UNT Theses and Dissertations - 94 Matching Results

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Primary view of The Accompanied Solo Song of the Fifteenth and Sixteenth Centuries
McCarty, Hurshelene Journey
August 1953
Primary view of An Analysis and Comparison of Music Appreciation Books for the Junior High School and the High School
Stricklen, Inez
1950
Primary view of An Analysis of Maurice Ravel's Technique of Orchestration
Allman, Murray Augustus
August 1958
Primary view of An Analysis of the Characteristics of Robert Schumann's Piano Works
Newton, Olin Everette
August 1954
Primary view of An Analysis of the Works for Solo Trumpet by Alan Hovhaness
Tull, Fisher Aubrey
August 1957
Primary view of An Analysis of William Walton's Concerto for Violin and Orchestra
Pipkin, Robert Joseph
January 1957
Primary view of The Analytical System of Hindemith and Schenker as Applied to Two Works of Arnold Schoenberg
Miron, Nathan (Nathan Ben)
January 1956
Primary view of The Anthems of William Byrd
Propst, Fred L.
January 1955
Primary view of An Appraisal of Six Series of Music Textbooks for Grades One, Two and Three
Webb, Gladys H. (Gladys Heyser)
August 1953
Primary view of Bach's Treatment of the Chorale in the Chorale Cantatas
Quist, Floyd Henry
August 1950
Primary view of Beethoven's Choral Fugal Technique
Doering, Harold Owen
January 1958
Primary view of Beethoven's Piano Sonata Op. 111 in its Historical Perspective
Floyd, J. Robert (James Robert), 1929-
1950
Primary view of The Characterstücke of Johannes Brahms
Guerry, Jack, 1931-
August 1955
Primary view of Charles Ives and a Stylistic Analysis of his Three Piano Sonatas
Harer, Carolyn Bertha
1955
Primary view of The Clarinet in Chamber Music from Mozart through Brahms
Farris, John Alexander
August 1950
Primary view of The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov
McIver, Don L.
1950
Primary view of A Comparative Study of Harmonic Tension in Hindemith's Piano Sonatas and in His Theoretical Writings
Tull, Charlotte
August 1957
Primary view of A Comparative Study of the Harmonic Equipment and Formal Features in the String Quartets by Claude Debussy and Maurice Ravel
Jenkins, Robert E. (Robert Eugene),1929-
August 1952
Primary view of A Comparative Study of Three Sonatas for Solo Brass Instruments and Piano by Paul Hindemith
Alley, Edward Lee
June 1957
Primary view of A Comparison of the Hindemith and Schenker Concepts of Tonality
Knod, Grace E., (Grace Edith)
January 1955
Primary view of The Concert Arias of Mozart for the Bass and Tenor Voices
Smith, Charles Temple
August 1955
Primary view of A Critical Study of Three Violoncello Suites by J.S. Bach
Meacham, Marjorie
January 1950
Primary view of A Descriptive Analysis of the Preludes (Book 1) of Claude Debussy
Hudgins, Mary Nan
January 1956
Primary view of The Development of an Objective Approach to the Measurement and Improvement of Aural Discrimination in Music
Commander, Margie M. (Margie Marie)
June 1951
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