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Primary view of Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
Malan, Petronel
August 2001
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of Chen Yi and Her Choral Music: A Study of the Composer's Ideal of Fusing Chinese Music and Modern Western Choral Traditions
Yeung, Hin-Kei
December 2006
Primary view of Construction Applications, Practices, and Techniques of Natural Trumpets: A Comparative Analysis of Baroque and Modern Era Natural Trumpet Construction Methods
Wells, Lawrence E.
December 2006
Primary view of A Critical Study of Arnold Schoenberg's Chamber Transcription of Gustav Mahler's Das Lied von der Erde
Sun, Ai-Kuang
August 2006
Primary view of As Darkness Falls: A Composition for Wind Ensemble
Prinz, Kendall R.
December 1999
Primary view of A Different Drummer: A Chamber Opera
Friedman, Arnold Jacob
May 1999
Primary view of East Meets West: Nationalistic Elements in Selected Piano Solo Works of Chen Yi
Li, Songwen
August 2001
Primary view of Extemporizing Reawakened: Saxophonist Branford Marsalis's Approach to the Cadenza for  Concertino da Camera for Alto Saxophone and Eleven Instruments by Jacques Ibert
James, Matthew T.
December 2006
Primary view of Five Seasons: A composition for flutist and percussionist
Kim, Chol-Ho
August 2001
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others
Bogle, James Michael
May 2000
Primary view of The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others
Lim, Aesook
May 2006
Primary view of Memento mori: Concert for Violoncello and Orchestra
Fakhouri, Fouad K.
December 2006
Primary view of Michael Daugherty's Red Cape Tango: A Comparative Study of the Original Version for Symphony Orchestra and its Transcription for Wind Orchestra, with Four Recitals of Selected Works by Beethoven, Dvorák, Verdi, Bartók and Daugherty
Ortega, Arturo
May 2002
Primary view of Music preferences, music and non-music media use, and leisure involvement of Hong Kong adolescents.
Hui, Viny Wan-Fong
December 2001
Primary view of The Nightingale in Poetry and Music
Blizzard, Amy
May 2003
Primary view of An Overview and Performance Guide to Manuel Ponce's Sonata III for Solo Guitar
Smith, Jay
August 2006
Primary view of Overview of America's Professional Choirs: Considerations for Establishing, Maintaining and Succeeding in the Creation of a Professional or Community Choir in the United States
Oppenheim, Joshua J.
December 2006
Primary view of Paintings and Palaces, or the Lament of the Burger Flipper
Salfen, Kevin McGregor
May 1999
Primary view of Pedagogical style and influence of Nadia Boulanger on music for wind symphony, an analysis of three works by her students: Copland, Bassett, and Grantham.
McCallum, Wendy M.
May 2004
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