, Carlos
August 2010
Primary view of Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero
Sauceda, Jonathan
August 2016
Primary view of Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956)
Beard, Cynthia C.
December 2011
Primary view of Patronage, Connoisseurship and Antiquarianism in Georgian England: The Fitzwilliam Music Collection (1763-1815)
Heiden, Mary Gifford
December 2011
Primary view of Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies
Davis, Colin
May 2015
Primary view of Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
Wolski, Kristin Anne
August 2013
Primary view of Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Chaplin-Kyzer, Abigail
May 2018
Primary view of Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Fick, Kimary E.
December 2015
Primary view of Shaping Hagiography through Liturgy: Music for the Patron Saints of Three Cathedrals in Medieval Aquitaine
Recek, Andrea
December 2018
Primary view of Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
Yoshioka, Masataka
December 2010
Primary view of “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S
Breckenridge, Mark A.
August 2012
Primary view of Transatlantic Crossings: Nadia Boulanger and Marion Bauer
Brubaker, Blaine
August 2019
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