Search Results

Primary view of Aaron Copland's Concerto for Clarinet: A Lecture Recital, Together with Three Recitals of Music by Mozart, Rossini, Schumann, Brahms, and Contemporary European and American Composers
Bullock, Bruce Lloyd
August 1971
Primary view of An Acoustical Study of Individual Voices in Choral Blend
Goodwin, Allen W.
December 1977
Primary view of Adaptation of Handel's Castrato Airs for Bass: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W. Mozart, M. Ravel, G. Finzi, R. Schumann, A. Caldara, G. Handel, H. Wolf, H. Duparc, C. Ives and S. Barber and an Operatic Role by Verdi
Fern, Terry L. (Terry Lee)
May 1986
Primary view of Aesthetic Justifications for Music Education: a Theoretical Examination of Their Usefulness
Paul, Stephen John
December 1988
Primary view of Archetypal Dreams
Hanson, Dan L.
August 1987
Primary view of Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev
Ruttle, Mark
May 1989
Primary view of Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others
Collins, Glenda Whitman
December 1980
Primary view of A Background and Analysis of Selected Lieder and Opera Transcriptions of Franz Liszt. A Lecture Recital, Together with Three Recitals of Works by Chopin, Schubert, Bartok, Franck, and Other Composers
Gibbs, Dan Paul
August 1980
Primary view of The Bands of the Confederacy: An Examination of the Musical and Military Contributions of the Bands and Musicians of the Confederate States of America
Ferguson, Benny Pryor
August 1987
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of The Beginnings of Music in the Boston Public Schools: Decisions of the Boston School Committee in 1837 and 1845 in Light of Religious and Moral Concerns of the Time
Miller, David Michael, 1951-
August 1989
Primary view of Béla Bartók, Out of Doors: A Lecture Recital, Together with Three Recitals of Selected Works of L.V. Beethoven, F. Chopin, J. Brahms, R. Schumann, G. Rochberg, S. Prokofieff, M. Ravel and Others
Kincaid, Desmond, 1931-
August 1971
Primary view of Brahms and the Character Piece: Emotion Guided by Intellect, a Lecture Recital, Together with Three Recitals of Selected Compositions by Beethoven, Brahms, Chopin, Debussy, Mozart, Prokofieff, and Ravel
Blocker, Robert L. (Robert Lewis), 1946-
December 1972
Primary view of The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary
McMurtry, William M.
August 1967
Primary view of British Pastoral Style and E.J. Moeran's Fantasy Quartet: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, B. Britten, L. Foss, G. Handel, A. Marcello, E. Rubbra, C. Saint-Saens, and Others
Perkins, Tedrow Lewis
August 1986
Primary view of Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev
Saunders, David Harold
August 1986
Primary view of Carlos Seixas: The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital Together with Three Recitals of Selected Works of Johann Sebastian Bach, Samuel Barber, Ludwig van Beethoven, Fréderic Chopin, César Franck, Sergei Prokofieff, and Alexander Scriabin
Allison, Brian J. (Brian Jerome)
August 1982
Primary view of Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition
Bevil, J. Marshall (Jack Marshall)
August 1984
Primary view of The Chansonnier Biblioteca Casanatense 2856: its History, Purpose, and Music
Wolff, Arthur S.
August 1970
Primary view of Charles Tomlinson Griffes's Three Preludes (1919) and Sonata for Piano (1918): A Lecture Recital, Together with Three Recitals of Selected Works
Patterson, Donald Lee
December 1977
Primary view of Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski
Drath, Jan
August 1969
Primary view of The Choral-Orchestral Works of Hector Berlioz
Alexander, Metche Franke
May 1978
Primary view of The Chorale Partita in the Baroque Period, A Lecture Recital, Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others
Anderson, David Zane
December 1974
Primary view of Commotio:  Carl Nielsen's Symphony for Organ: A Lecture Recital, Together with Three Recitals of Selected Works of F. Couperin, J.S. Bach, P. Hindemith, M. Duruflé, S. Raisin, D. Buxtehude, M. Reger, F. Martin, M. Weckmann, F. Tunder, V. Lübeck, C.P.E. Bach, and L. Vierne
Morrison, Linda Sue
August 1984
Back to Top of Screen